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This extraordinary book is a powerful addition to the history of travel segregation. Traveling Black reveals how travel discrimination transformed over time from segregated trains to buses and Uber rides. Mia Bay shows that Black mobility has always been a struggle.

Through striking visuals and transformative experiences, this powerful exhibition transports visitors through time to meet a variety of real Black cowboy figures and discover their profound impact in American history.

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The next year Black voiced Bowser in the Illumination's animated feature film The Super Mario Bros. Movie based off the Nintendo games. The film was released in April 2023 and was an international box office success ranking among one of the highest grossing films of 2023.[51][52] That same year he also took roles as Joseph Stalin in the Mel Brooks Hulu comedy series History of the World, Part II and Captain Bombardier in Disney+ series The Mandalorian.[53] Black is set to return to Po in Kung Fu Panda 4, and voice Claptrap in Borderlands (2024).[54][55]

@AnnieAEpisode named some awesome stories!There are some absolute gems on this app with POC & black leads.Also check @Liz black history post on Instagram @episodecreators , there are legit hundreds of black lead stories mentioned throughout the comments.I hope you find some gems to add to your shelf

Postal Battalion Army Maj. Charity E. Adams and Capt. Mary Kearney of the 6888th Central Postal Battalion inspect the first contingent of black members of the Women's Army Corps assigned to overseas service in Birmingham, England, Feb. 15, 1945. Share: Share Copy Link Email Facebook X LinkedIn WhatsApp Download: Full Size (184.32 KB) Photo By: Army/National Archives VIRIN: 450215-A-D0439-016C

Women's Army Corps Women's Army Corps Cpl. Alyce Dixon poses with members of her unit during World War II. She and about 850 other black women served with the 6888th Postal Directory Battalion in England and France. The battalion was responsible for clearing a backlog of mail. Share: Share Copy Link Email Facebook X LinkedIn WhatsApp Download: Full Size (870.4 KB) Photo By: Courtesy photo VIRIN: 090911-O-D0439-005

When the 6888th arrived in Birmingham, the women quickly noticed massive piles of mail reaching the warehouse ceilings. Six of those facilities were airplane hangars full of Christmas presents, which had been returned during the Battle of the Bulge, according to an Army Combat Studies Institute publication. The facility had blacked-out windows to help protect occupants from nighttime air raids, but the dark environment had unintended side effects. Rats sought out packages of cakes and cookies, which had spoiled in the unheated and poorly lit facilities.

Alyce Dixon Soldiers greet and gather around World War II Army veteran Alyce Dixon, 106, after the Pentagon honored her in a ceremony for Women's History Month, March 31, 2014. Dixon served in the Women's Army Corps 6888th Central Postal Directory Battalion, the only unit of black women in the WAC to serve overseas in England and France during World War II. Share: Share Copy Link Email Facebook X LinkedIn WhatsApp Download: Full Size (3.38 MB) Photo By: Lisa Ferdinando, Army News Service VIRIN: 140331-D-BN624-194

In the past few decades, the story of the 6888th has been included in exhibits, educational programs, documentaries and public ceremonies, and many books have been published on the integral work they did. In 2018, a monument was erected in their honor at Fort Leavenworth, Kansas, and the 6888th was given the Meritorious Unit Commendation in 2019.

The Black Church: This Is Our Story, This Is Our Song is a moving four-hour, two-part series from executive producer, host and writer Henry Louis Gates, Jr., the Alphonse Fletcher University Professor at Harvard University and director of the Hutchins Center for African and African American Research, traces the 400-year-old story of the Black church in America.

Our city is no stranger to the kinds of headlines about fatal police interactions that we see across the country. We all know the tragic story of Eddie Russell Jr., who was shot 17 times by the Peoria Police Department despite their knowledge of his history of mental health crises.

Black History Month honors the achievements, adversities, and legacy of African Americans in the United States. At StoryCorps, we are amplifying Black voices in conversations about activism, love, joy, and leadership. Explore our collection of stories to reflect on our shared history and to celebrate the impact of Black historical figures and pioneers.

