A good compilation gives power to already great songs by presenting them in a new context. Blue Coast Instrumental is no exception. This collection of songs from the Blue Coast catalog highlights the top-notch musicianship of the Blue Coast artists. By focusing specifically on instrumentals, we are able to fully appreciate the lush and full sound of the instruments themselves. This is also a strong testament to the strength of the recording itself. With everything else stripped away, you can really hear the difference. Without lyrics to hold your focus, you instead hone in on the intricacies of the melodies, the masterful picking of a guitarist, the soft and precise touch of a pianist. Blue Coast Instrumental is a showcase of both the beauty of instruments themselves and the mastery of the artists that play them, all elevated by the audiophile quality of the recordings.

The Blue Notes is our premiere instrumental performing group. Blue Notes members learn a variety of jazz and popular genres including swing, funk, soul, rhythm and blues, and rock and roll. This group often performs at various school and community functions.


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In 2009, the United Nations Environment Programme (UNEP), the United Nations Food and Agriculture Organization (FAO), and the Intergovernmental Oceanographic Commission of the United Nations Educational, Scientific and Cultural Organization (UNESCO) jointly released Blue Carbon: An Assessment Report on the Role of Healthy Oceans in Carbon Sequestration, which put forward the concept of blue carbon and pointed out that more than half (55%) of the carbon captured by natural ecosystems globally through photosynthesis is captured by marine organisms.


Figure 1: the schematic diagram of carbon exchange between plants, atmosphere, coastal and seawater. The red arrows indicate the carbon emissions, the green arrows indicate the carbon absorption, and the blue arrows indicate the exchange and deposition of DOC (Dissolved Organic Carbon), DIC (Dissolved Inorganic Carbon), and POC (Particulate Organic Carbon).

According to the Blue Carbon Initiative, the most economically viable countries for mangrove blue carbon projects are located in Southeast Asia, namely Indonesia as it is home to the largest ecosystem of mangroves on the planet. Its high mangrove population has great climate mitigation potential and stimulates the Carbon Credit Scheme. Plus, costs can be reasonably low in these parts of the world. Any future rise in carbon prices could greatly expand the range of fiscally viable mangrove blue carbon projects, their climate mitigation potential and financial returns.

The blue tang is of minor commercial fisheries importance, however it is occasionally utilized as a bait fish. The flesh has a strong odor and is not highly prized. This fish may cause ciguaterra poisoning if consumed by humans. However, blue tangs are collected commercially for the aquarium trade. An unwary human who tries to handle the blue tang risks the chances of being badly cut by the caudal spine. These spines, on both sides of the caudal peduncle, are extended from the body when the fish becomes excited.

The blue tang is found in the western Atlantic Ocean from New York and Bermuda to the Gulf of Mexico, south to Brazil. It is abundant in Florida, Bahamas, and the Caribbean Sea. In the eastern Atlantic Ocean it occurs near Ascension Island.

Tangs are found in coral reefs and inshore grassy or rocky areas at depths of 6-131 feet (2-40 m). In coral reefs, blue tangs live in holes and crevices where they are sheltered from predators while they sleep at night. The blue tang lives singly, in pairs, or in small groups of up to 10 or 12 individuals, although occasionally it forms large aggregations that forage about the shallow reefs, grazing on algae. These aggregations sometimes include doctorfish (Acanthurus chirurgus) and other surgeonfish.

The juvenile blue tang is rarely seen on the reef due to its small size and need for constant cover from predators. The intermediate phase with the blue body and yellow tail is often observed on reefs while young adults are abundant everywhere on the reef.

Distinctive Features

The blue tang is a high-bodied, compressed, pancake-shaped fish with a pointed snout and small scales. The eye is located high on the head and the mouth is small and low on the head. The dorsal fin is continuous. Of particular interest is the distinct yellow caudal spine located at the base of the tail on either side of the body, a characteristic shared with other surgeonfish. This spine fits into a horizontal groove and can be extended and used to fend off aggressive encounters.

