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If your tablet or camera supports including location info and can connect to the internet or a mobile network when you take the photo, the Camera app can include latitude and longitude info with your photos.

Hi, for anybody still struggling with a similar issue, I have the same hardware as the pics from tiny-james and I did make it work with the sample example (Webserver) just carefully selecting the correct camera module. In my case, the one in the uploaded picture.

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In this type of situation it sounds like a good idea to establish a fresh connection between the camera and phone. Before starting a new connection I recommend a couple of things. I would first uninstall the Canon Camera Connect App from your smartphone, reboot the phone, and then re-install the App. This will make sure the the App is completely uninstalled and latest version of the App is installed fresh.

I would then go to the Wi-Fi option in the 3rd Setup (yellow wrench) section of the camera's menu, and set Wi-Fi to disable. After disabling the Wi-Fi turn the camera OFF then back ON. Now go back to the Wi-Fi option in the menu and enable it.

Now select the Wi-Fi function option in the menu and choose the Connect to smartphone icon to begin the connection again. If the Connect to smartphone screen shows "Choose Set." and "Review/Change settings", pick the review change settings option to go through the setup process again. If the Connection method screen appears choose the "Camera access point mode" option and proceed through the setup instructions on the camera.

I have a G7x mark 1 and and iPhone SE running iOS 12.1.4. Camera Connect has been working fine for at least a year but has now stopped working (possibly with the latest iPhone OS upgrade). Now the iPhone recognises the camera WiFi in settings but the camera will not find the iPhone. I have been through the business of deleting the app, rebooting the phone and reinstalling the app (2.0.0) and also 'resetting' the WiFi on the camera it still will not connect. Help please. This has been a very useful app and I am dismayed that it now does not work.

I am having the same frustrations. The app worked the first time i used it and when I tried to use it the next day it said no camera was found. I tried all of the suggestions with no luck. It is insane that this app doesn't work.

Tried the above solution, I don't know if something changed with that application, but on my R5, Bluetooth works fine; trying to connect to Wi-Fi easy mode (Android), it just endlessly never connects. The phone tries, and the camera see's it trying, but it never connects. Absolutely frustrating.

Unintuitively, the icon in the upper left that looks like it's meant to switch between your front and back camera will also cycle through your other attached cameras. At least, this worked for me on a Surface Pro 4 (front and rear camera) with a USB Microsoft LifeCam attached. The Camera application's version is listed as 2018.227.30.1000.

As of version 0.5.0 of the camera plugin, lifecycle changes are no longer handled by the plugin. This means developers are now responsible to control camera resources when the lifecycle state is updated. Failure to do so might lead to unexpected behavior (for example as described in issue #39109). Handling lifecycle changes can be done by overriding the didChangeAppLifecycleState method like so:

CameraAccessDeniedWithoutPrompt: iOS only for now. Thrown when user has previously denied the permission. iOS does not allow prompting alert dialog a second time. Users will have to go to Settings > Privacy > Camera in order to enable camera access.

The camera obscura, the precursor of the photographic camera, is a natural optical phenomenon named after its Latin translation, "dark room". It projects an inverted image (flipped left to right and upside down) of a scene from the other side of a screen or wall through a small aperture onto a surface opposite the opening. The earliest documented explanation of this principle comes from Han Chinese philosopher Mozi (approximately 470 to 391 BC), who correctly argued that the inversion of the camera obscura image is a result of light traveling in straight lines from its source.

Dating back to around 1550, lenses were used in the openings of walls or closed window shutters in dark rooms to project images, aiding in drawing. By the late 17th century, portable camera obscura devices in tents and boxes had come into use as drawing tools.

The images produced by these early cameras could only be preserved by manually tracing them, as no photographic processes had been invented yet. The first cameras were large enough to accommodate one or more people, and over time they evolved into increasingly compact models. By the time of Nipce, portable box camera obscurae suitable for photography were widely available. Johann Zahn envisioned the first camera small and portable enough for practical photography in 1685, but it took nearly 150 years for such an application to become possible.

