Others tried to do what he did, but nobody could do what he did (like he could do it, baby). The best Barry White songs may have made him the boss of bedroom soul (and the ruler of songs with brackets in their titles), but if you are stuck with the idea that he was an example of 70s excess, you should kick back and really listen. This guy had the funk, the soul, and the disco down to a T.
White recorded 20 studio albums during the course of his career, but multiple versions and compilations were released worldwide that were certified gold, 41 of which also attained platinum status. White had 20 gold and 10 platinum singles, with worldwide record sales in excess of 100 million records, and is one of the best-selling music artists of all time.[2] His influences included James Cleveland, Ray Charles, Aretha Franklin, the Supremes, the Four Tops and Marvin Gaye.
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White was born Barry Eugene Carter on September 12, 1944, in Galveston, Texas.[3][4] His father was Melvin A. White, and his mother was Sadie Marie Carter. His parents never married, so his mother gave him her last name, but he later took on the surname of his father.[5][6] He grew up in the Watts neighborhood of South Central Los Angeles, California.[7] He was the oldest of two children; his brother Darryl was 13 months younger. White grew up listening to his mother's classical music collection and first took to the piano, emulating what he heard on the records.
White has often been credited with playing piano, at age 11, on Jesse Belvin's 1956 hit single, "Goodnight My Love".[8][9] However, in a 1995 interview with the Boston Herald, White denied writing or arranging the song. He believed the story was an exaggeration by journalists. While White and Belvin lived in the same neighborhood, Belvin was 12 years older than White.
White attended Jacob A. Riis High School, an all-boys academy in southeast Los Angeles.[10] White's voice deepened suddenly when he was 13 or 14.[11] He recalled: "[As a child], I had a normal squeaky kid voice. Then as a teenager, that completely changed. My mother cried because she knew her baby boy had become a man." In a 2000 interview with Conan O'Brien, he further recalled: "I woke up one morning when I was 14. I spoke to my mother, and I scared both of us."[12] White also told the BBC that this happened when he was 13.[13][14]
White was jailed for four months at the age of 16 for stealing $30,000 worth of Cadillac tires (equivalent to about $310,000 now[when?]).[15] While in jail, he listened to Elvis Presley singing "It's Now or Never" on the radio,[16] an experience he later credited with changing the course of his life.[17] White had another moment of inspiration on his 18th birthday, which also was the first day back for his graduating year of high school. He skipped class to walk to Capitol Records headquarters in Hollywood and stood across the street from the office staring for hours. Seeing the liveliness of the area it inspired him to work in Hollywood, in the entertainment industry, despite not knowing how to read or write music.[10]
After his release from jail, White left gang life and began a musical career at the beginning of the 1960s in singing groups. He first released "Too Far to Turn Around" in 1960 as part of The Upfronts[18] before working for various small independent labels in Los Angeles. He also recorded several singles under his own name in the early 1960s, backed by vocal groups The Atlantics (for the Rampart and Faro labels) and The Majestics (for the Linda and Jordan labels).[18] White had no involvement with Bob & Earl's 1963 hit single "Harlem Shuffle", a song he has sometimes been credited with producing;[11][19] in his 1999 autobiography, White confirmed the song had been produced by Gene Page, who had worked with him on many of his 1970s successes.
In 1965, White produced "Feel Aw Right" by The Bel Cantos, released on the Downey label.[20] He recorded his debut single, "Man Ain't Nothin'"/"I Don't Need It", released under the name "Lee Barry" on Downey in 1966.[21] He also co-wrote "Together Forever", released by Pat Powdrill & the Powerdrills in 1967.[22]
In the mid-'60s, Bob Keane of Del-Fi Records hired him as an A&R man for his new Bronco Records imprint, and White started working with the label's artists, including Viola Wills and The Bobby Fuller Four, as a songwriter, session musician, and arranger.[4] He discovered singer Felice Taylor and arranged her song "I Feel Love Comin' On", co-written with his friend Paul Politi. It became a big hit in the UK.[9] Other charting hits written by White and Politi for her included "It May Be Winter Outside (But in My Heart It's Spring)" and "Under the Influence of Love". Bronco issued one of White's first singles, 1967's "All in the Run of a Day", produced by Keane and White itself.[23] White also wrote "Doin' the Banana Split" for TV bubblegum pop act The Banana Splits in 1968.[24]
In 1972, White got his big break producing a girl group he had discovered called Love Unlimited.[4] Formed in imitative style of the Motown girl group the Supremes, the group members had gradually honed their talents with White for two years until they signed contracts with Uni Records. His friend Paul Politi told him about music industry businessman Larry Nunes, who helped to finance their album. After it was recorded, Nunes took the recording to Russ Regan, who was the head of the Uni label owned by MCA. The album, 1972's From A Girl's Point of View We Give to You... Love Unlimited, became the first of White's string of long-titled albums and singles.