The years that separate me from my ancestors who experienced slavery, segregation, and the worst period of American history, are so small, so short, that its proximity horrifies me. Did they ever dream of a happy ending? Was there ever any time to do so?

I want to write the happy black endings that exist fully without tragedy. Happy endings like the countless books that I have read by white authors, featuring white characters. But I want them to be written because they exist outside of fantasy. I want them to exist because they reflect reality.

Native Son was a story that I was slow to accept. It took me four weeks to finish, twice as long as I anticipated, and that is because its end was already secured after the first few pages. I was not ready to go on and confirm what I already knew, that this black man would die. That this story would not be one that ended happily.

There is something about books like this that get under my skin. That make me mumble words that are not of my character with each passing page and escalating conflict. If only he had learned to smother his frustrations, I think, if only he had learned to be an unhappy black man in happy white surroundings.

By the end of the novel, I was left with emptiness, and tears. This fictional black man had died, and non-fictional black men, women, and children were dying unnatural deaths in a non-fictional, American world. There seemed to be no escape, acceptance, or reprieve for blackness. Not in fictional settings, and especially not in non-fictional settings.

In my research, I am learning that blackness often consists of encouraging it, and its need to thrive, under almost any circumstance. It is accepting every character, the hero and the villain, simply because it contributes to the pool of our suppressed population.

A man who is black wins. He burns down a home that is not his. He survives a setting that has been put into place to ensure his failure. He kills more than one of the characters who, at every step, have tried to physically and mentally invaded him like some unwelcome explorer. A black man wins through all of this.

In response to that absurdity, an alternate ending was issued. It is an alternate ending that reflects the true reality of blackness in America when forced to survive, and defend its basic right to live.

In my research, I am learning that the way to survive blackness is to distance yourself from all characteristics that are deemed too black for their own good. If I want to live, I must remove myself from skin that is too dark. From hair that is too nappy.

In my research, I am learning that is best to do all of these survival tactics, and more, but if is often not a guarantee of a happy ending to come. I am discovering that I can read all of the books, obtain all of the degrees, and speak and act in the most pleasant, professional way, but there will still be a probability of bullets finding their way into my body, obliterating the very last of my blackness like something that I could not see. Some bit of blackness that I had forgotten or overlooked, and like a favor, is wiped away by my white neighbor.

I feel like I am asking for impossible things for this time that I live in. I am too close to the time of segregation. Too close to the time of slavery. Too close to an era where hate for the other still exists. But I ask these things in order to remember, and keep in my heart, what I can do, and what can be done, to make the happy black endings an unconditional reality.

Inside, the emptiness that I was left with after reading Native Son, had shifted. I am a happy, bubbly, too-damn-idealistic-for-my-own-good black girl, I cannot deny it, and it is often hard for me to stay upset. Like Bigger Thomas, there is some subconscious understanding of myself, an ending that I can clearly see. As hope begins to thrive again, I decide that I will write the happy black endings, despite what reality says. I have made up my mind that if I am going to die anyway, by natural causes or otherwise, I will create what I truly want to. I decide that I will offer no alternate, more plausible ending for myself or my audience.

Electric Literature is a 501(c)(3) non-profit organization founded in 2009. Our mission is to amplify the power of storytelling with digital innovation, and to ensure that literature remains a vibrant presence in popular culture by supporting writers, embracing new technologies, and building community to broaden the audience for literature.

That September, the Harvard-trained historian Carter G. Woodson and the prominent minister Jesse E. Moorland founded the Association for the Study of Negro Life and History (ASNLH), an organization dedicated to researching and promoting achievements by Black Americans and other peoples of African descent.

Known today as the Association for the Study of African American Life and History (ASALH), the group sponsored a national Negro History week in 1926, choosing the second week of February to coincide with the birthdays of Abraham Lincoln and Frederick Douglass. The event inspired schools and communities nationwide to organize local celebrations, establish history clubs and host performances and lectures.

In the decades that followed, mayors of cities across the country began issuing yearly proclamations recognizing "Negro History Week." By the late 1960s, thanks in part to the civil rights movement and a growing awareness of Black identity, "Negro History Week" had evolved into Black History Month on many college campuses. e24fc04721