We compare products from their published specs and features; the verdicts below are our independent editorial opinions.
Updated: 2026-09-20 · 6 min read · Independent comparison
If you want a complete wireless in-ear monitoring rig for a stage or rehearsal setup, choose AUDIO 2000'S Audio2000'S; if you need a wired closed-back studio headphone for mixing, tracking and long editing sessions, choose beyerdynamic DT 770.
• AUDIO 2000'S Audio2000'S biggest strength: it's a full UHF wireless system — one transmitter, one bodypack receiver, 100 selectable frequencies, mono or stereo operation and a hard PVC travel case.
• AUDIO 2000'S Audio2000'S biggest trade-off: it's a system, not a pair of headphones. It runs on a battery rated for about 7.5 hours, uses RF wireless and 600-ohm balanced-armature in-ears, so it's built for performers on the move, not for desk work.
• beyerdynamic DT 770 biggest strength: 80-ohm closed-back over-ear design with a 5 Hz–35,000 Hz dynamic driver, velour pads and a 3 m straight cable — a wired studio workhorse.
• beyerdynamic DT 770 biggest trade-off: it's wired only. No wireless, no transmitter, no receiver. You're tethered to your interface or mixer.
• Pick AUDIO 2000'S Audio2000'S if you're a singer, worship leader, drummer or presenter who needs to hear a mix wirelessly while moving around.
• Pick beyerdynamic DT 770 if you're recording, mixing, podcasting or editing at a desk and want a serviceable, repairable wired headphone.
The AWM6304U is a wireless in-ear monitor system, and that framing matters. You get a frequency-agile transmitter (AWX6304U) and a matching bodypack receiver (AWR6304U), both able to hop across 100 pre-programmed selectable frequencies in the 571–598 MHz UHF band. That's the point of the design: when one frequency gets crowded at a venue, you move to another instead of fighting interference.
Day to day, this is a performer's tool. The receiver clips to a belt or waistband and feeds 600-ohm balanced-armature in-ear monitors with a rounded-tip earpiece shape, so the sound stays isolated and close. There's a low-battery LED on the receiver, which honestly is the feature you'll appreciate most mid-set. The transmitter has a 1/4-inch stereo monitoring headphone output jack on the front panel plus an audio level adjustment knob, so an engineer or bandmate can check the mix without hunting for extra gear. Mono or stereo mode is selectable, and the built-in limiter circuitry is there to keep sudden input spikes from turning into distortion in your ears — a genuinely sensible addition for live work.
Who should buy it: anyone who needs to hear a mix while untethered — vocalists, drummers, bassists, worship teams, presenters walking a stage, or a band that wants its own monitor setup instead of relying on wedges. Who should skip it: if you're sitting at a desk mixing a record, this is the wrong tool. There's no point paying for RF wireless and a transmitter if you never leave your chair. Also skip it if you want a single pair of headphones you can plug into a phone or laptop — that's not what this is.
beyerdynamic DT 770: Who It's For
The DT 770 Pro in the 80-ohm version is the middle of beyerdynamic's impedance lineup, and 80 ohms is the sweet spot for most home and project studios. Low enough to be driven by a decent interface, high enough to behave well with proper gear. The dynamic driver covers a claimed 5 Hz to 35,000 Hz, which is a very wide range, and the closed-back circumaural design is what makes it useful for tracking: minimal leakage means your mic doesn't pick up the click track, and the isolation helps you hear detail while someone else is playing.
Comfort is the other headline. The black velour pads are soft and breathable, and that matters more than people admit — long editing days, podcast sessions, mixing until 2 a.m. The 3 m straight cable gives real freedom around a desk or a booth, and it terminates in a 3.5 mm connector with a gold-plated 1/4-inch screw-on adapter pre-installed, so it plugs straight into both consumer gear and pro interfaces.
The part I like most on paper is serviceability. Pads, headbands and drivers are replaceable, which is why these get treated as a long-term purchase rather than a disposable one. They're handcrafted in Germany, weigh about 12.2 ounces, and come with a drawstring storage bag. Warranty is two years.
Who should buy it: home recordists, podcasters, mixing and mastering engineers, vocalists tracking with a mic, video editors, and anyone who wants one wired headphone that does serious work. Who should skip it: performers who need to move. It's wired, it's over-ear, and there's no RF anywhere in the box. If you're walking a stage, look elsewhere.
Side-by-Side: Which Should You Choose?
• Best for wireless freedom on stage → AUDIO 2000'S Audio2000'S. One transmitter, one receiver, 100 selectable UHF frequencies.
• Best for a band that wants its own monitor mix → AUDIO 2000'S Audio2000'S. Mono/stereo modes and a front-panel 1/4-inch monitoring output on the transmitter.
• Best for long sessions without fatigue → beyerdynamic DT 770. Breathable velour pads and a light 12.2-ounce build.
• Best for travel and storage as a kit → AUDIO 2000'S Audio2000'S. Hard PVC carrying case included, roughly 5.3 pounds total.
• Best for repairability and longevity → beyerdynamic DT 770. Pads, headbands and drivers are replaceable; two-year warranty.
• Best for plug-and-play with a phone or laptop → beyerdynamic DT 770. 3.5 mm jack with a screw-on 1/4-inch adapter.
• Best for avoiding distortion at high input levels → AUDIO 2000'S Audio2000'S. Built-in limiter circuitry on the transmitter path.
• Best for hearing protection-style isolation in loud rooms → beyerdynamic DT 770. Closed-back circumaural cups cut bleed and outside noise.
In my opinion, these two don't compete for the same buyer, so the honest answer is: buy the one that matches how you work. If I were outfitting a home studio for tracking, mixing and podcasting, I'd take the beyerdynamic DT 770 — 80 ohms, closed back, repairable, comfortable for hours, and it plugs into everything. I'd only reach for the AUDIO 2000'S Audio2000'S if my actual problem is "I can't hear myself while I move around a stage." That's the deciding question. Wireless monitoring system versus wired studio headphone — pick the job first, then the product. Either way, check the current price on Amazon before you commit, since that's the only number that should tip a close call.
It's a wireless in-ear monitor system. You get a transmitter and a bodypack receiver, plus in-ear monitors, all operating in the 571–598 MHz UHF band with 100 selectable frequencies.
You can, but it's wired and over-ear, so you're tethered to your gear. For live work where you move around, a wireless system like the Audio2000'S makes more practical sense.
The carrying case battery is rated for roughly 7.5 hours of average life, which comfortably covers a rehearsal, a service or a full set list.
The 80-ohm version is designed for universal studio use and works well with most audio interfaces. If you want mobile-friendly, lower-impedance options, beyerdynamic offers 32-ohm and 250-ohm versions tuned for different power levels.
That depends entirely on your use case, and prices change. The DT 770 is one purchase that covers recording, mixing and editing; the Audio2000'S is a system you buy when you specifically need wireless monitoring. Check the current price on Amazon and weigh it against the job you actually need done.
As an Amazon Associate I earn from qualifying purchases.
We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon and affiliated sites.
When you buy through links on this page, we may earn a commission from qualifying purchases at no extra cost to you.
Amazon and the Amazon logo are trademarks of Amazon or its affiliates. This site is an independent third-party review and is not affiliated with, endorsed by, or sponsored by Amazon or the product brands mentioned.