How long have fans been speculating over the details of Beyonc's new album? It depends when you start counting: Some began buzzing over it the second her previous record, the dance-centric Renaissance, was released in 2022 and touted as "act one" of a trilogy. But the chatter has been especially fervent in the past two months, as singles, visuals and other teases popped up during the Grammys, Super Bowl and on the artist's own social media. The Beyhive's busiest bees analyzed clues that pointed toward a country music-inspired sound; they dissected the history of that genre, and how Black musicians have often been written out of it.

Just as Beyonc's 2022 album, act i: RENAISSANCE, served as a world-building homage to the unsung Black queer youth who created house music, Cowboy Carter continues the lesson plan. In a statement soon after the album's worldwide release, the artist's Parkwood Entertainment shared that each song on the 27-track project is its own version of a reimagined Western film: "She took inspiration from films like Five Fingers for Marseilles, Urban Cowboy, The Hateful Eight, Space Cowboys, The Harder They Fall and Killers of the Flower Moon, often having the films playing on a screen during the recording process."

Beyonce New Album 4 Free Mp3 Download

tag_hash_104 🔥 https://byltly.com/2yjZMk 🔥

In the cowboy, Beyonc finds her ideal figure of the American West and South. She cites the rodeo as the first place where anyone who loved country music and culture could gather and mingle and feel welcome. It's an image that runs counter to the experience that inspired the album: performing her song "Daddy Lessons" at the CMA Awards in 2016, where she has said she "did not feel welcomed ... and it was very clear that I wasn't." The Cowboy Carter character exists in conversation with the history of Black cowboys, the loaded meaning behind the term and its function in the American imagination.

There are plenty of categorically country sounds on Cowboy Carter. String instruments are its sonic heartbeat, and the do-si-do of the slide guitar on "DESERT EAGLE" and "TEXAS HOLD 'EM" feel perfectly matched with Bey's feathery vocals. The jovial wiggle of the accordions on "RIIVERDANCE" tip a hat to zydeco music and the artist's Creole heritage. "PROTECTOR" (featuring Beyonc's youngest daughter, Rumi) is anchored by acoustic guitar. "SWEET HONEY BUCKIIN' " interpolates "I Fall to Pieces," the shuffling standard made famous by Patsy Cline. Compared to Bey's past work in an R&B world full of glitz and glamor, many moments on the album, even with their layered arrangements, feel like intimate jam sessions straight out of a Nashville writing camp.

Across the track list, elements of hip-hop, bluegrass and Chicano rock, with pop, rock, Jersey club music and operatic runs. "YA YA" conjures the charisma of Tina Turner and Chuck Berry, while winking in the direction of Nancy Sinatra and The Beach Boys. "BODYGUARD" is a breezy surf-rock romp with Latin percussion and a little whiskey on its breath. "AMEN" rings to the rafters in true gospel splendor. "SWEET HONEY BUCKIIN' " stacks genre upon genre and yet never overwhelms, instead connecting the dots between them with dusty horse gallops. The production credits stretch far beyond the scope of country stalwarts, making the album a treasure hunt for fans and issuing a challenge to the ways country music has come to be defined.

There are covers of country classics here that stand out for how stealthily they're reimagined. Parton's 1973 hit "Jolene" shows up early in the album, but Beyonc adds her own sauce to flip its storied narrative. A vigilant Bey (flip-flopping between being upset and unbothered) clocks the "bird" chirping round her man; unlike Dolly, who responds to a similar threat with a plea for mercy, she puts her rival on notice: "I'm warnin' you, woman, find you your own man / Jolene, I know I'm a queen, Jolene / I'm still a Creole banjee bitch from Louisianne." This twist renegotiates the common push and pull of rolling-stone / damsel-in-distress infidelity that's historically been a hallmark in country standards, and has only recently started to shift (see also: Carrie Underwood's "Before He Cheats").

When Linda Martell shows up in the opening moments of "SPAGHETTII" to pose her question about genres, the slick rhetorical framing cuts to the main conceit of Cowboy Carter and centers Martell herself as a case in point. As a pioneer in the country space, Martell made history with her 1970 album, Color Me Country, and was the first Black woman to perform on the storied Grand Ole Opry. But because of the racist aggression she endured when moving from pop to country, Martell soon left the business. Now, at 82 years old, Martell's getting her due. Her voice is immortalized on both "SPAGHETTII" and "THE LINDA MARTELL SHOW," both tracks that play hopscotch with a range of genres. "I am proud that Beyonc is exploring her country music roots," the veteran posted on Instagram. "What she is doing is beautiful, and I'm honored to be a part of it. It's Beyonc, after all!"

