Camera FV-5 can (if the device and the currently selected camera also supports it) shoot true RAW photos with up to 16-bit per color channel depending on the device, as well as the usual JPEG. RAW photos are stored in the industry-standard DNG files (Adobe Digital Negative). RAW photographs store exactly the information as it was captured by the sensor, with no processing applied. Therefore, you can extract a lot of detail from the RAW image, and also you can process it to your liking, adjusting exposure from a greater dynamic range source, adjusting white balance, and applying any kind of noise reduction algorithm, just to name a few.

The focal length is a measure of how a lens converges light. It can be used to know the magnification factor of the lens and given the size of the sensor, calculate the angle of view. The native focal length of the sensor cannot be used for comparisons between different cameras unless they have the same size. Therefore, the focal length in 35 mm terms is a better reference.


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Shows the magnification factor of this lens compared to the primary lens of the device (calculated by dividing the focal length of the current lens by the focal length of the primary lens). A magnification factor of 1 is shown for the primary camera, ultra-wide cameras have magnification factors less than 1, and telephoto cameras have magnification factors greater than 1.

It displays whether this lens can be set to focus at infinity or not. Even if the camera supports autofocus and manual focus, it might happen that the focus range the lens is able to adjust to does not include the infinity position. This property is important for astrophotography, as in such low-light scenarios the automatic focus does not work reliably.

The distance from which objects that are further away from the camera always appear in focus. Therefore, if the camera is set to focus at infinity, any object further away from this distance will appear in focus.

The range of supported manual exposure in seconds (minimum or shortest to maximum or longest). This camera might support exposures outside this range, but only in automatic mode and not in manual exposure mode. Also, note that this range is the one third-party apps have access to, as often the first-party app preinstalled on the phone by the manufacturer might have privileged access to the hardware and offer longer or shorter exposures times.

The range of supported manual sensitivity (ISO). This camera might support ISO sensitivities outside this range in automatic mode. Also, note that this range is the one third-party apps have access to, as often the first-party app preinstalled on the phone by the manufacturer might have privileged access to the hardware and offer an extended manual sensitivity range.

I predict that smartphones, or some evolution of them, will become truly enthusiast-oriented and professional-level photography tools, equal to or better than the best cameras we use today. The current progression of available technology indicates that it is inevitable.

I packed a bunch of different cameras on this trip, including the Sony a7II with a bunch of lenses, the compact Sony RX100 III, an old 35mm film Olympus 35RD Rangefinder. But the camera that I was most excited to try using for astrophotography was my smartphone, the OnePlus One.

Essentially, without going too deep into details about the sensor, the Exmor RS sensor is significantly more efficient and sensitive and has the electronics architecture to produce images with less noise and better detail, per pixel, than the more conventional CMOS sensor designs found in most full size DSLRs and enthusiast cameras. In other words, the OnePlus One and other smartphones that use similar camera sensors are more technologically advanced designs than our large sensor cameras.

Physics dictates that a camera can only record as much light as it collects, and a smaller lens collects a lot less light. Assuming equal levels of sensor efficiency, the only way for a smartphone to collect more light using such a small lens is to increase the exposure time or increase the number of cameras.

Multi-camera arrays. In the same manner that I used multiple separate exposures on OnePlus One to enhance the results through image stacking, I can collect more light by increasing the total exposure time. A multi-camera array would allow a smartphone to perform the same operation automatically and instantaneously at the time of capture. Essentially, the more data we can collect at the time of capture, the cleaner and more detailed the photo will be.

You already saw the improvement possible by combining 4 separate photos above. Now imagine if you had an array of 16 or more cameras that could perform the same operation instantaneously and automatically from a single device.

There are already market indications that multi-camera array technology is going to come to our smartphones. In a recent news release, Apple Inc. acquired the Linx Imaging company, a group developing multi-camera array technology. Similarly, another startup company called Light recently announced a deal with Foxconn, the same manufacturer that Apple Inc. uses to build its iPhones and MacBooks. Light is pitching their multi-camera array technology as one that will be capable of matching the capability of a DSLR.

