If you want a broadcast-focused headset with a dynamic cardioid microphone and left-or-right boom placement, choose Audio-Technica BPHS1; if you need a streaming headset with a flip-up mute and two earpad options, choose Audio-Technica ATH-M50xSTS. For a big head, neither data sheet provides a fit measurement, so the clearer choice comes from your microphone, monitoring, and connection needs—not an unsupported promise about head size.
• Audio-Technica BPHS1: Its dynamic cardioid mic and closed-back, around-ear cups suit broadcast work and help reduce distracting surrounding sound; its long cable ends in separate XLR microphone and 1/4-inch headphone plugs, so it is not a simple single-plug setup.
• Audio-Technica ATH-M50xSTS: Its 45 mm drivers, condenser boom mic, flip-up mute, and two earpad sets make it a flexible streaming package; the permanently attached cable also ends in separate headphone and XLR connections.
• Choose the BPHS1 if you want a broadcast-oriented dynamic microphone and the option to position its boom on either side.
• Choose the ATH-M50xSTS if you want the M50x-style headphone platform, a condenser mic, and a quick physical mute.
• Neither is Bluetooth: both are wired headsets, so neither answers a search for Bluetooth earbuds for a big head or sports earbuds for a big head.
• Both are described as adult, over-ear headsets. The supplied information gives no headband range or fit dimensions, so neither can be called a verified fit for a big head.
The BPHS1 is the more plainly broadcast-focused option. Its dynamic microphone uses a cardioid pickup pattern, which is designed to favor sound arriving from in front of the mic rather than equally capturing off-axis sound. The boom can be positioned on the left or right, a practical detail if your setup or working preference calls for one side. Its closed-back circumaural cups are intended to help seal out crowd noise and other distractions.
The included cable is 3.3 meters long and separates into a microphone XLR connection and a 6.3 mm headphone plug. That makes the BPHS1 a natural candidate for a broadcast or recording setup prepared for those connections. The listed headphone frequency range is 20 Hz–20 kHz, and the headset uses dynamic drivers with neodymium magnets. Those details describe its design; they do not establish how it will sound in every room or recording chain.
I would shortlist it for someone who prioritizes a dynamic boom mic, left-or-right mic placement, and a long cable with separate audio connections. I would skip it if you specifically want a flip-up mute, interchangeable earpad choices, or a headset cable ending in a 3.5 mm headphone plug. And if your first concern is whether it will fit a big head, the available information does not provide the headband dimensions needed to make that call.
The ATH-M50xSTS is aimed at streaming, pairing 45 mm dynamic drivers with a cardioid condenser microphone. Its listed frequency range is 15 Hz–28 kHz, and Audio-Technica describes its sound design around deep bass and detail across an extended range. The mic arm can be flipped up to mute, giving the user a direct physical mute action without needing to reach for a separate control.
Its two earpad sets let you choose between M50x pads intended to emphasize sound isolation and audio quality, and mesh-and-leatherette pads intended to favor breathability and comfort. That choice is a useful design distinction for long sessions, though the information does not establish which pair will feel better to a particular person. The 2-meter permanently attached cable has a 3.5 mm headphone connection, a 6.3 mm adapter, and a separate XLR microphone output for an audio interface or mixer.
How We Research
We compare products from their published specs and features; the verdicts below are our independent editorial opinions.
Updated: 2026-10-09 · 11 min read · Independent comparison
• Best fit for a broadcast-style setup with a dynamic mic → Audio-Technica BPHS1. Its microphone is dynamic and cardioid, with vocal reproduction as a stated design focus.
• Best for a quick physical microphone mute → Audio-Technica ATH-M50xSTS. Flip the boom arm up to mute; the BPHS1’s supplied details do not list this feature.
• Best if you want to choose which side the mic sits on → Audio-Technica BPHS1. Its boom can be positioned on the left or right.
• Best for two different earpad approaches → Audio-Technica ATH-M50xSTS. The package includes M50x pads and mesh/leatherette pads with different stated priorities.
• Best when cable reach is a priority → Audio-Technica BPHS1. Its cable is 3.3 meters, compared with 2 meters for the permanently attached ATH-M50xSTS cable.
• Best when your headphone connection needs a 3.5 mm plug → Audio-Technica ATH-M50xSTS. It includes a 3.5 mm headphone connection and a 6.3 mm adapter; its microphone output is XLR.
• Best for someone seeking a confirmed big-head fit → Neither can be confirmed from the supplied fit details. Both are over-ear models, but no headband range or fit measurements are listed.
• Best for wireless listening or sports use → Neither. Both are wired headsets, not Bluetooth earbuds; neither data sheet describes a sports-specific design.
I would choose the Audio-Technica ATH-M50xSTS for a streaming desk because its flip-up mute and two earpad options make it the more adaptable package for that use. For a big head, though, I would not assume either model fits without checking the fit details directly; the provided specifications do not settle that question. If my priority were a dynamic mic, longer cable, or reversible boom placement, I would choose the BPHS1 instead.
Neither product’s supplied specifications state a headband range or head-fit measurement. Both are over-ear adult headsets, but that alone is not enough to confirm comfort or fit for a big head.
No. Both are wired models. Neither is a Bluetooth headset, so neither serves as Bluetooth earbuds for a big head or as sports earbuds for a big head.
The ATH-M50xSTS has a cardioid condenser microphone and a boom that flips up to mute. The BPHS1 has a dynamic cardioid microphone, with the boom positionable on either side; the better match depends on which mic type and controls suit your setup.
