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Auto-Tune (or autotune) is an audio processor introduced in 1997 by the American company Antares Audio Technologies.[1][4] It uses a proprietary device to measure and alter pitch in vocal and instrumental music recording and performances.[5]

Auto-Tune was originally intended to disguise or correct off-key inaccuracies, allowing vocal tracks to be perfectly tuned. The 1998 Cher song "Believe" popularized the technique of using Auto-Tune to distort vocals. In 2018, the music critic Simon Reynolds observed that Auto-Tune had "revolutionized popular music", calling its use for effects "the fad that just wouldn't fade. Its use is now more entrenched than ever."[6]

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Auto-Tune was developed by Andy Hildebrand, a Ph.D. research engineer who specialized in stochastic estimation theory and digital signal processing.[1] Hildebrand conceived the vocal pitch correction technology on the suggestion of a colleague's wife, who had joked that she could benefit from a device to help her sing in tune.[13][14]

Over several months in early 1996, he implemented the algorithm on a custom Macintosh computer and presented the result at the NAMM Show later that year, where "it was instantly a massive hit".[13] Hildebrand's method for detecting pitch involved the use of autocorrelation and proved superior to earlier attempts based on feature extraction that had problems processing certain aspects of the human voice such as diphthongs, leading to sound artifacts.[13] Music engineers had previously considered autocorrelation impractical because of the massive computational effort required, but Hildebrand found a "mathematical trick" to overcome this, "a simplification [that] changed a million multiply adds into just four".[13]

According to the Auto-Tune patent, the referred implementation detail consists, when processing new samples, of reusing the former autocorrelation bin, and adding the product of the new sample with the older sample corresponding to a lag value, while subtracting the autocorrelation product of the sample that correspondingly got out of window.[5]

Originally, Auto-Tune was designed to discreetly correct imprecise intonations to make music more expressive, with the original patent asserting: "When voices or instruments are out of tune, the emotional qualities of the performance are lost."[6] Auto-Tune was launched in September 1997.[1]

Used by stars from Snoop Dogg and Lil Wayne to Britney Spears and Cher, Auto-Tune has been widely criticized as indicative of an inability to sing on key.[42][43][44][45][46] Trey Parker used Auto-Tune on the South Park song "Gay Fish", and found that he had to sing off-key in order to sound distorted; he claimed, "You had to be a bad singer in order for that thing to actually sound the way it does. If you use it and you sing into it correctly, it doesn't do anything to your voice."[47] Electropop recording artist Kesha has been widely recognized as using excessive Auto-Tune in her songs, putting her vocal talent under scrutiny.[43][48][49][50][51] Music producer Rick Rubin wrote that "Right now, if you listen to pop, everything is in perfect pitch, perfect time and perfect tune. That's how ubiquitous Auto-Tune is."[52] Time journalist Josh Tyrangiel called Auto-Tune "Photoshop for the human voice".[52]

YouTuber Conor Maynard, who has received criticism for his use of Auto-Tune, defended the audio processor in an interview on the Zach Sang Show in 2019, stating: "It doesn't mean you can't sing ... auto-tune can't make anyone who can't sing sound like they can sing ... it just tightens it up ever so slightly because we're human and we are not perfect, whereas [Auto-Tune] is literally digitally perfect".[62][63]

The Antares Auto-Tune Realtime Advanced plug-in features a redesigned control panel for a faster, more efficient workflow. Basic view gets you up and running quickly, with only the most important controls available, while Advance view lets you fine tune with powerful scale editing, vibrato, and MIDI features.

Auto-Tune automatically tunes this threshold, typically between 5-15%, based on the amount of JVM that is currently occupied on the system. For example, if JVM memory pressure is high, Auto-Tune might reduce the threshold to 5%, at which point you might see more rejections until the cluster stabilizes and the threshold increases.

While I understand the negative response to this proposal as I also share a bit of contempt for the way it has enabled some awful singers; that is not the only use for Autotune. It does introduce a bit of a Milly-Vanilly vibe when used for a dancer who should have spent their career off the microphone.