If manufacturers continue developing hardware and software combinations, like in the OnePlus One and LG G4, that directly target the enthusiast-level camera, the smartphones of the future are going to be awesome.

Thank you Gopi. Same tripods for both, depending on the situation. All the phone shots from Valley of Fire were on the Sirui T-025X while the White Sands phone shots were on the Dynamic Perception D-Pod while the other was used for the a7II. Both tripods have Arca-Swiss compatible ball heads installed so I can use the same tripod plates on all my cameras.

Camera FV-5 is a photography app that adds more customisation to a phone's standard camera. Based around the standard functionality of a DSLR, user are presented with a simple interface with clearly labelled features including auto white balance, viewfinder, adjustable parameters and more. Time-lapse mode is also available with manually set shutter speed. While the overall performance of Camera FV-5 is top-notch, some smartphone models simply do not work with the app. These are not listed, and with no trial mode, is a gamble.

Hi. I've been testing out some camera apps for night time shooting and found the FV-5 to be superior in ways (but not the low bitrate support on it). It was made with better filming in mind and has some handy guide layout. But it has one feature I could not find in opencamera, a manual shutter time control. I can get much clearer pictures this way. But I've had other night vision like apps with some other common video set which get insane exposure with extreme noise and only a smaller useful circle. However, I found in open camera if I set things to auto (or was that iso3200) it can auto adjust reasonably. The trick is electronic exposure, but not too high, which causes a shrinking clearer circle of picture, and setting the contrast control down in picture controls. However, there is some bug, where setting iso3200 may loose brightness but then setting iso50 gets more but more washed out. But it is obvious, that even though iso3200 is the highest manual setting, the auto iso uses at least up to iso6400. I think FV-5 might have been the one with immersive veiw function to get all those glarey icons, like in opencamera off the screen, but that could have been the permissions heavy best camera which has noise filter etc, and was rather good except fur some failings I can't remember. It, like some other cameras, had software processing for noise and lowlight (at least on their low light camera version). Another opencamera versions have the exposure under the iso tab, which is useful. I remember at least one day t these, setting hdr in a scene mode lead to much better night time pictures.

So, anyway, the difference you see could be simply how it is setting up and controlling exposure in camera, or processing functions. The gain over slower shutter would lead to more noise but crisper edges on motion, versus the opposite.

So for the first time in my life I went camera app hunting. First I found Camera FV-5 and tested the free trial version. Didn't take long before I bought the paid version. Was thrilled, even a histogram and focus magnification! Until I looked at the shots. The highest resolution I can use is 5.31 MP. I have a 48 MP camera.

The LowePro PhotoSport Outdoor is a camera pack for photographers who also need a well-designed daypack for hiking and other outdoor use. If that sounds like you, the PhotoSport Outdoor may be a great choice, but as with any hybrid product, there are a few tradeoffs.

If you want a compact camera that produces great quality photos without the hassle of changing lenses, there are plenty of choices available for every budget. Read on to find out which portable enthusiast compacts are our favorites.

What's the best camera for travel? Good travel cameras should be small, versatile, and offer good image quality. In this buying guide we've rounded-up several great cameras for travel and recommended the best.

Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder.

Note that exposure bracketing and time-lapse photography are just two things you can do with Camera FV-5. The app gives you control over every imaginable aspect of your smartphone camera. If you're a dSLR photographer, it'll make you feel right at home.

All conditions are the same, only I've pushed the EV slider to the +1 mark. Again, obvious for any dSLR shutterbug, but not something I've seen on many smartphone camera apps. You get to control how bright the resulting shot would be, and you can also see how that brightness is produced (in this case, ISO remains at 50, but the exposure time jumps from 1/800ths of a second to 1/200). ff782bc1db

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