This application is a tool for helping you create and edit your own status. It offers a range of functions so that you can make each of your posts unique. But what can you do with this app that you can't already do with other tools, such as the editors included in WhatsApp or Instagram? Upload, edit, record and trim audio that that you already have in your Android library or something new that you have created for the occasion.
Once you have finished your creation, you will be able to share it as status, image or video (depending on what you want to do and on the elements you have included), choose the length, and post it on a range of social networks, including WhatsApp, Instagram, Snapchat, Facebook and others.
Audio Status Maker
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The really interesting aspect of this application is the tools that if offers for uploading audio tracks and music to your status (which in WhatsApp would be shared in video format). You can show the record cover, edit the sticker, choose the length of the audio track, or just choose an excerpt. Sharing that song you love with everyone has never been easier. Would you like to give it a go?
With a degree in Law and Journalism, I specialized in criminology and cultural journalism. Mobile apps, especially Android apps, are one of my great passions. I have been testing dozens of apps every day for over six years now, discovering all... Sean Mitchell
For things more complex than basic sound effects, or playing a single piece of music, you can refer to the advanced audio functions which let you modify how a sound is played. There is also a selection of more specialised functions dedicated to streaming audio, positioning audio (to give 3D sound), grouping audio, synchronised audio and audio effects.
Another way to play sounds is using audio_play_sound_ext. This function is identical to audio_play_sound but allows you to pass various audio parameters in a struct. Using this function, you only need to provide a Sound Asset through the "sound" key of the struct:
You can use this sound instance ID in functions to change the audio properties at the instance level (or pass them directly as optional arguments). This will only change the properties for that particular sound instance.
By default a sound loops from its start to its end. The start and end position can be changed using audio_sound_loop_start and audio_sound_loop_end respectively, also while the sound is playing (i.e. ins_sound refers to a sound instance for which audio_is_playing returns true).
Audio effects are created using audio_effect_create and then assigned to one of the effects slots of an audio bus. The audio bus that you can always assign effects to is the main audio bus audio_bus_main.
When creating games for the HTML5 target platform, the audio engine requires Web Audio support, and this in turn means that sometimes your audio won't play when or how you expect it. This is because the Web Audio context may not be running or may stop running when your game is being played. What causes this varies greatly between browsers, and even between different versions of the same browser, and so detecting when the web audio context status changes is very important, e.g.: to detect when the context changes and pause/start looping audio like background music.
or using the Asynchronous System Event, which will be triggered whenever the Web Audio status changes. In this event you will get the built-in async_load DS map populated with the key "event_type" which in turn will hold the string "audio_system_status" if it is an audio event. When this key exists, there will also be a further "status" key which will be either "available" or "unavailable".
Digital evidence is defined as information of probative values that is stored or transmitted in a binary form. Digital evidence includes digital text, sound, video and images. Digital audio and video (A/V) have been part of intelligence community and the forensic community. Currently there is no cohesive program to address the needs in A/V areas for the forensic science applications in crime laboratories. It is imperative to understand the current status of these two areas and to accurately identify the needs, if we are to address solutions in a strategic manner and with the least expense. A determination of the current status is the first step for both audio and video. The committee will develop a survey instrument and send it to the appropriate members of the two disciplines. A comparison between audio/video and computer forensics will be the baseline to determine if there are corresponding issues. Issues facing digital audio and video will be identified and the differences noted.
During the period of this award, NCFS proposes to continue to fulfill the tenants stated in its Mission Statement where it provides research, education, training, tools and technology to meet the current and future needs of the forensic science, investigative and criminal justice communities. The activities proposed in this proposal involve performing research and related activities in the areas of Biological and Physical Evidence. Funds will be used to: 1) defray support costs for managing and generating focus-group feedback for the programs; 2) support costs related to research, development and technology extension in the area of forensic DNA, including projects involving: 2a) validation of Y-STR markers for operational use in
forensic laboratories; 2b) development and implementation of a national Y-STR Reference
Database; 2c) study of novel Y-STR markers and SNP markers; and 2d) development of a
speedy rape kit processing scheme which takes advantage of 2a) through 2c); and 3) support energetic materials projects including: 3a) the Ignitable Liquids Reference Collection; 3b) instrumental analysis of fiber dyes; 3c) research involving matrix effects on explosives recovery and detection; 3d) performance testing of commercial packaging for arson debris; 3e) development of new tests for peroxide-based explosives; and 3f) sponsorship of collaborative fire research with the ATF National Laboratory Center. 152ee80cbc
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