Necrodios have been grinding since 2004, shaping their identity through persistence and a devotion to death metal that never wavered. Their 2007 debut EP Sardonic Fate set the tone early — tightly wound riffs, crushing rhythmic weight, and a fixation on ancient history, mythology, and the darker edges of human conflict. It marked the start of a catalogue built on intent, precision, and force.

Their live reputation is just as defining. Necrodios deliver explosive, with razor‑focused live performances, a combination of precision and weight that has cemented them as a long‑running Canadian death‑metal force still hitting with purpose every time they step under the lights.

The Pulse of Oblivion: Inside Necrodios

What does the upcoming release Bitter Tidings represent for Necrodios as the band moves into 2026?

Necrodios has been away from the scene for over a decade, so this release is especially meaningful to me. Back in the early 2020s during the COVID period, I genuinely thought we would never play as Necrodios again, which led to the formation of In Your Blood. After a few shows with IYB, I started to feel the weight of unfinished business with Necrodios. I still have a large folder containing 11–15 songs that may never see the light of day.

We tried several drummers when discussing a return, but nothing felt right, so I reached out to Kaveh. It was something of a “Hail Mary,” as he was already committed to three or four bands at the time. Once we started jamming the old material, everything clicked immediately. Fast forward to 2026, and we’re back in full stride, as if Anomie Dominie (2012) had been released just a year or two ago. In that sense, Bitter Tidings is a clear statement that Necrodios is back. As for the deeper meaning of the release, I’ll leave that to Jet to explain.

How did recording at Skaldic Studios shape the sound, atmosphere, or performances captured on Bitter Tidings?

Chris at Skaldic Studios is exceptional to work with—I can’t recommend him enough. From a sound and atmosphere perspective, we were aiming for something thick and powerful, but still raw and not overly produced. Chris was incredibly patient and attentive, and he captured exactly what we were looking for.

Which musical influences—classic or modern—played the strongest role in shaping the direction of this new material?

Jericho: About three-quarters of the songs on Bitter Tidings were written over a decade ago, before our hiatus. Musically, I tend to stay within my core influences like Slayer, Nile, Behemoth, Melechesh, and Absu. At the time, I was also listening to a lot of Indonesian death metal. “Conjuring the Foul Winds of Id,” in particular, was heavily influenced by the Indonesian band Deadsquad.

How does Necrodios typically approach the writing and recording process to balance heaviness, precision, and atmosphere?

The writing process usually begins individually using Guitar Pro. Jet, Kaveh, or I will write an entire song and then pass it back and forth for harmonies, melodies, and solos. (Dave also wrote a song years ago—it’s still sitting in a folder somewhere.) Once the ideas are refined, we rehearse the material in the studio and finalize the drum parts. When the songs are ready for live performance or recording, Kaveh edits the drum parts in Guitar Pro to mirror what he plays live.

Did any tracks on Bitter Tidings undergo major changes once the band entered Skaldic Studios compared to their earliest versions?

There were no major changes to song structures or guitar parts once we entered the studio. The biggest difference is the overall recording quality, which is a significant improvement thanks to Chris at Skaldic Studios. Earlier versions of “Conjuring” and “Shrine” were recorded with Boom, who is now our drummer in In Your Blood. Those recordings were never officially released, but they are available on our Bandcamp for anyone interested.

How does the band translate the density and detail of the studio recordings into a live performance that maintains the same impact?

We keep our live setup relatively straightforward. The songs are written and recorded to translate well to a live setting. When additional guitar layers are added in the studio, they’re usually meant to emphasize harmonized sections—for example, adding an octave to a melody. In a live context, the natural overtones from guitar distortion allow me to focus on the main melody while still maintaining the song’s impact. Sometimes I’ll play the octave but it really doesn’t change much of the song.

How has that internal chemistry—both musical and personal—shaped the band’s growth over the years?

Jet is my brother and longtime partner in crime, so our chemistry is chaotic, organized, ugly, and beautiful all at once. We’ve been playing together for about 40 years, and we have our own language. Within Necrodios, most of the bickering tends to happen between Jet and me, and it’s usually resolved by a vote from Dave and Kaveh. Both of them are staples of the Toronto underground scene and consistently bring a mature, professional attitude to the band. Musically, we share similar influences rooted in underground black, death, and thrash metal, blended with Eastern and Middle Eastern elements. Because of that shared taste, writing together feels very natural. In terms of growth, we’ve become more flexible, organized, purposeful, and efficient. Despite balancing day jobs, families, and collectively playing in eight or nine bands, everyone remains fully committed to the project.

Are there any shows that stand out as particularly memorable or defining moments for the band, either for the performance or the crowd energy?

Before our hiatus, we had the opportunity to play with touring bands in larger venues, which were always exciting and memorable. That said, some of the most unforgettable moments came from local shows with local bands and questionable promoters—those stories still come up regularly. More recently, our return at Ontario Death Fest in 2024 stands out. Opening for Gutalax and then jumping into the pit afterward was quite an experience. Early last year, we played a Bonecrusher show with Human Compost during a snowstorm. There’s something special about knowing that everyone who attended made the full Canadian winter trek just to bang their heads to your set.

As the band prepares to release Bitter Tidings, what direction feels most compelling for Necrodios moving into 2026 and beyond?

Three of the songs on Bitter Tidings were originally intended for an 11-song album I wrote before our hiatus. Since then, we’ve selected additional material from that collection and are currently preparing those songs for live performances. In many ways, we’re simply picking up where we left off in 2014. As mentioned earlier, I felt the weight of unfinished business. The only way to resolve that is to move forward. That means finishing old songs, writing new ones, recording, touring, and doing exactly what we should have done in 2016.

We’re aiming for an album in 2027—possibly earlier. A music video is scheduled for release on January 10, ahead of the EP, and we also have a few shows planned around the GTA this winter.

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