The Blues Brothers are an American blues and soul revivalist band founded in 1978 by comedians Dan Aykroyd and John Belushi as part of a musical sketch on Saturday Night Live. Belushi and Aykroyd were lead vocalist 'Joliet' Jake Blues and harmonica player and vocalist Elwood Blues, respectively, donning black suits with matching trilby hats and sunglasses. The band was composed of well-known musicians[1] and debuted as the musical guest in a 1978 episode of Saturday Night Live, opening the show performing "Hey Bartender" and "Soul Man".[2]

In 1978, the band released their debut album, Briefcase Full of Blues, and opened for the Grateful Dead at the closing of Winterland Arena in San Francisco. They gained further fame after spawning the Hollywood comedy film The Blues Brothers in 1980.


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Belushi died in 1982, but the Blues Brothers continued to perform with a rotation of guest singers and other band members. The band re-formed in 1988 for a world tour and again in 1998 for the sequel film Blues Brothers 2000.

Following tapings of SNL, it was popular among cast members and the weekly hosts to attend Aykroyd's Holland Tunnel Blues bar, which he had rented not long after joining the cast. Aykroyd and Belushi filled a jukebox with songs from Sam & Dave, punk band The Viletones and others. Belushi bought an amplifier and they kept some musical instruments there for anyone who wanted to jam. It was at the bar that Aykroyd and Ron Gwynne wrote and developed the story which Aykroyd turned into the draft screenplay for the Blues Brothers movie, better known as the "tome", because it contained so many pages.

It was also at the bar that Aykroyd introduced Belushi to the blues. An interest soon became a fascination, and it was not long before the two began singing with local blues bands. Jokingly, SNL band leader Howard Shore suggested they call themselves "The Blues Brothers". In an April 1988, interview he gave to the Chicago Sun-Times, Aykroyd said the Blues Brothers act borrowed from Sam and Dave and others; the Sun-Times quoted him as explaining: "Well, obviously, the duo thing and the dancing, but the hats came from John Lee Hooker. The suits came from the concept that when you were a jazz player in the '40s, '50s '60s, to look straight, you had to wear a suit."

The band was modeled in part on Aykroyd's experience with the Downchild Blues Band, one of the first professional blues bands in Canada, with whom Aykroyd played on occasion.[note 1] Aykroyd encountered the band in the early 1970s, around the time of his attendance at Carleton University in Ottawa, Ontario, Canada, and where his interest in the blues developed through attending and occasionally performing at Ottawa's Le Hibou Coffee House. As Aykroyd described it:

The Toronto-based Downchild Blues Band, co-founded in 1969 by two brothers, Donnie and Richard "Hock" Walsh, served as an inspiration for the two Blues Brothers characters. Aykroyd modeled Elwood Blues in part on Donnie Walsh, a harmonica player and guitarist, while Belushi's Jake Blues character was modeled after Hock Walsh, Downchild's lead singer, and Curtis Salgado.[6] In their first album, Briefcase Full of Blues (1978), Aykroyd and Belushi featured three well-known Downchild songs closely associated with Hock Walsh's vocal style: "I've Got Everything I Need (Almost)", written by Donnie Walsh, "Shotgun Blues", co-written by Donnie and Hock Walsh, and "Flip, Flop and Fly", co-written and originally popularized by Big Joe Turner.[7] All three songs were on Downchild's second album, Straight Up (1973), with "Flip, Flop and Fly" becoming the band's most successful single, in 1974.

With the help of pianist-arranger Paul Shaffer, Belushi and Aykroyd started assembling a collection of studio talents to form their own band.[1] These included SNL band members saxophonist "Blue" Lou Marini and trombonist-saxophonist Tom Malone, who had previously played in Blood, Sweat & Tears. At Shaffer's suggestion, guitarist Steve Cropper and bassist Donald "Duck" Dunn, the powerhouse combo from Booker T. & the M.G.'s and subsequently almost every hit out of Memphis' Stax Records during the 1960s, were signed as well.

With the film came the soundtrack album, which was the band's first studio album. "Gimme Some Lovin'" was a Top 40 hit and the band toured to promote the film. The tour began on June 27, 1980 at Poplar Creek Music Theater. The tour also led to a third album (and second live album), Made in America, recorded at the Universal Amphitheatre in 1980. The track "Who's Making Love" peaked at No 39. It was the last recording the band would make with Belushi's Jake Blues.

