With every Hanukkah candle we light, we remember the most important message of all: that we must always work to find light in the darkness and keep the light of religious freedom burning for all people and all time.

Then, in the hushed and darkened hall, the candlelight procession began. Girls in flowing white gowns with tinsel in their hair and at their waists filed by, singing a pretty song in a minor key. The leader was Lucia herself, portrayed by a young woman with a crown of lighted candles.


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British soul singer Annie Lennox contributed a stunning rendition of "Ev'ry Time We Say Goodbye" on 1990's Red Hot + Blue album, but her activism around HIV didn't end there. The Eurythmics front woman, a UNAIDS Goodwill Ambassador, released "Sing" off of her fourth solo album, Songs of Mass Destruction, in 2007. The track featured 23 prominent female artists, including Madonna, Fergie, P!nk, Gladys Knight, k.d. lang, and Faith Hill. And proceeds from the single went to raise awareness and treatment for women and children with HIV. The song also became the rallying cry for Lennox's Sing Campaign, her ongoing effort to continually shine a light on the disease.

From that day on, Psyche could think of nothing else but these words. Her sisters must be right. Why doesn't he come to me in the day? Why doesn't he allow me to see him? What is his secret? Why hasn't he ever told me about his life? These thoughts were puzzling Psyche for many days long. He must be hiding something horrible and that is why he does not want to be seen in the daylight. I must find out. Tonight, when he falls to deep sleep, I will light a candle to see him. If he is a snake, I will kill him. Otherwise, I will turn the candle off and go happily to sleep. He had taken her decision, forgetting all about her husband's warning.

Indeed, that night, when her husband fell asleep peacefully, she took courage and lit the candle. Walking on her toes she approached the bed and she felt a deep relief. The light did not show a monster but the most beautiful of men. Ashamed by her madness and her little confidence, Psyche fell down on her knees and thanked gods for this happiness. But while he was leaning on him, a drop of oil fell from the candle on the back of that handsome, young man. He woke up in pain and saw the light. He looked her at the eyes and, facing Psyche's distrust, he left their bedroom without uttering a single word.

From the beginning, the small, lighted candles distributed to Moravians in America were made from beeswax. Beeswax, considered the purest of all animal or vegetable waxes, suggested the purity of Christ. The candle, giving its life as it burned, suggested the sacrifice of the sinless Christ for sinful humanity.

And, at last, each was given a wax candle, lighted while hymns were being sung, and before one was aware of it, more than 250 candles were ablaze, producing a charming effect and a very agreeable odor, especially as they sang the concluding hymn.

The old woman laughed, pulled off her big gardening-gloves, and pushed Thea to the lounge before the object of her delight. The "piece-picture," which hung on the wall and nearly covered one whole end of the room, was the handiwork of Fritz Kohler. He had learned his trade under an old-fashioned tailor in Magdeburg who required from each of his apprentices a thesis: that is, before they left his shop, each apprentice had to copy in cloth some well-known German painting, stitching bits of colored stuff together on a linen background; a kind of mosaic. The pupil was allowed to select his subject, and Fritz Kohler had chosen a popular painting of Napoleon's retreat from Moscow. The gloomy Emperor and his staff were represented as crossing a stone bridge, and behind them was the blazing city, the walls and fortresses done in gray cloth with orange tongues of flame darting about the domes and minarets. Napoleon rode his white horse; Murat, in Oriental dress, a bay charger. Thea was never tired of examining this work, of hearing how long it had taken Fritz to View Image of Page 29 make it, how much it had been admired, and what narrow escapes it had had from moths and fire. Silk, Mrs. Kohler explained, would have been much easier to manage than woolen cloth, in which it was often hard to get the right shades. The reins of the horses, the wheels of the spurs, the brooding eyebrows of the Emperor, Murat's fierce mustaches, the great shakos of the Guard, were all worked out with the minutest fidelity. Thea's admiration for this picture had endeared her to Mrs. Kohler. It was now many years since she used to point out its wonders to her own little boys. As Mrs. Kohler did not go to church, she never heard any singing, except the songs that floated over from Mexican Town, and Thea often sang for her after the lesson was over. This morning Wunsch pointed to the piano.

Thea obediently sat down on the stool again and began, "Come, ye disconsolate." Wunsch listened thoughtfully, his hands on his knees. Such a beautiful child's voice! Old Mrs. Kohler's face relaxed in a smile of happiness; she half closed her eyes. A big fly was darting in and out of the window; the sunlight made a golden pool on the rag carpet and bathed the faded cretonne pillows on the lounge, under the piece-picture. "Earth has no sorrow that Heaven cannot heal," the song died away.

