I want to make an image that would feature a burning candle and have the light from the candle a bit warmer than the rest of the scene. The non-candle light will come from a pair of speedlights. The exposure will be so that the flame is properly exposed and I'll fill with the speedlights to about 2 stops below that for the rest of the scene.

I'm not sure what the actual temp of candle light is. I know it's warmer than tungsten but other than than, I'm not sure.. I've been thinking that a full CTO combined with a tungsten white balance ought to be cool enough to keep the candle light warm and the rest of the scene neutral.


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The colour temperature of candle light is approximately 1500K. Any warm coloured gel should work but I don't think it is necessary. If you are playing with the white balance on camera, set it towards closer to tungsten 3200k rather than daylight 5500K. If you want to filter the lens instead, use any of the 80-82 series, (kodak ratings), cool to warm to get a cool tone or 81- 85 warm to warmest to get a warm tone.

The color temperature of a candle and a strobe are very different. Shooting straight flash at roughly daylight color temperature for the subject with candle light elsewhere in the image will give you some strange looking images.

If you can get a Rosco gels sample book you will have lots of different gels to try. They are just slightly too small for an external camera flash, but a couple of gaffer's tape tabs fixes that. A rubber band with then hold the gel in front of your flash.

The idea is to place the temperature of the light from the candle slightly warmer than the rest of the scene. Daylight or ungelled flash would be far too cold. Tungsten seems like it's 1000-1500k warmer and I'm hoping that's just enough to get a warm glow from the candle.

To answer your title, I was going to suggest to try "Incandescent" white balance, as it's closer to the candle WB than "Daylight" is. As with actually lit scenes using incandescent lighting, the candle light source using Daylight always shows a marked red cast. Hence trying to get closer to it.

For the first pic in the set, I used Photoshop's Adjustments - Photo Filter - Deep Yellow 25% fro a result that looked "natural" to me. This was after trying the various warming filters. If you try that, not the subtle change from straight (nearly all) blue of the base of the flame to a spread including some greens. The glowing tip of the wick also goes from a crimson (which candles look like that?) to a red.

Photographing any light source with any camera is tricky, because there is so much dynamic range in the scene. In the case of burning candles or a fire, the situation is the same as when shooting a scene with bare light bulbs. As can be seen my your examples, the light source is generally blown out, while everything else is underexposed. HDR is necessary, even if only by combining the scenes manually in an image editor, from two photos - one exposed for the light source, and one for the rest of the scene.

I think you've done a pretty good job with these, but you really need to shoot at least two very different exposures, and combine them. I'll use this last image as an example. In that photo the candle stick is quite underexposed, while the wall and candles are exposed just about right. Of course the candle flames are overexposed, and really require a much faster shutter speed. I would combine that with this image, and then add a third image, with a shutter speed of half or quarter of the shutter speed used in this last shot. SFD mode comes to mind, for those with a Quattro camera. Even SFD mode might not give all the exposures necessary though.

Sure, as other posters mentioned, you could adjust the white balance but there is some art here. The cooler white balance and the completely black background make me feel like the lights have just gone out and they're all I've got now. The best photography takes you somewhere you do not expect to go. This shot does it for me!

Actually I did my white-balance in SPP, as with every shoot, it became a reflex in SPP, I alway adjust the white balance... so I also did with the candle light, but I see now that it feels like artificial LED or EnergySaving Light sources.

The venue for this concert was the Bolling Haxall House in Richmond, VA. This is a historic mansion in the city, and was a perfect, intricate venue for a chamber music concert. It was especially beautiful in the glow of all the candles!

Instructions

Use photo printer to print a variety of photos onto vellum. Cut images to fit dimensions of your glass jars. Use double stick tape to secure photos onto glass. Place tea lights inside containers and light candles to make images glow.

Nevada System of Higher Education regent Byron Brooks honors the lives lost at UNLV the day prior to the candlelight vigil at Allegiant Stadium honoring fallen Nevada State Trooper Alberto Felix and Sergeant Michael Abbate.

Southeast Career Technical Academy hosted Clark High School during the Raiders' High School Flag Football Showcase game where the Silver and Black highlight and celebrate local high school flag football teams throughout the season.

Pinecrest Academy Sloan Canyon hosted Boulder City High school during the Las Vegas Raiders' High School Flag Football Showcase game where the Raiders highlight and celebrate local high school flag football teams throughout the season.

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Select a lens that will help you in order to supply enough light for your shot. You will have more light if your lens can capture images at a wider aperture (lower numerical aperture). Slower shutter speeds are possible with more light. This little fix can significantly alter the situation.

When photographing a subject at night using candles, you capture them when they fall into a little area of light. In this environment, long lenses are far more welcome than broad lenses. Professionals would advise using a lens longer than 50mm while taking photos. Most use their 50mm prime lens, which has an f/1.2 aperture. This will help you utilize an incredible depth of field with this aperture to go along with the gentle lighting.

I hope you have extra candles on hand in case one goes out. However, it is not the primary cause of additional candles. You must take lighting into account if you wish to include a backdrop scene in your photograph. Be mindful of the sort of light entering the scene if you want to employ any external lighting. You might have generated a pleasant candlelight glow, but this light might be a different hue and destroy it. Extra candles can be lit to illuminate the surrounding area. If the flames create unwelcome highlights, consider hiding the candles. To somewhat illuminate the space, place a candle outside the frame.

Be careful to wait to ignite the candles until you are prepared to begin reading the meters. If there is a model or clothing change, it will also be a good idea to extinguish the candles in between shots. Most essential, be sure there is no flammable material next to the flame. That goes for sheets, reflectors, and anything else for that matter. Things might quickly deteriorate with only a minor bump, so exercise caution! e24fc04721

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