As far as Western music goes, about a half a million young people all over India love rock and roll, but through MTV and VTV that number A graduate of Berklee College of Music, Chris Hale was raised in Nepal and has served 10 years in India. He is currently living in New York and records devotional songs (bhajans) to Christ in Hindi with Peter Hicks and their group, Aradhna.
When it comes to his devotional life, however, the Hindu religious seeker wants bhajans, repetitious songs with a simple melodic line which the leader sings and the devotees repeat. Bhajans can outside wealthy devotees homes under shamianas (large tents) throughout the year but especially during festivals.
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The term bhajan is also commonly used to refer a group event, with one or more lead singers, accompanied with music, and sometimes dancing.[2] Normally, bhajans are accompanied by percussion instruments such as tabla, dholak or a tambourine. Handheld small cymbals (kartals) are also commonly used to maintain the beat. A bhajan may be sung in a temple, in a home, under a tree in the open, near a river bank or a place of historic significance.[3]
Having no prescribed form, or set rules, bhajans are normally lyrical and based on melodic ragas.[4] It belongs to a genre of music and arts that developed during the Bhakti movement.[1] It is found in the various traditions of Hinduism as well as Jainism. Within Hinduism, bhajans are particularly prevalent in Vaishnavism.[1]
The Sanskrit word bhajan or bhajana is derived from the root bhaj, which means "divide, share, partake, participate, to belong to".[6][7][8] The word also connotes "attachment, devotion to, fondness for, homage, faith or love, worship, piety to something as a spiritual, religious principle or means of salvation".[9]
However, bhajans rose to prominence as a way of expressing fervent devotion to the divine, breaking down barriers of caste and society, during the Bhakti and Sant movements of medieval India (about the 6th to the 17th centuries).
By writing verses in a variety of regional languages, saints and poets like Kabir, Mirabai, Tulsidas, and Surdas played a crucial part in popularizing bhajans and making them understandable to a larger audience. Their Bhajan lyrics emphasized the universality of divine love while praising the intimate connection between the believer and the deity.
V. D. Paluskar and V. N. Bhatkhande have combined Indian classical music with bhajan. Pandit Kumar Gandharva made famous the Nirguni Bhajans of Sant Kabir and Malwa Region. The dancer Mallika Sarabhai has produced performances based on bhajans. Abhinaya Chakravathi Sri JS Eswara Prasad Rao of Hyderabad, who is the disciple of AL Krishnamurthy Bhagavathar, Pudukkottai system, has produced performances based on Sampradaya bhajans under the title "Nitrya Sankeerthnam".[citation needed]
Kripalu Maharaj is one of the modern era bhakti leaders and bhajan-kirtan composers.[47] He has composed eleven thousand one hundred and eleven doha (couplets) on the leela of Radha and Krishna, and the devotional philosophy called Radha Govind Geet; 1008 pad (songs) called Prem Ras Madira; hundreds of kirtan in the form of Yugal Shatak and Yugal Ras and twelve pad which fully describe the beauty and the decorations of Krishna, and thirteen pad which describe the beauty and the decorations of Radha called Shree Krishn Dwadashi and Shree Radha Trayodashi.[48] Renditions of Shree Maharaji's bhajans and kirtans have been recorded by well-known singers in India such as Manna Dey,[49] Ajnish, Anuradha Paudwal and Anup Jalota.[50][51]
Our playlist Bhajans  features a diverse collection of songs in mp3 format, ready for you to download and enjoy without any charges or FREE of cost. With a mix of old favourites and new hits, there's something for everyone. Whether you're looking for the latest chartbuster songs or some classic tracks, our Bhajans  playlist has got you covered.
They openly challenged the authority of the clergy and the learned teachers who had, thus far, enjoyed a complete monopoly over the interpretation of Hindu scriptures. Many bhakti songs came to be written in the vernacular or everyday languages of North and South India, making them easier to memorise and sing outside the normal ritualised temple context.
The poems are in a variety of Hindi dialects spoken at the time, but tend to use stunningly simple language and mundane everyday scenarios to convey highly complex spiritual ideas. Even so, the classic bhajans by Surdas, Tulsidas, Kabir and Meera are considered to be of very high literary value compared to more modern bhajans, where the lyrics are more accessible to the masses.
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Prime Minister Narendra Modi on Wednesday praised singer Swati Mishra for the devotional song 'Ram Aayenge' and called it 'mesmerising'.PM Modi, on X (formerly Twitter), shared a video of the devotional song and said, "This devotional bhajan of Swati Mishra ji to welcome Shri Ram Lalla is mesmerising." Swati Mishra had released the devotional track on her YouTube channel, where it has garnered over 43 million views. Prime Minister Narendra Modi is set to attend the Pran-Pratishtha (consecration) of Ram Lalla in Ayodhya on January 22. 0852c4b9a8
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