"Good-evening; will you go in?" she asked in a low, musical voice. "He is in the back room. I will make a light." She followed them indoors, lit a candle and handed it to the doctor, pointing toward the bedroom. Then she went back and sat down on her doorstep.

Thea, stirred by tales of adventure, of the Grand Canyon and Death Valley, was recalling a great adventure of her own. Early in the summer her father had been invited to conduct a reunion of old frontiersmen, up in Wyoming, near Laramie, and he took Thea along with him to play the organ and sing patriotic songs. There they stayed at the house of an old ranchman who told them about a ridge up in the hills called Laramie Plain, where the wagon-trails of the Forty-niners and the Mormons were still visible. The old man even volunteered to take Mr. Kronborg up into the hills to see this place, though it was a very long drive to make in one day. Thea had begged frantically to go along, and the old rancher, flattered by her rapt attention to his stories, had interceded for her. View Image of Page 54 They set out from Laramie before daylight, behind a strong team of mules. All the way there was much talk of the Forty-niners. The old rancher had been a teamster in a freight train that used to crawl back and forth across the plains between Omaha and Cherry Creek, as Denver was then called, and he had met many a wagon train bound for California. He told of Indians and buffalo, thirst and slaughter, wanderings in snowstorms, and lonely graves in the desert.

When Thea dined at the Harsanyis before, she noticed that there was an intense suspense from the moment they took their places at the table until the master of the house View Image of Page 182 had tasted the soup. He had a theory that if the soup went well, the dinner would go well; but if the soup was poor, all was lost. To-night he tasted his soup and smiled, and Mrs. Harsanyi sat more easily in her chair and turned her attention to Thea. Thea loved their dinner table, because it was lighted by candles in silver candle-sticks, and she had never seen a table so lighted anywhere else. There were always flowers, too. To-night there was a little orange tree, with oranges on it, that one of Harsanyi's pupils had sent him at Thanksgiving time. After Harsanyi had finished his soup and a glass of red Hungarian wine, he lost his fagged look and became cordial and witty. He persuaded Thea to drink a little wine to-night. The first time she dined with them, when he urged her to taste the glass of sherry beside her plate, she astonished them by telling them that she "never drank."

The casts, when she lingered long among them, always made her gloomy. It was with a lightening of the heart, a feeling of throwing off the old miseries and old sorrows of the world, that she ran up the wide staircase to the pic- View Image of Page 197 tures. There she liked best the ones that told stories. There was a painting by Grme called "The Pasha's Grief" which always made her wish for Gunner and Axel. The Pasha was seated on a rug, beside a green candle almost as big as a telegraph pole, and before him was stretched his dead tiger, a splendid beast, and there were pink roses scattered about him. She loved, too, a picture of some boys bringing in a newborn calf on a litter, the cow walking beside it and licking it. The Corot which hung next to this painting she did not like or dislike; she never saw it.

by Zvi LaskTranslated by Yocheved KlausnerThe Lask family founded the Jewish community in Raciaz – this is what I was told by my aunt Chava Lask, the wife of R'Yosef-Chaim Lask of London, both deceased (lit. “in the world of truth”). She visited Israel in 1950; she was then 90 years of age. She related that over 200 years ago, great-grandfather R'Itzik Lask came with his 10 sons and were the first Jews to settle in Raciaz. They dealt in leather. He had a secular library in Yiddish.I remember Friday nights at home. We sang the Shabat songs [zemirot Shabat] and also songs of Zion in Yiddish and Hebrew. On Shabat day, between Mincha and Ma'riv [the afternoon prayer and the evening prayer] he would always sing the Yiddish song “Di zun fergeit in flamen” [the sun sets in flames].On the holiday of Chanuka he would place on the window a large picture of the Hasmoneans (Maccabees) and left it there all day, so that the “Miracle of Chanuka” would be publicized during the day as well, not only at night (by the Chanuka lights). After lighting the Chanuka lights, he would sing with the children the Yiddish song “Oh, you little lights.”When War broke out, he wrote to his friend in Eretz Israel Yechezkel Bet-Halachmi z”l that he planned that year to conclude all his business in the diaspora and make Aliya to Eretz Israel with his family. May his memory be blessed!Translator's footnoteof blessed memory Return[Page 187] 2351a5e196

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