White produced, wrote and arranged their classic soul ballad "Walkin' in the Rain with the One I Love", which climbed to No. 14 in the Billboard Hot 100 Pop chart and No. 6 on the Billboard R&B chart in late 1972. It became White's first million selling single as a writer and producer. This single also reached No. 12 in the UK chart. White's voice can clearly be heard in this piece as he plays the lover who answers the phone call of the female lead.[4]
Soon after, Regan left Uni for 20th Century Records. Without Regan, White's relationship with Uni soured. With his relationship with Uni over and Love Unlimited contract-bound with the label, White was able to switch both his production deal and the group to 20th Century Records. They recorded several other hits throughout the 1970s, "I Belong to You", which spent over five months on the Billboard R&B chart in 1974 including a week at No. 1 and "Under the Influence of Love Unlimited", which hit No. 3 on the Billboard Pop album charts. White married the lead singer of the group, Glodean James, on July 4, 1974.
In 1973, White created The Love Unlimited Orchestra, a 40-piece orchestral group to be used originally as a backing band for the girl-group Love Unlimited. However, White had other plans, and in 1973, he released a single with "Love's Theme" (written by him and played by the orchestra), which reached No. 1 on the Billboard Pop charts. Later, in 1974, he made the first album of the Love Unlimited Orchestra, Rhapsody in White, containing "Love's Theme". White would continue to make albums with the orchestra, achieving some successes such as: "Rhapsody in White"; "Satin Soul"; "Forever in Love"; "Midnight Groove"; "My Sweet Summer Suite", Remake of "Theme From King Kong". The orchestra ceased to make albums in 1983 but continued to support White as a backing band.
White wanted to work with another act, but decided to work with a solo male artist. While working on a few demos for a male singer, he made three song demos of himself singing and playing, but Nunes heard them and insisted that he re-record and release them himself as a solo recording artist. After arguing for days about it, White was finally persuaded to release the songs himself, although he was initially reluctant to step out behind the microphone.
He then wrote several other songs and recorded them for what eventually became an entire album of music. He was going to use the name "White Heat", but decided on using his given name instead. White was still hesitating up to the time the label copy was made. It eventually became White's first solo album, 1973's I've Got So Much to Give. It included the title track and his first solo chart hit, "I'm Gonna Love You Just a Little More Baby",[4] which also rose to No. 1 on the Billboard R&B charts as well as No. 3 on the Billboard Pop charts in 1973 and stayed in the top 40 for many weeks.[26]
White also had a strong following in the UK, where he scored five Top 10 hits and a No. 1 for "You're the First, the Last, My Everything".[4] Due to his large frame, facial hair, and deep voice, he was given the nickname "The Walrus of Love" in the UK [27] and in the US, "Dr. Love", "Mr. Love", "Prince of Pillow Talk", "Ambassador of Romance", "King of Disco" "The Maestro" or "Guru of Love".
Although his success on the pop charts slowed down as the disco era came to an end, he maintained a loyal following throughout his career. Despite several albums over the next three years, he failed to repeat his earlier successes, with no singles managing to reach the Billboard Hot 100, except for 1982's "Change", climbing into the Billboard R&B Top 20 (No. 12). His label venture was exacting a heavy financial cost on White, so he concentrated on mostly touring and finally folded his label in 1983.
A 1970s nostalgia fad allowed White to enjoy a renewed wave of popularity in the 1990s. After participating in the song "The Secret Garden (Sweet Seduction Suite)" from Quincy Jones's 1989 album Back on the Block, White mounted an effective comeback with several albums, each more successful than the one before. He returned to the top of the charts in 1991 with the album Put Me in Your Mix, which reached No. 8 on the Billboard R&B Albums chart and the song by the same name reached No. 2 on the Billboard R&B singles chart. 152ee80cbc
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