On Cowboy Carter, Beyonc is a pop star actively in conversation with the idea of country music, and traversing the distance between those genres seems to have made her consider the existing relationship between them. In two moments on the album, she enlists singers who have been blurring that binary for quite some time: Miley Cyrus and Post Malone. Miley, of course, is the daughter of "Achy Breaky Heart" sensation Billy Ray Cyrus, and in her own pursuit of a pop identity, fiddled with Mike WiLL trap, Flaming Lips psychedelia, glam rock and country pop before settling on the centering sounds of last year's Endless Summer Vacation, which earned her a record of the year Grammy for "Flowers." For his part, Post broke out as a watercolor trap rockstar and has since shifted toward a sound more in line with his Texas roots. Both seem to resonate with the ambiguity Bey sees running through the music.

Beyonc is the self-titled fifth studio album by American singer and songwriter Beyonc. It was released on December 13, 2013, through Parkwood Entertainment and Columbia Records. Developed as a visual album, every song is accompanied by a non-linear short film that illustrates the musical concepts. Beyonc's desire to assert her full artistic freedom served as inspiration for the album's dark, personal subject matter, which incorporated feminist themes of sex, monogamy, beauty standards and relationship problems.

The album's initial recording began in New York City, where Beyonc invited the "world's best" producers and songwriters to live with her in a mansion for a month. During extensive touring the following year, the album changed as she conceived of creating a visual accompaniment to its songs and resumed recording sessions with electronic producer and rock musician Boots. Their collaboration led to more sonically experimental material, which combined contemporary R&B with electronic and soul music. Throughout this period, the album's songs and videos were composed in strict secrecy as Beyonc devised an unexpected release.

Beyonc was released digitally on the iTunes Store, early in the day and without prior announcement or promotion, and debuted at number one on the US Billboard 200, earning Beyonc her fifth consecutive number-one album on the chart. The album sold over 617,000 copies in the United States and 828,773 copies worldwide in its first three days of sales, becoming the fastest-selling album in the history of the iTunes Store up to that point.[2] In the 19 days between the album's release and the end of 2013, Beyonc sold 2.3 million copies worldwide, finishing the year as the tenth-best-selling album globally, according to the IFPI.[3] The album has sold over 5 million copies worldwide. The album was supported on two tours: the 2014 leg of The Mrs. Carter Show World Tour, and the Jay-Z co-headlining On the Run Tour.

Beyonc received widespread acclaim from critics upon release who praised its production, exploration of sexuality, vocal performance, as well as the album's surprise release strategy which was subsequently replicated by many artists.[4] In 2020, Beyonc was ranked 81st in Rolling Stone's 500 Greatest Albums of All Time list.[5]

Beyonc and its release is frequently credited with inventing the modern definition of the visual album, popularizing the surprise album release strategy, and provoking the International Federation of the Phonographic Industry (IFPI) to change the day of the week when music is released worldwide from Tuesday to Friday.[6]

Following the release of her fourth studio album 4 (2011), Beyonc gave birth to her first child, Blue Ivy on January 7, 2012.[7] Just four months after labor, she pursued a three-night residency at Revel Atlantic City's Ovation Hall, entitled Revel Presents: Beyonc Live.[8][nb 1] The choice to hold concerts so soon was purposeful; Beyonc intended to demonstrate to mothers that they need not halt their careers despite having had children.[10] Most of the summer following the residency was spent in The Hamptons, New York, where she took time out from the public to spend time with her daughter and to begin sessions for her next album.[11] She resumed work in early 2013, performing "The Star-Spangled Banner" at President Barack Obama's second inauguration and headlining the Super Bowl XLVII halftime show, where there were expectations she would debut new music, although these rumors never materialized.[12] She also released a self-directed autobiographical documentary in February, entitled Life Is But a Dream.[11]

In March 2013, a two-part hip hop track entitled "Bow Down/I Been On" was released onto Beyonc's SoundCloud account.[14] "Bow Down", produced by Hit-Boy, was written after Beyonc woke up one morning with a chant stuck in her head, feeling angry and defensive.[13][15] This was melded with a Timbaland-produced second half "I Been On" that makes prominent use of a pitch-distorted vocal as a homage to the Houston hip hop scene.[16][nb 3] Michael Cragg of The Guardian described the song as "brilliantly odd", commending its loud, abrasive production,[14] while Pitchfork's Lindsay Zoladz noted the song's assertiveness and believed it served as an introduction of what was to come.[16] "Bow Down/I Been On" was perceived as a significant departure from Beyonc's existing catalogue, particularly for its aggressive nature.[14][16] The song's atmosphere and its controversial "Bow down, bitches" refrain drew a mixed reaction from those who questioned whether the lyric was aimed at women or merely a moment of braggadocio.[13][18] Beyonc clarified after the album's release, where elements of "Bow Down" appear on the track "Flawless", that the song and its refrain were intended as a statement of female empowerment.[13] 0852c4b9a8

umrao jaan 2006 movie songs free download

nokia 5233 flv player free download

free download jls the club is alive mp3