The Film Developing Cookbook, 2nd edition is an up-to-date manual for photographic film development techniques. This book concentrates on films, their characteristics, and the developers each requires for maximum control of the resulting image.
The Film Developing Cookbook, 2nd edition is an up-to-date manual for photographic film development techniques. This book concentrates on films, their characteristics, and the developers each requires for maximum control of the resulting image.
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The Film Developing Cookbook Vol. 2 helps photographers acquire a working knowledge of photographic chemistry that is relevant to black and white film developing. It serves as a reference and refresher for photographers at all stages of their skill. It will help you to become more familiar with different developer formulas for achieving a wide range of pictorial effects, and teach you how to mix and use photographic solutions from scratch!
Softcover, 163 pagesĀ
ISBN: 9780240802770
I am in need of b/w chemistry related information. As an amateur photographer, I pursued a very dummy processing strategy so far: mix a certain developer and run all my film through it according to DigitalTruth recommended timings. In this way I obviously disregarded all the film/chemistry properties. Of course, from time to time I was very happy with the results, but more often I wasn't. Now I am willing to take my processing skills to a different level of quality. My question is: is there any kind of not-so-heavily-technical documentation regarding the processing properties of the most common developers (Ilford, Kodak, Rollei etc)? Ideally I would like to use such kind of "cheatsheet" for guidelines on how to choose proper processing mode for specific roll of film exposed at specific conditions. So far I worked with handful of developers: ID11, R09, Xtol, Microphen, LC29.
Wow. See, I use only Xtol 1+1, and use the digitaltruth timings, for various films. I'm very happy with my results and know now what I'll get when I shoot TMAX, or Acros, or HP5+ because my developer isn't a variable. When I shoot I want fine grain and at least box speed, so Xtol works ideally for me.
I'm not sure you're looking for the right thing in taking your "processing skills to a different level of quality" - but you can certainly get more grain, better shadow details, etc, with different developers and different film combinations. I'm just not sure knowing that developer X yields grainy negatives is as valuable as seeing a photographic possibility and saying "Hmm, this'd look great as a high-grain image" and then looking up the processing accordingly.
"The authors have compiled from sources ordinary and obscure a treasure-trove of information from the everyday to the experimental, all of it useful and interesting. Over the years following the first edition I have used this book as a guide for exploratory refinements to all processes in my darkroom. 60 new pages add new techniques, new formulas, and explanation of the mysteries of development." Gordon Hutchings, author, The Book of Pyro"This book is the most essential piece of darkroom equipment. It contains many of the best formulae - and the most useful information - from the entire history of photography. I only wish it had been published 53 years ago when I first fell in love with the darkroom."John Wimberley, Photographer"This indispensable book, the 2nd edition of The Film Developing Cookbook, is a mine of authoritative, interesting and practical information about every aspect of film and its processing. A ?must buy? book for darkroom fans of all levels."Tim Rudman. Fine Art Photographer and Printer, AuthorPraise for the Previous Edition:"This is an original, personal treatment of a complex technical subject. The author takes some unconventional positions, but his grasp of the underlying science is sound"T.H. James, author of The Theory of the Photographic Process"This elegant, user-friendly book clearly provides the photo-chemical information necessary for the photographer to be in control of his or her black and white film developing. I cannot praise the writing and design of The Film Developing Cookbook highly enough."Journal of the Print World"?this is a very important publication for every fan of the darkroom. You'll learn huge amounts of stuff about photographic processes." - www.photocrack.com
Bill Troop is the principal author of The Film Developing Cookbook, widely considered to be the standard contemporary work on black and white film processing and chemistry. As a photo chemist, he has designed many products including TF-4, the first commercially available alkaline fixer for black and white film and papers. In technology he was the first writer to champion RAID systems for personal computers, and he has designed several typefaces. Steve Anchell has taught digital and darkroom classes at Oregon State University, and has conducted workshops since 1979 at institutions such as the International Center for Photography, Santa Fe Photographic Workshops, and UCLA. He is the author of The Darkroom Cookbook, The Variable Contrast Printing Manual, and Mirrorless Interchangeable Lens Camera.
And photography in general. What are your suggestions? Recently I finished reading Jacobsons developing techniques and The manual of modern photography by Windisch. Now I am reading Light Science and Magic.
This book will help you to acquire a relevant knowledge of black and white photographic chemistry and processing as easy as possible. An up-to-date manual for photographic film development techniques. This book concentrates on films, their characteristics, and the developers each requires for maximum control of the resulting image.
When this book was conceived in 1980, photographic engineering was still an important field. But by 1982 photographic manufacturers were moving from traditional silver halide science to digital as fast as they could. They laid off thousands of photographic scientists and replaced them with electrical engineers and computer scientists. I had counted on seeing a lot of fundamental research completed before I finished my book: research into new developers, new films, and new fixing tech niques. This was never to be. It was a depressing time for photography!
A must-have for analog photography enthusiasts and any photography students using the darkroom. For in-depth discussion and questions on all things film or darkroom join the Darkroom Cookbook Forum, www.darkroomcookbook.com
Amazon FranceTrouver en bibliothqueTous les vendeurs _OC_InitNavbar({"child_node":[{"title":"Ma bibliothque","url":" =114584440181414684107\u0026hl=fr\u0026source=gbs_lp_bookshelf_list","id":"my_library","collapsed":true},{"title":"Mon historique","url":"","id":"my_history","collapsed":true}],"highlighted_node_id":""});The Film Developing CookbookStephen G. Anchell, Bill TroopFocal Press, 1998 - 163 pagesThe Film Developing Cookbook is an up-to-date manual for photographic film development techniques. This book concentrates on films, their characteristics, and the developers each requires for maximum control of the resulting image.
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Ā The Film Developing Cookbook specifically addresses the difficult subject of T-grain film development. It includes rarely found information on film development and the nature of film developers. This book will help photographers acquire a working knowledge of photographic chemistry that is relevant to black and white film developing and serve as a reference and refresher for photographers at all stages of their skill. be457b7860
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