Written to coincide with a TV documentary about those returning from war with PTSD. Based on Guardsman Tromans, who fought in Iraq in 2003.
Speaker describes shooting a looter dead in Iraq and how it has affected him.
To show the reader that mental suffering can persist long after physical conflict is over.
Credit: Kingsmead School
Simon Armitage is an English Poet/Playwright and Novelist and now also the Professor of Poetry at Oxford University.
His work is often very dry and direct with a sense of gritty realism which he uses to explore the relationships and ideas which are common with people today. Many of his poems can be described as ‘dark’ dealing with areas such as murder or mental trauma.
The poem itself is set in a modern warzone with a soldier, first recounting a story of when he was out there, but who is now doomed to relive the event again and again in his mind because of Post Traumatic Stress Disorder.
Remains by Simon Armitage
On another occasion, we got sent out
to tackle looters raiding a bank.
And one of them legs it up the road,
probably armed, possibly not.
Well myself and somebody else and somebody else
are all of the same mind,
so all three of us open fire.
Three of a kind all letting fly, and I swear
I see every round as it rips through his life –
I see broad daylight on the other side.
So we’ve hit this looter a dozen times
and he’s there on the ground, sort of inside out,
pain itself, the image of agony.
One of my mates goes by
and tosses his guts back into his body.
Then he’s carted off in the back of a lorry.
End of story, except not really.
His blood-shadow stays on the street, and out on patrol
I walk right over it week after week.
Then I’m home on leave. But I blink
and he bursts again through the doors of the bank.
Sleep, and he’s probably armed, and possibly not.
Dream, and he’s torn apart by a dozen rounds.
And the drink and the drugs won’t flush him out –
he's here in my head when I close my eyes,
dug in behind enemy lines,
not left for dead in some distant, sun-stunned, sand-smothered land
or six-feet-under in desert sand,
but near to the knuckle, here and now,
his bloody life in my bloody hands.
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