Behringer X Live Firmware Download

When I set the buffer size 512 samples, the latency is audible(I:9,83ms, O:8,50ms), and live-recording becomes an annoyance. With a 256 buffer, the latency is fine(I:5,17ms, O: 4,50ms), but I already get pops/cracks even on a simple two-track project. My CPU load is constantly

A few months ago, my trusty old analog mixer that I had used since 2008 developed an intermittent short in one of the aux sends. Unfortunately, this was one of only two pre-fader aux sends on this mixer, so I was using it for one of two monitor sends for band rehearsals and live gigs. This board had a total of 4 aux sends, but two of them are post-fader, and are therefore unsuitable for use as a monitor send.

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In any case, after deciding that a repair was going to be more expensive than it was worth, it was time to go shopping for a new mixer. I had a few requirements for a new live board. It needed to be at least a 16-input mixer with built-in digital effects to replace what I already had. I was also hoping to find a board with at least 4 pre-fader aux sends this time, so that each of the 4 guys in my band could have a separate monitor mix, instead of having to share two mixes between 4 guys. After doing a fair amount of research, I discovered that the most affordable mixers with the features that I needed were going to start at around $600 and go on up from there.

We had intermittent issues with the S16 losing connectivity with the X32 rack. The problem was solved with a firmware update. If you haven't done so, make sure the S16s and your X32 are all running current firmware revisions.

Here's something to consider about any networked signal... Shared networks in general were not designed for continuous high rate real time data streams. General data is ok with latencies, lost and/or retransmitted frames, etc. not so with live real time high rate data streams. Conflicts, priorities, processing control overhead, dynamic routing issues and more combine to create problems that are covered up in more traditional data operations.

Who is arguing with you? Maybe you are misunderstanding the situation? This was an install at a hotel. We had nothing to do with that. an AV company was hired to install the system. Fine. We came in to RUN LIVE SOUND. The AV company doesn't really wish to communicate with us and all the problems we have been having have been brushed aside so we the sound men are left hunting for answers on our own. I relay to the company that hired me and they have meetings with the hotel, AV company etc and again, it's a corporate, political issue as always. Bottom line is WE ALL know this AV company fucked something up but they won't admit it and thus won't fix it. They are also in politically at the hotel, THUS it's up to US, the SOUNDMEN to try to fix it if possible on our own. Get it now? I was never arguing with you and i'm sorry I don't have your depth of technical knowledge about UTP, STP etc...no reason to be an ass. I wasn't. Maybe something as usual was lost in writing as opposed to us just having a face to face conversation? Either way, Sorry if you thought I was being argumentative. My hands are tied here unfortunately. If it were my call I'd have it wired point to point and we would NOT being going through their entire AV system matrix with software controlling the EQ curves etc. The live sound aspect (There's Club Sound/DJ also going through this system) Should be split completely from all this rubbish according to everyone I have talked to who knows WAY WAY more about the wiring etc than I....

Rockville brings you studio quality headphones and at an incredible price with its new PRO-M50 headphones. These are professional grade headphones that are guaranteed to ourperform headphones that cost triple the price! These feature ergonomically designed swiveling cups with interchangeable soft suede or leather finish cushions (included). The ear cups seal tight for excellent sound isolation and minimal bleed. Inside these cups you'll find 40mm Neodymium drivers delivering accurate audio with an extended frequency range for clear and rich bass, and a full frequency range of mids and highs. These are closed back style headphones specifically designed for studio monitoring. These play back the sound with a flat frequency curve so you can hear your music exactly how it was recorded. With the PRO-M50 you can expect to hear every detail of every song with extreme accuracy. These headphones cover full frequency ranges; even extending a bit past the frequencies that the human ear can hear. 17dc91bb1f