The supplied age description for both is adult, and no fit measurements are provided. For a child, check the physical fit and connection requirements rather than assuming an adult over-ear headset will suit them.
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If you want a broadcast-focused headset with a dynamic cardioid microphone and left-or-right boom placement, choose Audio-Technica BPHS1; if you need a streaming headset with a flip-up mute and two earpad options, choose Audio-Technica ATH-M50xSTS. For a big head, neither data sheet provides a fit measurement, so the choice comes down to microphone, monitoring, and connection needs—not an unverified promise about head size.
• Audio-Technica BPHS1: Its dynamic cardioid mic and closed-back, around-ear cups suit broadcast work and help reduce distractions; its cable ends in separate XLR microphone and 1/4-inch headphone plugs.
• Audio-Technica ATH-M50xSTS: Its 45 mm drivers, condenser boom mic, flip-up mute, and two earpad sets suit streaming; its permanently attached cable also has separate headphone and XLR connections.
• Choose the BPHS1 for a broadcast-oriented dynamic microphone and a boom that can sit on either side.
• Choose the ATH-M50xSTS for a streaming setup with a physical mute and two earpad options.
• Neither is Bluetooth. Neither answers a search for Bluetooth earbuds for a big head or sports earbuds for a big head.
• Both are adult, over-ear headsets, but neither product description gives headband dimensions or a fit range.
The BPHS1 is the more explicitly broadcast-focused model. Its dynamic microphone uses a cardioid pickup pattern, designed to favor sound coming from in front of the mic over off-axis sound. You can position the boom on the left or right, which is useful when your setup or working preference calls for one side. Its closed-back, circumaural cups are designed to help seal out crowd noise and other distractions.
The included 3.3-meter cable separates into a microphone XLR connection and a 6.3 mm headphone plug. That makes the BPHS1 a natural candidate for a broadcast or recording setup ready for those connections. Its listed headphone frequency range is 20 Hz–20 kHz. The headset uses dynamic drivers with neodymium magnets; those specifications describe the design, not how it will sound in every room or recording chain.
I would shortlist it if I wanted a dynamic boom mic, left-or-right placement, and a longer cable with separate connections. I would skip it if I needed a flip-up mute, different earpad options, or a 3.5 mm headphone connection. And for anyone focused on a big head, the available information does not give the dimensions needed to confirm fit.
The ATH-M50xSTS is designed for streaming, pairing 45 mm dynamic drivers with a cardioid condenser microphone. Its listed frequency range is 15 Hz–28 kHz, and its design emphasizes deep bass and detail across an extended range. The microphone arm flips up to mute, giving you a direct physical mute action.
Two earpad sets let you choose between M50x pads intended to emphasize sound isolation and audio quality, and mesh-and-leatherette pads intended to favor breathability and comfort. That gives you options for different preferences, though it cannot predict which set will feel better to a particular person. The 2-meter permanently attached cable includes a 3.5 mm headphone connection, a 6.3 mm adapter, and a separate XLR microphone output for an audio interface or mixer.
I would lean toward this model for a streaming desk where the flip-up mute, condenser microphone, and pad choice matter. Check that its separate XLR mic output suits your setup before buying. Skip it if you specifically want a dynamic microphone or need a cable longer than 2 meters. Like the BPHS1, it has no stated headband range, so the supplied information cannot confirm it as a fit for a big head.
• Best for a broadcast setup with a dynamic mic → Audio-Technica BPHS1. Its microphone is dynamic and cardioid, with vocal reproduction as a stated design focus.
• Best for a quick physical microphone mute → Audio-Technica ATH-M50xSTS. Flip the boom arm up to mute; this feature is not listed for the BPHS1.
• Best if you want to choose which side the mic sits on → Audio-Technica BPHS1. Its boom can be positioned on the left or right.
• Best for two earpad options → Audio-Technica ATH-M50xSTS. Its pads offer different stated priorities: sound isolation and audio quality, or breathability and comfort.
• Best when cable reach matters → Audio-Technica BPHS1. Its cable is 3.3 meters, compared with 2 meters for the permanently attached ATH-M50xSTS cable.
• Best for a 3.5 mm headphone connection → Audio-Technica ATH-M50xSTS. It includes a 3.5 mm connection and a 6.3 mm adapter; its microphone output is XLR.
• Best for a confirmed big-head fit → Neither can be confirmed from the supplied details. Both are over-ear models, but neither has a listed headband range or fit measurement.
• Best for wireless listening or sports → Neither. Both are wired headsets, not Bluetooth earbuds, and neither is described as sports-specific.
My Verdict
I would choose the Audio-Technica ATH-M50xSTS for a streaming desk because the flip-up mute and two earpad options make it more adaptable for that use. For a big head, I would not assume either model fits without checking the fit details directly; the supplied specifications do not settle that question. If I prioritized a dynamic mic, longer cable, or reversible boom placement, I would choose the BPHS1 instead.
Neither product’s supplied specifications state a headband range or head-fit measurement. Both are over-ear adult headsets, but that is not enough to confirm comfort or fit for a big head.
No. Both are wired models. Neither is Bluetooth, so neither serves as Bluetooth earbuds for a big head or sports earbuds for a big head.
The ATH-M50xSTS has a cardioid condenser microphone and a boom that flips up to mute. The BPHS1 has a dynamic cardioid microphone and a boom that can sit on either side; the better match depends on your preferred mic type and controls.
The supplied age description for both is adult, and no fit measurements are provided. Check the physical fit and connection requirements rather than assuming an adult over-ear headset will suit a child.
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