My primary concern with seeing Autotune added is not the sonic Holy War it engenders. My concern would be that, at least right now, when there are so many other core features needed, that it might divert considerable development resources. Autotune is readily available as a plugin for those who wish to employ it in the studio and as I already stated, I am not a fan of it for live usage other than as an effect (rather than a coverup for lack of talent or sloppiness).

The feature request posted here was for the incorporation of an auto tune like feature into a guitar modeller - it was this request specifically that I commented on (nothing more). To start throwing insults at me or to wax lyrical about the legitimacy of auto tune in general speaks to either a lack of knowledge/experience in regard to the recording process or an intentional effort to spark a heated debate about an entirely different subject altogether (the latter of which; respectfully, I have no interest whatsoever in entertaining).

Hopefully avoiding another ideological war, just wanted to throw some 2 cents:

Auto tune can be used for artistic purposes as well. Sufjan Stevens, which is a wonderful singer, uses auto tune in a certain part in Impossible Soul in a truly beautiful and moving way.

I can also see how quantization of notes can be used in an artistic way in bends or vibrato use in guitar.

Yo weird question but has anyone ever tried to put auto tune on a guitar? I made a perfect take after so many fails and now find that's it's a bit out of tune.. I have anters auto tune access, will that fix it for me or will it sound weird? I tried and really can't seem to tell, looking for someone with experience to help Thank you in advance!

Hi, these are just my quick comments, but one key thing with autotune and heaters is to choose the right setpoint. The autotune can get "stuck" or just take a really long time if the wrong setpoint is used. Autotune drives the process to the setpoint, then applied alternative step changes to the setpoint, about 5-10% above and below the setpoint. It measures the step response of the process to these changes in setpoint.

For example, if your ambient temp is 23 C and you choose a setpoint of 30C the process will ramp up nicely to 30 (or 33). However for the negative ramp (back to 27) it will take a very long time, especially if the process vessel is large and/or insulated, as the difference between the process temp and ambient temp is very small. On the other hand, if the process temp is 90C and the vessel is relatively small and uninsulated, the autotune will cycle much faster, as the vessel is able to lose heat quickly once the heater is tuned off.

Part [1] can be answered:

PID Server is running on PC.

It can consume much more resources (CPU, memory), and it may make PID Autotune more precise. But it is dependent of other conditions - PID startup parameters, Sensors/Actuators models and phisical location, inertion of sensors/actuators, etc.

And good side of PID Server is possibility to save PID parameters graph.

You can use this graph for feature reference, send it to someone for rteview, etc.

And yes, you can change PID parameters and make optimization by compare results of an original PID Autotune calculated PID parameters and changed ones.

I'm checking the consistency of the PID server tool if I can use this one next week onsite. I can't see anything that I have done differently except that I RESET and INITIALIZE and start over. Now the PID server auto tune isn't working too.

Any help? Basically, what I did is to get the parameters from the working auto tune unit, and encoded to the second unit for manual tuning. It works for 24 hours and for some reason client made adjustment on the mechanical side and it trips again. And my question is, is this the right way shown below for V570 forcing it manually for PID ?

I have the newest version of garageband (10.0.3) I've looked everywhere and people seem to think I'm talking about the old garage band but I have the new one (2015), anyways I like to play around with making songs and stuff and I'm trying to figure out how to auto-tune my voice. I know how to do it on the old garageband but i don't on the new one. this is what my garage band looks like, someone please help me figure this out, thanks

2. Does it have Auto-Tune ? Same here, I don't see it listed on the features list or reviews, but I notice there is key/scale quantization and pitch detection/shifting for the samples, so I was wondering if there is also a trick to emulate auto-tune type effect from the input, or if Synthstom has any plans to make use of the existing quantization and pitch detection algorithms in order to bring this feature. That would be crazy 006ab0faaa