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At issue is a text-message ringtone that emits the same pitch as the Mosquito. Using it, students can learn about a new message while they're in class -- where they're not supposed to be using their cellphones. Most of their teachers can't hear the alert.

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Mariah Carey, Bon Jovi, Wet Wet Wet - just some of the artists in the charts in 1994. But there was one sound that defined the year, and that was the iconic Nokia ringtone that had an entire generation reaching for their pockets.

An impossibly jaunty tune suddenly erupts from the uncharted depths of my handbag. According to the selection of ringtones that came with my four-year-old mobile phone, it is called the "The Buffoon". Alexander Amosu, who is sitting next to me, laughs. "It's quite poor," he says of the irritating, tinny drone. And he should know. For Amosu is the man who launched what is now the UK's number one provider of mobile-phone ringtones.

Luckily for the 28-year-old, there are a great many people out there who would never put up with such an unfashionable trill on their handset. Last month, for the first time ever, the sale of mobile ringtones is believed to have topped those of CD singles sales, which average 70m a year, according to the Mobile Data Association. This year's growth of about 60 per cent is expected to continue in 2004, creating a 100m industry.

One result of this unforeseen boom is the creation of a generation of ringtone millionaires. And Amosu's rag-to-riches story is typical. It was in 2000, aged just 24, that he accidentally stumbled on his lucrative new career. Amosu sent his brother a ringtone he had made on a phone with a composing facility. The tune was "Big Pimpin'" by Jay-Z, which he had listened to over and over again, painstakingly keying in the tones on the keypad.

His brother's phone went off at college and immediately all his friends wanted it. At the time, the vast majority of people only had the ringtone that came with their phone. Already a budding entrepreneur - he had been earning extra money at college by staging parties and balls - Amosu made his brother's friends come round to his house and pay him 1 for the ringtone. In the first day he made 7. "I thought: 'That's fantastic! What would happen if I made a catalogue of ringtones and advertised it?' My brain went into work mode." He did some research and found only one company in the UK and several in Germany providing ringtones.

Amosu decided to specialise in R&B music and, within six weeks, had come up with a further six ringtones. He installed an extra phone line, with a premium-rate number charging 1.50 a minute, in the council house he was living in with his parents. He advertised the number on the back of 20,000 fliers he made for his next party. On the first day, R&B Ringtones made 97. Amosu gave up university.

Within four months he had moved the operation out of his parents' council house into two offices in Islington, and employed 21 staff selling 1,000 ringtones. "We were making the songs all day long as they were coming out," he says. In the first year the turnover was 1.2m. In 2002, he was Young Entrepreneur of the Year at the Institute of Directors Black Enterprise Awards.

At one time ringtones could only be downloaded from the internet. Now one simply has to dial a number advertised in magazines, newspapers or on television and the ringtone is sent to the buyer's handset in the form of a text message at a cost of between 1 and 3.50.

The popularity of ringtones has been further increased by record companies, which now add downloadable ringtones to some of their releases. A few labels have even released the ringtone version of a single before the CD, such as "Mandy", by Westlife. "It's common practice now for music groups and companies to consider mobile content as part of their launch strategy," says Roger Craven, marketing director of Amplefuture, the mobile software developer.

Another reason for increased demand is the fact that the variety of ringtones has increased by about 1,000 per cent in the past year. As well as pop, classical, jazz, national anthems, and film and TV theme tunes, there are also animal noises made available by the British Library, courtesy of its vast sound archive, which include colobus monkey calls, a desert cobra attack, loons yodelling and cattle lowing.

The quality of sound has also vastly improved. Many phones are now polyphonic, capable of playing multiple tracks, rather than a series of notes. An increasing number have the capacity to play CD-quality "true tones". Sadly, however, true tones may well turn out to be the most irritating rings of all time. Nokia's, for example, include snoring, screams, a toilet flushing, glass breaking and, in particularly dubious taste, the sound of a car screeching and crashing.

A year ago he sold 80 per cent of R&B Ringtones. He refuses to say how much for or to whom. Amosu still provides the company with 11,000 monophonic, 7,000 polyphonic, and 1,000 true tone ringtones. He still owns R&B World - the former parent company of R&B Ringtones - which is now the UK's number one provider of mobile ringtones and graphics. The cash enabled him to set up www.mobsvideo.com, which provides 30-second video clips for mobile phones. By the end of the year, he hopes to expand it to entire programmes and films.

Mixing dynamic and active drive music with orchestral and modern instruments can be used as breaking news music. You want something that would make the audience feel like they are in the right place at the right time to get the information firsthand.

For a record-breaking fifth week, T-Pain tops the chart at #1 with "Buy U A Drank (Shawty Snappin')," and in less than four weeks has surpassed the million mark in ringtone sales. The highly-captivating song is simultaneously club-centric and romantic; the smash single is from his upcoming sophomore album Epiphany, in stores June 5th. Newcomer and St. Louis native Huey moves up to #2 with his break-out single "Pop, Lock & Drop It." Huey has taken the video and radio charts by storm with the addictive dance and chorus from "Pop, Lock & Drop It" and interest is rapidly building for his upcoming debut album Notebook Paper due out June 19th. Rounding out the hit-making trio at # 3 is R&B legend R. Kelly with his latest single "I'm a Flirt Remix." The smash single adds to his prodigious hit-making legacy and is from his upcoming and highly-anticipated album Double Up, dropping May 29th.

Zomba's chart success with these ringtones demonstrates the adaptability of the Zomba Label Group to an ever-changing music market and its proactive approach to the rapidly increasing importance of mobile sales and marketing. Taking advantage of mobile fan clubs, text messaging, and sales opportunities with major mobile carriers, the Zomba Label Group is a leader in this ever expanding market. The sale of ringtones and other mobile content in each of these instances have in turn proven to be an effective tool in securing radio and video airplay, as well as in breaking new artists such as Huey. ff782bc1db