‘Déjà-vu’ is the name of the latest Flemish fiction series that’s rolling off the production line of ‘Streamz’. In addition to the traditional list of actors' names, Xenia Borremans (21) and Willem De Schryver (19) are featured as fresh blood in the credits. Two newcomers who shamelessly rival the established values.

Calling Willem De Schryver a newcomer is really failing the truth. He has more than 50,000 followers on Instagram and cannot cross the Ghent Korenmarkt without posing for a selfie. It’s the fault of ‘wtFOCK’, a youth series that mainly takes place online and is extremely popular with all those who saw the light of day after 2000. The chance that you’ve seen Xenia Borremans in action, is much smaller. Her only claim to fame for time being, is the horror short ‘De vijver’. And ofcourse, there’s her family name. Xenia is the only daughter of artist Michaël Borremans, but really wants to make a name for herself now.

How did you get into acting?

Borremans: “Ever since I was a child, I wanted to act. There are piles of videos at home in which I try to recreate scenes from old films like ‘Some Like it Hot’. I also acted for ten years at ‘Kopergietery’ (children's theater company in Ghent). Acting was a dream, but I didn't dare to hope for that too much. There was always that little voice in the back of my mind that said, "You don’t only need talent but a lot of luck to make it." That was evident when I started to participate in castings. I often cried when I didn’t get a role.

I didn't dare to hope too much for ‘Déjà-vu’ either. Actually, I had no intention of auditioning at all. For fear of being rejected again. In the end, it’s my mom who pushed me to try. When they called me to say I had the part, it came as a complete surprise.”

De Schryver: “I can recognize myself in that story. I too was always performing plays at home. I did ‘Diction’ on Wednesday afternoons, but that wasn’t more than a hobby. When I no longer felt at home at school in secondary school, I took the step to go to the ‘Lemmensinstuut’ in Leuven. That was a revelation. Suddenly, I was allowed to be involved in theater day in, day out. I was happy to get up in the morning, when before, I often came home crying because I really didn't want to go to school anymore. It was obvious that after secondary school I would take the step to theater education at the ‘KASK’.”

Borremans: “I also took the entrance exam at the ‘KASK’, but I wasn’t admitted. Maybe I'll try again next year. But maybe not. I’m not convinced that such an education is necessary. There are plenty of examples of actors and actresses who also made it without a diploma.”

De Schryver: “In the classes I’m taking now, there isn’t only attention for acting, but also for making plays. I get building blocks to get started in the future. But, just like Xenia, I’m convinced that it can also be done without it.”

In ‘Déjà-vu’ you play the ideal son and the rebellious adolescent daughter, respectively. How deep did you have to dig for that role?

De Schryver: “The role of Max is pretty close to my own personality, so that wasn’t too bad. I only had to practice playing hockey. (laughs) Although as far as I’m concerned, a role does not necessarily have to be written for me. For example, in ‘wtFOCK’ I play a bipolar, gay boy. That’s difficult and I had to do a lot of research for it. But when - like recently - you’re approached on the street by a boy who tells me that through my role he had learned to live with his own bipolarity, then the satisfaction is all the greater. ”

Borremans: “I recognized myself super hard in Louise's character. I have done quite a lot of rebellion in my puberty years and just like Louise - who has a mother who makes a living as a radio host - I can be bothered too by the fact that one of my parents is famous.”

In what sense?

Borremans: “I’m very proud of my dad, that's not the point. We have a very good relationship. He's my best friend. For real. But my family name isn’t always a gift. Many times in the past people have tried to contact me with the sole intention of getting closer to him. Even people I thought were friends, turned out to be solely interested in me because they were fans of my father's work. I also noticed that some teachers marked my grades more strictly just because I was ‘the daughter of’.”

Did that influence you to choose acting and not, for example, drawing?

Borremans: “I did drawing. In ‘Sint-Lucas’, just like my father. He did push me a bit in that direction. But I stopped when all the lessons suddenly had to be online due to corona. Dad thinks it's important to get a diploma. I attach less importance to that. I prefer to figure things out on my own. If you have the discipline to do self-study, then that’s in my opinion as valuable as any education. I’ve already learned a lot more on the internet than in school. My mom is part of that story, daddy still has some work to do in that aspect.”

You both had a supporting role on the set of ‘Déjà-vu’. How much pressure did it cause?

De Schryver: “I did lie awake at night. Although it had a lot to do with the beginning of the shooting period, when I overslept. I cried when I arrived on the set. Such a gigantic production and it gets delayed, because a rookie like me, is late. In the end we hardly lost any time, but the nights after, I was wide awake in my bed waiting for the alarm to go off.”

Borremans: “Willem arrived on the set, crying, but was professional enough to put himself in the shoes of Max a few minutes later. Pretty impressive.”

De Schryver: “There really was no time to lose. The makeup artist just had about enough time to get rid of my red eyes, but that was it.”

Borremans: “I’ve experienced something similar. During the shooting period, I met with a friend who turned out to have corona. Panic, of course. In the end, the shooting stopped for a week as a precaution. There were some tears then. You have a first major role and then something like that happens. Fortunately, it was handled very well on the set. Everyone came to tell me that it could’ve happened to them too.”

The corona crisis has been defining our lives for over a year now. How do you deal with this?

De Schryver: “The first weeks, I didn't mind the lockdown. It gave me a chance to catch my breath. By the way, I still don't miss going out that much. Although that also has to do with ‘wtFOCK’. That show has a very fanatic fan base. And you notice. In any case, going out to a bar with friends was no longer possible without being approached or posing for selfies. When people have been drinking, a number of inhibitions also disappear. As soon as they recognize you, they’ll immediately hang onto you. It made me prefer to stay in the room even before the lockdown.”

Borremans: “I’m now 21 years old. This may sound strange, but I’m kinda done with nightlife. Of course, I also want to be able to go out again and see people, but I notice that it’s more difficult for those who are younger. I get bored sometimes. But that also has its positive sides. It makes you do creative things. For example, I started to design and make clothes. Without the lockdown, that would’ve never occurred to me. I never read books either, now I do. Although, I would like for it to gradually return to normal. "

De Schryver: “I mainly suffer from touch starvation. Actually hug people. I really miss that. But just like Xenia, I also think this is an interesting period. It makes you think. About yourself, about where you want to go in life.”

The Covid crisis also makes painfully clear how vulnerable creative professions are. Did that change your plans for the future?

Borremans: “I was already looking for a plan B before this whole situation. Acting is and remains the big dream. But there are no guarantees. I’ll continue to go for it anyway, but I realize that I cannot assume that I’ll succeed in making acting my livelihood.”

De Schryver: “We shouldn't be shy about that: the acting world is a tough world with a lot of competition. It’ll not be easy to make it and I know that there are still difficult moments to come. But I do not intend to suddenly follow other classes just to have something as a back-up. The corona crisis has made me realize even more how important acting is to me. I could never completely push it aside. This’s what I was made for. I just feel that.”

Text: © Pieter Dumon