Conferencia + Concierto //
Conference + Concert
"Esculpir el sonido"
Zuriñe F. Gerenabarrena estudia composición con C.Bernaola y F. Donatoni.
Compositora versátil, cuenta con obras que van desde encargos para solista, orquesta sinfónica, teatro, orquestaciones de música de cine, electroacústica o proyectos multidisciplinares.
Presente en foros internacionales: Auditorio Nacional, Auditorio 400, Museo Guggenheim Inauguración, Sinkro, Klem, Bernaola Festival, Ciclo de Conciertos de Música Contemporánea FBBVA, Quincena Musical, PHONOS, Festival Shyntése, Festival Visiones Sonoras, Sonoimagenes, EMU Festival, Festival Musica Viva, “E`Werk”, Festival Borealis, Musiques & Recherches, Exhibition “Down the Dori” TWS (Tokyo), BKA Theather, Teatros del Canal, EviMus, ICMC 2015, 7º Musica Electric Nova, Plage Sonore, MUSLAB, NYCEMF2017, BIFEM 2017, TONBAND, DME55, Noh X Contemporary Music, SICMF (Seúl), Matera/Intermedia 2018 (Premio Acusmática), Musica Nova 2018 (Mención Honorífica), San Francisco Tape Music Festival, Mise-En Music Festival, ICMC/NYCEM (NY), Atemporánea Festival, Helicotrema Festival, Ecos Urbanos, UACH (Chile), arteScienza (Roma), MUSICA (Estrasburgo) SAMPO (premio), The Sound Beanch (Premio Udine-Stockholm), TAma Music Festival…Obra editada por Avantus, Tritó Ediciones.
Artista en residencia: NOTAM (Oslo), EMS (Estocolmo), ZHdk/ICST (Zurich), Tokyo Wonder Site (Tokio), Studio Alpha (Visby,Suecia), USF/Verfet(Bergen), LEC (Lisboa).
Profesora de Contrapunto y Armonía en la especialidad de Composición y Composición Electrónica en el Máster en Creación Musical Contemporánea, en Musikene (Conservatorio Superior de Música, País Vasco) www.zfgerenabarrena.com
Zuriñe F. Gerenabarrena studied composition with Carmelo Bernaola and Franco Donatoni.
Gerenabarrena has written pieces for orchestra, ensemble, theatre, dance, acousmatic, sound installations and multidisciplinary shows.
International forums:
Contemporary Music FBBV, Quincena Musical, Bernaola Festival, PHONOS, Festival Synthése, Sonoimágenes, Visiones Sonoras, EMU Festival, Elektrophonie, Musica Viva, Borealis, Musiques & Recherches, eviMus, “Down the Dori” (TWSTokyo), EAM Festen Frost, ICMC 2015, 7º Musica Electric Nova, MUSLAB, NYCEMF2017, BIFEM 2017, TONBAND, DME55, Noh X Contemporary Music, SICMF 2018(Seoul), Matera/Intermedia 2018 (Prize Acousmatic), Musica Nova 2018 (Honoray Mention), San Francisco Tape Music Festival, Mise-En Music Festival 2019 (NY), ICMC/NYCEM 2019 (NY), Atemporánea Festival (Buenos Aires), Helicotrema (Venice), Ecos Urbanos (2019), UACH (Chile), arteScienza (Rome), MUSICA (Strasbourg), SAMPO (winer), The Sound Beanch (Winer Udine-Stockholm), TAma Music Festival (Japan)… Works edited by Avantus, Tritó Edition.
Artist in residence: NOTAM (Oslo), EMS (Stockholm), ZHdk-ICST (Zurich), Shiro-Oni (Japan), Tokyo Wonder Site (Tokyo), Studio Alpha, VICC (Visby), USF/Verfet (Bergen), LEC( Lisbon).
Commissioned from Basque Government, INAEM, CDMC, Quincena Musical, Basque Symphony Orchestra, Author Foundation, Bilbao Symphony Orchestra, BBVA Foundation, Konstnärsnämnden, ZHdk/Zurich University of the Arts, Polish Ministry of Culture, Ensemble Noh.
Professor of Counterpoint and Harmony, professor of Electronic composition in Master Degree in Contemporary Music Creation, at MUSIKENE (Higher Conservatory of Music, Basque Country) www.zfgerenabarrena.com