Coloration

This fish has three color phases. In its juvenile phase, it is bright yellow, changing to a mixture of yellow and blue during adolescence. There may be blue crescents above and below the pupils of the eyes. It may be spotted with blue or have a yellow body and blue fins.

As the fish matures into the intermediate phase, the color darkens to a bright blue or purplish-gray with a yellow caudal fin. Gray longitudinal lines are located in the flank region with blue dorsal and anal fins banded with orange-brown diagonal lines. The caudal spine is yellow to pale yellow or white. At night, blue tangs display white vertical stripes.

Adult blue tangs are deep blue to purplish-blue with a yellow caudal spine. The change from juvenile to intermediate to adult coloration is not size-dependent as some fish in the juvenile yellow phase may be larger than the adult blue phase.

Dentition

The close-set, spatulate teeth of the blue tang are well adapted for nipping, grazing, and browsing algae from the reef. There are 14 teeth on the upper jaw and 16 teeth on the lower jaw.

Size, Age, and Growth

The blue tang reaches approximately 12 inches (30.5 cm) in length. The largest specimen, caught off the coast of South America, measured 14.4 inches (37 cm). It reaches sexual maturity at 9-12 months of age and lengths of 4-5 inches (11-13 cm).

Reproduction

Spawning occurs during late afternoon and evening hours. This event is indicated by a change in color from a uniform dark blue to a pale blue anterior and dark blue posterior. Males aggressively court female members of the school, leading to a quick upward spawning rush toward the surface of the water during which eggs and sperm are released. The eggs are small, approximately 0.8mm in diameter. The eggs are pelagic, each containing a single droplet of oil for flotation. The fertilized eggs hatch in twenty-four hours, revealing small, translucent larvae with silvery abdomens and rudimentary caudal spines.

And New Blue Sun, for me, was like, I guess in a sci-fi way, the next world or the next beings will be under a bluer, cooler burning sun. It will burn cooler, but it will be larger. So when you look up at the sky in these times, there'll be this larger globe of bluish, still bright but bluish because it's cooler. It's kind of like this whole album and this whole direction is a new world for me. New Blue Sun is like a new direction.

Instrumental Music Education majors most frequently go on to teach music in K-12 schools, leading a variety of instrumental ensembles and teaching general music courses. MTSU music alumni are also frequently accepted into graduate music programs in music education, performance, and conducting. Some alumni go into music education-related fields such as instrument sales, repair, professional development, and curriculum design. Some future job possibilities include:

First course in the music education curriculum for students working toward vocal-general or instrumental K-12 teacher licensure. Organization and curriculum of American music education as well as the place of music education in the total program of the school explored.

Prerequisites: MUED 2000 and MUS 3140 and successful admission into upper division. Examines materials suitable for public school instrumental music programs. Practice in classifying, grading, and programming. Development of music education philosophy for the control of those procedures.

Prerequisites: MUED 2320 and MUS 3140. Further development of techniques, especially those relevant to choral and instrumental conducting. Laboratory experiences with large musical groups; conducting with records to develop awareness of musical texture, form, and general musicianship in all areas as related to conducting.

Prerequisite: MUED 2000. Required for students working toward vocal-general or instrumental K-12 teacher licensure. Introduces vocal/general music education majors to methods and materials available for teaching general music to students in grades 6-12.

"L'amour est bleu" (.mw-parser-output .IPA-label-small{font-size:85%}.mw-parser-output .references .IPA-label-small,.mw-parser-output .infobox .IPA-label-small,.mw-parser-output .navbox .IPA-label-small{font-size:100%}French pronunciation: [lamu  bl]; "Love Is Blue") is a song whose music was composed by Andr Popp, and whose lyrics were written by Pierre Cour, in 1967. Bryan Blackburn later wrote English-language lyrics for it.[1] First performed in French by Greek singer Vicky Leandros (appearing as Vicky) as the Luxembourgish entry in the Eurovision Song Contest 1967, it has since been recorded by many other musicians, most notably French orchestra leader Paul Mauriat, whose familiar instrumental version (recorded in late 1967) became the first number-one hit by a French lead artist to top the Billboard Hot 100 in America. 2351a5e196

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