In this track, I blended the instrumentation of much of the game's sound identity (primarily organ and string based) with the jazziness and upbeat feel of the menu music. I aimed for a high energy bossa nova inspired piece, a contrast to many of the game's slower, somber pieces.

Speaking of somber pieces, this piece acts as a moment for players to breathe, encouraging players to explore the world at a slower pace. This waltz primarily features string instruments and a choir to create an emotionally resonant track.

A large part of Bonehead's appeal is the tongue and cheek nature of the skeleton's abilities and the comedic nature of his situation. I wanted to make something annoyingly catchy and campy while also tying in the medieval sound of the organ to establish the game's primary musical identity.

With this piece, I utilized more percussion instruments such as timpani and a tam-tam to add more energy to the piece. This track is meant to be more cinematic, utilizing a repetitive organ melody as a base and including an acoustic guitar to add variety to the melody.

This is probably the one piece that is starkly different from the others. I leaned more into a jazz combo arrangement similar to Lich's Day Off to create a sense of energy and whimsy as the players begin the game. Also, I just love a groovy bass line.

I've sat on this track for a while now, but considering my original intent with the piece was similar to Bonehead's premise, I figured it was time for it to see the light. This track uses an organ and a harpsichord and is meant to convey a sense of rapidly approaching doom, hence the title.