Breathless is the 1998 Indi-pop album by Indian singer-composer Shankar Mahadevan featuring lyricist Javed Akhtar. It was the album that first made Shankar Mahadevan famous. The title track, "Breathless," is a steady stream of a song that goes on without a break, stanzas, verse or apparently even a pause for breath. The length of the part of the song which is 'breathless' is about three minutes. Mahadevan made the album in collaboration with Akhtar, a reputed lyricist in the Indian music industry. Renu Desai was a model and appeared in the music video of Shankar Mahadevan's "Breathless". The album won the award for Best Non-film Album at the 1998 Screen Awards.[1]
I will gladly admit that I have tried and failed repeatedly;
heck, I have even tried _reading_ the lyrics (not singing)
along as with the music system playing either song, and
I find that I need to stop and breathe "at least 4"
times.There's got to be some trick to this whole thing. What?-UVR.
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Though I have heard the piece myself, I recall reading about this when this
was in the news. Different pieces were recorded and studio edited to make
them appear continuous. BTW, there was a song by SPB sung during 88-90
timeframe for a Tamil/Telugu bilingual filmed on himself (on a beach IIRC).
I understand SPB really sang "breathless" several lines. Anybody know the
song (I can recall some of the tune but nothing else).- Balaji> -UVR.
>
I think this was, at least for the film, really breathlessly
executed. It's quite hard, but not impossible, to imitate.
I have also seen SPB sing this in a live concert, but there
he didn't bother to really make it breathless (he took one
*cleverly concealed* breath in the middle of the 'breathless'
antara). It was still a good effort, but it was kind-of
silly to see him try to pull a fast one on the audience by
taking those "lots of breaths afterwards". The saving grace
was (perhaps as was to be expected) he sang one antara in
Telugu and another in Tamil.MM Kreem had Sunidhi do a *much* shorter, but nicely executed
'breathless' stretch in Sur -- "dil me.n jaagii dha.Dakan aise
pahalaa pahalaa paanii jaise, aisaa chhaayaa mujhape jaaduu,
haa haa hii hii he he ho ho, bhuulii mai.n sab aanaa jaanaa,
gaanaa vaanaa, khonaa paana, kisaki nigaaho.n se"-UVR.
Saarisa sasarisa sasarisa saarisa
Ririnini ririnini madhanisa
Rigari ririgari ririgari rigari
Gagariri gagariri sarigama
Paadhapa papadhapa papdhapa paadhapa
Saasadhaadha Saasadhaadha madhanisa
Saarisa sasarisa sasarisa sasarisa
Gaagariri gaagariri madhaniriIndra dhanussukal neettee dhevakal
Aadhi naama gangayaadi raghupathi
Raama jayam raghu raama jayam
Sree bharatha vaakya bindu choodi
Sodhara paadhuka poojayil aathma padham
Pranavam vidarnnulanjulanja sarayuvil
Manthra mathanga tharanga sukham
Sara vega theevra thaalmeeki
Maaruthiyaay ....aa...aa....in one breath (I think).. (Lyrics courtesy musicindiaonline).
Cheers,
Prasanna
In general, Yesudas' pitch accuracy is not as good as what it used to
be in years past in this song...I would have loved to hear how
effortlessly he would have handled this had it been recorded 10-15
years earlier.Sanjeev
The Tamil version is "maNNil inda kaadal aNDri yaarum vaazhdal
koodumo". If you listen carefully, you can hear the edits in there too,
though I have no doubt that SPB could sing at least the majority of
this in one breath live.Sanjeev
I had this song recorded, I am pretty darn sure that KJY took a cleverly
concealed breath
after the 'swara' part. It looks like he has gone breathless in the
whole anthara. He seems
effortless in this song. A very very good song, I don't know which raga tho?
In a BBC interview a few years ago, SPB rubbished the whole
"breathless" thing, saying (in essence) that Shankar Mahadevan's song
was the result of recording trickery and that his own "breathless" song
owed a lot to trickery too!Warm regards,
Abhay
In the year 1999, Javed Akhtar and Shankar Mahadevan were promoting
"Breathless" at "Shopper's Stop - Andheri, Bombay" and Shankar
Mahadevan sung the song for the audience there. Sung pretty well albeit
with heavy breaths. He "seemed" to have incorported all the lines in
what appeared to be "a single breath". FYI.
>
> Though I have heard the piece myself, I recall reading about this when this
> was in the news. Different pieces were recorded and studio edited to make
> them appear continuous. BTW, there was a song by SPB sung during 88-90
> timeframe for a Tamil/Telugu bilingual filmed on himself (on a beach IIRC).