The collodion wet plate process that gradually replaced the daguerreotype during the 1850s required photographers to coat and sensitize thin glass or iron plates shortly before use and expose them in the camera while still wet. Early wet plate cameras were very simple and little different from Daguerreotype cameras, but more sophisticated designs eventually appeared. The Dubroni of 1864 allowed the sensitizing and developing of the plates to be carried out inside the camera itself rather than in a separate darkroom. Other cameras were fitted with multiple lenses for photographing several small portraits on a single larger plate, useful when making cartes de visite. It was during the wet plate era that the use of bellows for focusing became widespread, making the bulkier and less easily adjusted nested box design obsolete.

For many years, exposure times were long enough that the photographer simply removed the lens cap, counted off the number of seconds (or minutes) estimated to be required by the lighting conditions, then replaced the cap. As more sensitive photographic materials became available, cameras began to incorporate mechanical shutter mechanisms that allowed very short and accurately timed exposures to be made.

The use of photographic film was pioneered by George Eastman, who started manufacturing paper film in 1885 before switching to celluloid in 1889. His first camera, which he called the "Kodak," was first offered for sale in 1888. It was a very simple box camera with a fixed-focus lens and single shutter speed, which along with its relatively low price appealed to the average consumer. The Kodak came pre-loaded with enough film for 100 exposures and needed to be sent back to the factory for processing and reloading when the roll was finished. By the end of the 19th century Eastman had expanded his lineup to several models including both box and folding cameras.

The first partially successful photograph of a camera image was made in approximately 1816 by Nicphore Nipce,[19][20]using a very small camera of his own making and a piece of paper coated with silver chloride, which darkened where it was exposed to light. No means of removing the remaining unaffected silver chloride was known to Nipce, so the photograph was not permanent, eventually becoming entirely darkened by the overall exposure to light necessary for viewing it. In the mid-1820s, Nipce used a wooden box camera made by Parisian opticians Charles and Vincent Chevalier, to experiment with photography on surfaces thinly coated with Bitumen of Judea.[21] The bitumen slowly hardened in the brightest areas of the image. The unhardened bitumen was then dissolved away. One of those photographs has survived.

After Nipce's death in 1833, his partner Louis Daguerre continued to experiment and by 1837 had created the first practical photographic process, which he named the daguerreotype and publicly unveiled in 1839.[22] Daguerre treated a silver-plated sheet of copper with iodine vapor to give it a coating of light-sensitive silver iodide. After exposure in the camera, the image was developed by mercury vapor and fixed with a strong solution of ordinary salt (sodium chloride). Henry Fox Talbot perfected a different process, the calotype, in 1840. As commercialized, both processes used very simple cameras consisting of two nested boxes. The rear box had a removable ground glass screen and could slide in and out to adjust the focus. After focusing, the ground glass was replaced with a light-tight holder containing the sensitized plate or paper and the lens was capped. Then the photographer opened the front cover of the holder, uncapped the lens, and counted off as many minutes as the lighting conditions seemed to require before replacing the cap and closing the holder. Despite this mechanical simplicity, high-quality achromatic lenses were standard.[23]

Collodion dry plates had been available since 1857, thanks to the work of Dsir van Monckhoven, but it was not until the invention of the gelatin dry plate in 1871 by Richard Leach Maddox that the wet plate process could be rivaled in quality and speed. The 1878 discovery that heat-ripening a gelatin emulsion greatly increased its sensitivity finally made so-called "instantaneous" snapshot exposures practical. For the first time, a tripod or other support was no longer an absolute necessity. With daylight and a fast plate or film, a small camera could be hand-held while taking the picture. The ranks of amateur photographers swelled and informal "candid" portraits became popular. There was a proliferation of camera designs, from single- and twin-lens reflexes to large and bulky field cameras, simple box cameras, and even "detective cameras" disguised as pocket watches, hats, or other objects.

In 1900, Eastman took mass-market photography one step further with the Brownie, a simple and very inexpensive box camera that introduced the concept of the snapshot. The Brownie was extremely popular and various models remained on sale until the 1960s. 2351a5e196