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We compare products from their published specs and features; the verdicts below are our independent editorial opinions.
Updated: 2026-10-06 · 7 min read · Independent comparison
• BASN Professional's biggest strength: true in-ear monitoring with a 20Hz–20kHz dynamic driver, 38 dB of noise isolation, and a detachable 360-degree MMCX cable system.
• BASN Professional's biggest trade-off: it's a wired, in-ear-only monitor — no Bluetooth, no mixer, no phantom power, and a 6.35mm jack that expects a proper audio source.
• Kaschun 12-Channel's biggest strength: 12 XLR/quarter-inch inputs, +48V phantom power, Bluetooth 5.0, USB recording, and per-channel 3-band EQ plus delay and reverb.
• Kaschun 12-Channel's biggest trade-off: it's a mixing console, not a listening device — you still need headphones and microphones to make it useful, and it runs on corded power only.
• Choose BASN Professional if you're a singer, drummer, podcaster, or musician who needs to hear yourself clearly on stage or in the studio.
• Choose Kaschun 12-Channel if you're building a multi-mic podcast, live stream, or small-band setup and need to route, mix, and monitor several sources at once.
The BASN Professional is a musician's in-ear monitor. The spec sheet describes a dual dynamic micro driver with a PET and copper diaphragm, a frequency range of 20Hz to 20kHz, and a sound profile tuned for low ends, accurate mids, and smoother highs. In plain terms, that's a monitoring-first tuning — you want to hear your own voice or instrument without it being flattered or flattened. For a podcaster tracking their own mic, that honesty matters more than thump.
The isolation is the headline number for me: the included single- and double-layer silicone tips are rated to block out 38 dB of ambient noise. If you've ever tried to record in a room with a humming PC, an air conditioner, or a co-host across a table, that's the difference between a usable take and a re-take. The over-ear memory wire hooks are bendable and hold their shape, which keeps the buds locked in place during a long session. The red-and-blue color coding is a small thing, but it's genuinely handy when you're pulling them out of a case in a dim studio.
What you get in the box is unusually complete for a wired IEM: two detachable MMCX cables, a 6.3mm adapter, six pairs of silicone tips in different styles, a T-shirt clip, a cleaning brush, and a fabric carrying case. The MMCX connector rotates a full 360 degrees, so cable replacement or upgrade is a screw-and-swap job rather than a soldering project. It's also wired-only and in-ear-only.
Kaschun 12-Channel: Who It's For
The Kaschun 12-Channel is a different species entirely. It's a professional audio mixer with 12 XLR and quarter-inch inputs, which means you can park a handful of microphones and instruments on it at once and control each one independently. Every channel gets its own gain, FX, and volume controls, plus independent high, mid, and low EQ. For a podcast with three or four hosts and a couple of guest mics, that's exactly the kind of granular control you want — you fix a boomy voice at the channel rather than in post.
The +48V phantom power is the feature that opens the door to serious recording. It lets you run condenser microphones, which are the standard choice for studio-style voice capture. Add the built-in delay and reverb, and you can shape a vocal without any outboard gear. Bluetooth 5.0 handles wireless playback from a phone, tablet, or computer, and the USB connection supports both audio playback and direct recording — useful for live streaming and content creation where you want the mix captured cleanly.
Monitoring is handled through the headphone output with a PFL function, so you can solo a channel and hear exactly what's hitting it before it goes out. That's the feature a podcaster will lean on most: check the guest mic, check your own, then blend. The chassis is ultra-thin at 1.4 inches high and 13.4 inches wide, with sealed rotary controls designed to keep dust out. It's corded electric only, and it does not come with headphones or microphones — you supply those.
Buy it if you're running a podcast, live stream, small band, church service, wedding, or conference and need to mix several sources in real time. Skip it if you just need something to listen on — this is infrastructure, not a listening device.
Side-by-Side: Which Should You Choose?
• Best for multi-mic podcast setups → Kaschun 12-Channel. 12 inputs and per-channel EQ let you manage a full table of speakers.
• Best for condenser microphone users → Kaschun 12-Channel. +48V phantom power is the deciding spec.
• Best for stage and rehearsal use → BASN Professional. Secure over-ear memory wire fit and detachable cables survive real-world gigging.
• Best for live streaming and USB recording → Kaschun 12-Channel. Bluetooth 5.0 plus USB in/out covers the whole signal path.
• Best for cable longevity and repairability → BASN Professional. 360-degree MMCX connectors mean you swap cables instead of replacing the whole unit.
• Best for a dust-resistant, low-profile desk footprint → Kaschun 12-Channel. Sealed rotary controls and a 1.4-inch-tall chassis.
• Best for someone who wants zero setup → BASN Professional. Plug into a 6.35mm source and go; the mixer needs mics, cables, and routing first.
For work in podcasting, I'd buy the BASN Professional if my job is to hear myself and my mix accurately in a noisy room — the isolation, the wired reliability, and the replaceable MMCX cable solve the problems that actually ruin takes. I'd buy the Kaschun 12-Channel if my job is to run the room: multiple mics, phantom power, EQ per channel, and USB recording. In my opinion, most solo podcasters and musicians get more immediate value from the BASN; anyone producing a show with several voices should start with the Kaschun and add monitoring headphones separately. If budget is the deciding factor, check the current price on Amazon before you commit — the two sit in very different spending brackets.
what is the best headphones for podcasting
In my opinion, the BASN Professional fits podcasting best of these two because it's an actual listening device: 20Hz–20kHz dynamic drivers, 38 dB of noise isolation, and a secure over-ear fit. The Kaschun is a mixer, not headphones, so it can't serve as your monitoring solution on its own.
why do you need headphones for a podcast
Headphones let you hear your own mic, catch bleed and room noise, and monitor the mix in real time. The BASN's sound-isolating silicone tips block 38 dB of ambient noise, which keeps you from compensating for a noisy room. The Kaschun's headphone output and PFL function serve the same purpose on the mixer side.
what are good headphones for podcasting
Look for isolation, a neutral tuning, and a durable cable. The BASN Professional delivers a 20Hz–20kHz range, single- and double-layer silicone tips, memory wire ear hooks, and two detachable MMCX cables. The 6.3mm adapter also lets it plug into pro monitoring gear.
how to set up headphones for podcast
If you're using the BASN Professional, plug the MMCX cable into the earpieces, fit the tips for a seal, and connect via the 6.35mm jack to your interface or monitoring system. If you're on the Kaschun, plug your headphones into its headphone output and use PFL to check each channel before recording.
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