> I understand SPB really sang "breathless" several lines. Anybody know the
> song (I can recall some of the tune but nothing else).
Song: Mannil Indha Kadhalandri
Film: Keladi Kanmani [1990]
Singer: Balasubramanyam S. P.
Music Director: Ilayaraja
Lyricist: Unknown [Anyone aware of the lyricist?]
Audio Link: >
> - Balaji
>
> > -UVR.
> >Pleasant musical times!Kizzy
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October is my favorite month. Today is my birthday, I love the splendor of autumn leaves against clear blue skies. I love to pull out sweaters and start to layer again. I love the cooling of the air, the color orange, heirloom pumpkins, anticipating another hour of sleep when daylight savings time arrives. Today I also celebrate a new partner for my consulting business (details to follow). Tonight, dear friends will gather and toast to my life and my husband will prepare my annual lobster dinner. How lucky I am. How grateful and grounded I feel.
Waking to the news of the Las Vegas tragedy, I move through shared grief and feel breathless and slightly raw. My mind jumps to our local IBMA festival that closed last night right down the street from my home and how much deeper this wound would have been if the unthinkable had happened here in Raleigh. Holding onto these feelings of personal joy and collective sorrow is my journey today on this heartbreakingly beautiful crisp fall day. Opening my heart, slowing down, breathing more deeply, paying more attention to all of the gifts in my life.
If my anarchist friend O were here, he would accuse his boyfriend of being a liberal. Complain about how P wants to pressure O to get an eight-to-eight desk job or go back to graduate school. P thinks O is a fascist in denim cutoffs and a black t-shirt with holes fraying around the shoulder blade.
At seven, most park visitors get the hint from private security, and in unison, we climb breathless up and over the rail bridge, back to Piety, maybe to dinner, and far from understanding why we need a wharf in the first place.
Reviewed by: Gran Fanfare Jim Farrington Gran Fanfare. DVD. Thomas Clamor / Venezuelan Brass Ensemble. Directed by Michael Beyer; recorded live at the Konzerthaus Berlin, 4 September 2007. [Berlin]: EuroArts, 2007. 2056788. $28.98. For more than thirty years, Venezuela has promoted classical music among its children and young adults like no other country in the world. The National System of Venezuelan Youth and Children's Orchestras (known as el sistema) is perhaps best known throughout the world for the Simn Bolvar Youth Orchestra (SBYO), whose video performance of Leonard Bernstein's West Side Story dances under Gustavo Dudamel created such a stir.
The exuberance and total musical commitment exhibited by the Simon Bolivar Orchestra is also displayed by the Venezue lan Brass Ensemble (VBE). Founded in 2003 by its director, trumpeter Thomas Clamor, Gran Fanfare is their first DVD; the group also has a CD (We Got Rhythm! on EMI) with some of the same repertoire. However, to hear them play captures only part of their magic. The visual aspects, especially in some of the later works, incorporate everything from spinning instruments to trumpets being played into the bells of tubas and horns, a technique I have never before seen.
One of the works that is on both discs is the DVD's title work, by the young Ven ezue lan composer Giancarlo Castro (former principal trumpet of the SBYO). An exciting and virtuosic showpiece, its nearly nine minutes belies the fanfare of its title. The VBE plays Gran Fanfare with verve, and with a lightness that allows them to fly through the work's fast outer sections. There are times, however, when things are too exuberant. Clamor takes some tempos a bit quicker than perhaps they warrant, as in, for example, the famous piccolo trumpet part in the "Samuel Goldenberg and Schmuyle" section of Pictures at an Exhibition. The members of the VBE have no difficulty playing at any tempo or in any range, however, leaving no wanting on the part of the listener for woodwinds or strings.
If the first half of the concert is about big pieces and ideas, the second half is about youthful enjoyment of music making. Several smaller works of South American origin are intermixed with Bernstein (dances from West Side Story) and George Gershwin's "I Got Rhythm" (of which the VBE has an abundance). Zequinha Abreau's well-known "Tico Tico" provides an excellent vehicle for concertmaster Tomas Medina to display his virtuosity. Guerrra de Secciones, written by former VBE member Flix Mendoza, allows the entire ensemble to revel in the rhythms and sounds of South America, including an extended section of percussion and call-and-response vocalizing. This might have been an exciting end of the concert, but the VBE were called back for three encores. The arrangement of "I Got Rhythm" includes extensive choreography that harkens more to Earth, Wind & Fire than to the Berlin Philharmonic. The finale, a reprise of "Mambo" from West Side Story is taken at a tempo that almost defies belief, leaving the audience breathless. The VBE is truly an astonishing group of young musicians. 152ee80cbc
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