When the Blackmagic Proxy Generator is running it will watch selected folders for new videos to be added, when new videos are added to a watch folder the app will automatically process the footage into proxy files and place the proxy files in a proxy folder with the camera original files.

Windows and Mac have different proxy formats available. If you are using the free version of DaVinci Resolve the application will be called the Blackmagic Proxy Generator light, this version of the app has fewer available proxy formats.


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The extract proxies button is an easy way to make a copy of the proxy files that have already been created in a selected watch folder this will allow you to pick a new location to have copies of the proxies sent to, this is great for sending a remote editor just the proxy files.

The delete proxy button does pretty much what you think it would do but there are some protections integrated into this button. When you hit the delete proxies button it will delete all proxies that have the camera originals still present in the watch folder. If any of the camera originals are not still located in the watch folder Blackmagic Proxy Generator will not delete the proxy files as they might be the only thing left if someone accidentally deleted the camera originals.

If you use the proxy generator you will notice that it create a folder called proxy and inside that folder the proxy files exist this is the folder structure DaVinci Resolve is going to look for when you import clips into DaVinci Resolve.

When adding media into DaVinci Resolve and this proxy folder is present DaVinci Resolve will look inside that folder for proxy files with the same exact name if they exist they will be imported into DaVinci Resolve as proxy connected to the camera originals that you brought into DaVinci Resolve. This workflow makes it super simple since DaVinci Resolve is automatically linking the camera originals with the proxies all we have to do is just bring in the camera originals.

The Blackmagic Proxy Generator is a separate free app shipped along with DaVinci Resolve 18. It automatically generates proxy media and runs in the background. This frees up Resolve for your editing work while still generating proxies parallelly.

Proxy files are a low-resolution version of the RAW video for editing and preview purposes. You can use proxies as a reference when color grading or image manipulation in post-production and RAW video proxy files are great for quickly creating a rough cut of a video before working with the full-resolution files.

Keyframe map folder - Name of the folder where the result keyframe file should be located. If file not present ISG can use ffmpeg to generate a keyframe from a created proxy. Default: Keyframe

Last year we made a quick guide for creating proxy files. In this article, we will delve into this topic more and compare proxies of varying quality and examine their impact on color grading. We will also discuss software that you can utilize to create flawless proxies.

Upon examination, we can observe significant color distortions on the gray surface (on the left side of the screenshot) and within the intricate details of the iron fence (on the right side of the screenshot). Consequently, it becomes evident that opting for a 10-bit proxy is justifiable and significantly aids in maintaining color accuracy throughout your footage.

This new automatic Proxy Generation tool is designed to upload directly to Blackmagic Cloud Storage. In DaVinci Resolve 18.6, users will now be able to automatically generate and upload proxy files to cloud storage whenever they create a new project.

This Proxy app also will allow users to generate proxy files for your projects outside of your DaVinci Resolve system. Plus, the free Lite version of this new Proxy Generator app will still allow users to generate proxy files for their projects, but they will not include all of the same features as the main application.

On top of the proxy generator feature and the listed updates coming to DaVinci Resolve, Blackmagic has also rolled out several new tools and features coming to their other programs like Fusion, Color, and Fairlight, including a new Polygon Shape tool, a cool new Warp Color feature and Vector Keyframing for automation curves.

Proxies can be created with any encoding software. I like Apple Compressor, which includes a category of presets specifically designed for proxy media generation. The presets can be modified according to your needs. For instance, you can add a LUT and effects, like a timecode overlay. This makes it easy to know when you are toggled to the original or the proxy media within the NLE.

I intend to use the cloud pod mainly in the field, whether on set or during travel. A little cloud sync and proxy machine allow you to get your footage in a safe place, especially with the right internet to back it up.

DaVinci Resolve 18 is a major release featuring cloud based workflows for a new way to collaborate remotely! You can host project libraries using Blackmagic Cloud and collaborate on the same timeline, in real time, with multiple users globally. The new Blackmagic Proxy generator automatically creates proxies linked to camera originals, for a faster editing workflow. Plus, support for Apple M1 Ultra gives you a powerful image processing engine, eliminating expensive cloud computing. There are new Resolve FX such as ultra beauty and 3D depth map, improved subtitling for editors, GPU accelerated Fusion paint and real time title template playback, Fairlight fixed to FlexBus conversion and more!

In this free update, the Davinci Resolve installer includes a standalone application, the Blackmagic Proxy Generator Lite, and the new DaVinci Resolve Monitoring app. Another change is proxy as the default mode for single and multi-user projects. 006ab0faaa

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