This isn't to say there wasn't incredible music happening. A mixtape of 2000's best singles would be packed with classics: "Ms. Jackson" by Outkast, "Try Again" by Aaliyah, "Big Pimpin' " by Jay-Z and UGK, "Party Up (Up in Here)" by DMX, "Say My Name" and "Jumpin' Jumpin' " among a stream of pristine bangers from Destiny's Child, plus the perfect pop appeal of nascent Britney in "Oops!... I Did It Again" and Christina in "What a Girl Wants." Music sounded the way the era felt, clean and big and air-conditioned like a Bond movie on a July afternoon, a distillation of the highest-grade pop culture product at the end of the era that invented it, the apex of 20th century ideas of celebrity and stardom funneled into that one Britney Spears VMA performance with the snake.
In a retrospective review, Allmusic editor Stephen Thomas Erlewine commented that "the first half is good enough to make Dangerously in Love one of the best mainstream urban R&B records released in 2003, and makes a strong case that Beyonce might be better off fulfilling this destiny instead of reuniting with Destiny."
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