In 1995, the Band collaborated with the Italian singer Zucchero Fornaciari, who had been invited to the event in memory of John Belushi's 46th birthday. After a concert together, they registered the videoclip of the Zucchero song "Per colpa di chi?" at the House of Blues.In 1997, an animated sitcom with Jake and Elwood was planned, but scrapped after only eight episodes were produced. Peter Aykroyd and Jim Belushi replaced their brothers as the voices of Elwood and Jake.[11]

The Blues Brothers featuring Elwood and Zee regularly perform at House of Blues venues and various casinos across North America. They are usually backed by Jim Belushi's Sacred Hearts Band. The Original Blues Brothers Band tours the world regularly. The only original members still in the band are Steve Cropper and Lou Marini. The lead singers are Bobby "Sweet Soul" Harden, Rob "The Honeydripper" Papparozi and Tommy "Pipes" McDonnel. They are occasionally joined by Eddie Floyd.

In 1980, The Blues Brothers, directed by John Landis, was released. It featured epic car chases involving the Bluesmobile and musical performances by Aretha Franklin, James Brown, Cab Calloway, Ray Charles and John Lee Hooker.[1] The story is set in and around Chicago, Illinois. It is a tale of redemption for the paroled convict Jake Blues and his brother Elwood, who after a visit to Sister Mary Stigmata (Kathleen Freeman), otherwise known as "The Penguin" at the Catholic orphanage where they grew up, choose to take on a "mission from God" and re-form their old blues band in order to raise funds to save the orphanage. Along the way, the brothers are targeted by a "mystery woman" (Carrie Fisher) and chased by the Illinois State Police, a country and western band called the Good Ol' Boys, and "Illinois Nazis". The film grossed $57 million domestically in its theatrical release, making it the 10th highest-grossing movie of 1980, and grossed an additional $58 million in foreign release.[13]

With Landis again directing, the sequel to The Blues Brothers was made in 1998. It fared considerably worse than its predecessor with fans and critics, though it is more ambitious in terms of musical performances by the band and has a more extensive roster of guest artists than the first film. The story picks up 18 years later with Elwood being released from prison, and learning that his brother has died. He is once again prevailed upon to save some orphans, and with a 10-year-old boy named Buster Blues (J. Evan Bonifant) in tow, Elwood again sets about the task of reuniting his band. He recruits some new singers, Mighty Mack (John Goodman) and Cab (Joe Morton), a policeman who was Curtis' son. All the original band members are found, as well as some performers from the first film, including Aretha Franklin and James Brown. There are dozens of other guest performers, including Eric Clapton, Steve Winwood, Junior Wells, Lonnie Brooks, Eddie Floyd, Wilson Pickett, Isaac Hayes, Sam Moore, Taj Mahal and Jonny Lang, Blues Traveler, as well as an all-star supergroup led by B.B. King called the Louisiana Gator Boys. On the run from the police, Russian mafia and a racist militia, the band eventually ends up in Louisiana, where they enter a Battle of the Bands overseen by a voodoo practitioner named Queen Moussette (Erykah Badu). During a song by the Blues Brothers (a Caribbean number called "Funky Nassau"), a character played by Paul Shaffer asks to cut in on keyboards, which Murph allows. This marks the first time in a film that the Blues Brothers play with their original keyboardist.

Operatives of the Slavonic Corps deployed to Syria in 2013. Their mission was to assist Syrian forces in re-capturing oil facilities from Islamic State militants. However, several coordination and logistical problems arose. The key problem was that the Slavonic Corps relied on the Syrian government for logistics, but instead of the promised modern weapons, it received outdated weaponry in insufficient numbers. Its first combat mission in Syria ended with a spectacular defeat near Deir al-Zour. Survivors were transported back to Russia, and the company was disbanded.

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The Jazz Brothers was an amazing band considering it was formed by a group of youngsters that Cannonball Adderley introduced on Riverside Records in 1960.Ā 


Ā Just how amazing can be gauged from the fact that several subsequently became major figures in their own right. The bands youthful brashness was combined with considerable sensitivity in its search for a group sound, reminiscent in some ways of the Jazz Messengers or the Horace Silver quintet. The group used a powerful approach and sustained it remarkably well, with clean, crisp ensembles, vigorous and brightly voiced.Ā 


Ā Trumpeter Chuck Mangione, at only 19, already possessed a lovely tone and an innate, relaxed sense of phrasing. Sal Nistico, 20, already a very forceful musician, contributes consistenly interesting solos. Brother Gap Mangione, 22, is a strong, prodding accompanist and arranger. Altoist Larry Coombs, 20, is only heard in the first album, The Mangione Brothers Sextet, on which he solos with guts and fits very well in the front line with Chuck and Sal. Throughout, bassists and drummers on each date were well integrated and driving, and Roy McCurdy was already developing into a dynamic drum soloist.Ā 


Ā In 1961 two more albums by The Jazz Brothers followed. Hey Baby!, and Spring Fever, were both quintet sessions, and the last before the group disbanded. They left a legacy of a fine group whose skills and authority belied its astonishingly youthful personnel. be457b7860

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