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Dead Or Alive Nude Mod
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"Piece of Ass Lost." The necropolis pictured by a dead poet in Ellroy's Clandestine. Poet cop. The mouthpiece of fate. Exploitation as love. Women who don't get older. Women as men. It doesn't matter. The U.S. number one in violent death just past Mexico and Brazil. First in the First World and the Third. The guardian of the infested spirit. Someone follows a woman. She is not a muse but a fate. She talks too much.. They drink together.They eat. Is she one of many or a singular masterpiece. Impossible to follow him down that street. The action is complete to the degree that it is not legible. Or transferable to another medium. It is not unfinished but undone. Not the crime but the gun. The piece of string with which you hope to find yourself. Missing. She was missing her head. What we have is a reconstruction.
Diana watches herself on TV. She wanders absently around the house. She is not dead. She is an artist. The interview reveals everything she hopes for. There is a queen and a corpse. She finds her cigarettes and begins to smoke. She is seventy. Voluptuous as parchment. Thickly written. She takes into herself a sense of death. She lets it out.
She wonders how to preserve access without giving into a deadened sense of hierarchical exclusion. Now that authority has been shown to be the shuck it is. To provide a method for reading, to alter the activity of reading itself. In retrospect or in the sense that it had already taken place. She read the scene before the crime. Or we wouldn't be having this conversation. His ambition is naked, mechanical. He also wants to read.
Madeleine is weak but alive. Unconscious. He takes her to his apartment on Russian Hill. He kicks open the bedroom door, placing her carefully on his bed. He first takes off her shoes. She stirs but doesn't wake. He holds her in a sitting position, unzipping her dress in the back. Pale wide shoulders, wet slip, brassier. He pulls her dress and slip over her head. He becomes aware that her breasts are against him. Nipples like buttons. He works quickly against her waking. Unfastens garters. Peels off stockings. He reaches around her waist and has some trouble with clips. He begins to breathe hard but quietly. Her head falls back. Her neck is long and white. His hands are dark against her skin. He is careful with his hands like a surgeon. He draws the blanket over her. Even in this drowned sleep there is a defensiveness to the set of her features. He stares only briefly. His audience, himself, is aware of the contrivance of his composure. But is unaware that her unconsciousness is an act. He knows only in retrospect. Perhaps she knows that he is both protector and killer. She seems to be in control. Also looking back. But she is out of her depth. be457b7860
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