We compare products from their published specs and features; the verdicts below are our independent editorial opinions.
Updated: 2026-09-28 · 7 min read · Independent comparison
If you want one wired pair that handles listening, calls and podcast playback on almost any device you already own, choose ARTIX Headphones; if you need a dedicated desktop microphone that captures your voice for recording and streaming, choose P PUPGSIS Podcast Dynamic Microphone. These two aren't rivals fighting for the same slot on your desk — they solve two different halves of the same podcast problem, and the right pick depends entirely on which half you're missing.
• ARTIX Headphones — biggest strength: a foldable over-ear design with a 40 mm dynamic driver, inline mic and 3.5 mm plug-and-play across PC, Mac, consoles, tablets and phones.
• ARTIX Headphones — biggest trade-off: it's a wired listening tool first; the inline volume control works on mobile devices only, and noise control is sound isolation, not active cancellation.
• P PUPGSIS Podcast Dynamic Microphone — biggest strength: a supercardioid dynamic capsule with both USB and XLR output, a mute/noise-reduction button and a 3.5 mm monitoring jack with its own volume dial.
• P PUPGSIS Podcast Dynamic Microphone — biggest trade-off: it's corded and desktop-bound, and its mute and noise-reduction features only work over USB, not XLR.
• Who ARTIX is for: anyone who needs affordable, durable wired headphones for listening, calls, class or travel.
• Who P PUPGSIS is for: anyone building a podcast, stream or recording setup who needs their voice captured properly.
The ARTIX CL750 is a straightforward wired over-ear headphone, and its whole personality comes from that simplicity. You get a 3.5 mm jack, a 40 mm dynamic driver, 32 ohm impedance and 88 dB sensitivity — numbers that describe an easy-to-drive headphone that doesn't demand an amp or a special adapter to sound like itself. Plug it into a laptop, a Chromebook, an iPad, a phone, a PS5 or an Xbox and it just works. For podcast listening specifically, that reliability matters more than specs on paper. You're not troubleshooting a pairing menu five minutes before you hit play.
The inline microphone is the part podcasters underrate. It's positioned on the cable, so it sits close to your mouth when you're wearing the headphones, and ARTIX describes it as delivering clear audio for calls, podcasts and music even in noisy rooms. That makes the CL750 a genuinely useful hybrid: listen to a reference episode, then jump on a call or record a quick voice memo without swapping gear. The cushioned ear cups and adjustable headband are built for long sessions, and the foldable frame plus the 6.5-ounce weight make it easy to toss in a bag for travel or class.
Who should skip it? Anyone who needs to record broadcast-quality voice for a published show. The inline mic is a convenience, not a studio capture tool — it's for calls and quick notes. And if you want to walk around untethered, the wired 3.5 mm connection is a hard limit. I'd also flag the volume control honestly: it's on the inline remote and, per the specs, only adjusts volume on mobile devices.
The P PUPGSIS D1 is the opposite kind of purchase. It's a black metal desktop microphone built around a supercardioid polar pattern — the tightest common pickup pattern, aimed at rejecting sound from behind and beside the capsule. That's the exact trait you want in an untreated room, because it means the mic is listening to you and mostly ignoring your computer fan, your hard drive and the noise coming through the wall. The 40 Hz–16 kHz frequency response covers the full range of a speaking voice, and the 80 dB signal-to-noise ratio tells you the electronics are quiet enough that they won't hiss under your voice.
Its flexibility is the real story. You get both USB and XLR outputs on the same mic. USB is the plug-in-and-go path for daily recording on a laptop or PC; XLR is the path to a proper interface or mixer when you want more control over your chain. That dual-connector design means this mic can grow with you instead of being replaced the moment you upgrade your setup.
The controls are what separate it from a bare-bones mic. There's a 3.5 mm jack for real-time monitoring with its own volume dial, so you can hear exactly what's being captured and adjust the level without touching software. The mute button and the noise-reduction function are both on the body — though the specs are clear that these work on USB only, not XLR. And the RGB ring with a memory function is a small touch that matters more than it sounds: it remembers your setting after power-off, so you're not re-picking a color every session.
Who should skip it? Someone who only needs headphones for listening and occasional calls. This is a capture device for a desk. It's corded, it doesn't travel, and if you already own a good interface and mic, it doesn't add much.
• Best for listening to podcasts → ARTIX Headphones. The 40 mm dynamic driver and 32 ohm impedance make it an easy, amp-free listen on any 3.5 mm device.
• Best for recording your own podcast → P PUPGSIS Podcast Dynamic Microphone. A supercardioid dynamic capsule is designed to capture voice and reject room noise.
• Best for device compatibility → ARTIX Headphones. PC, Mac, PS4/PS5, Xbox, iPad, Chromebook, tablet, smartphone — all via one 3.5 mm jack.
• Best for setup flexibility → P PUPGSIS Podcast Dynamic Microphone. USB for quick daily recording, XLR when you want to route through an interface.
• Best for monitoring your own voice → P PUPGSIS Podcast Dynamic Microphone. The 3.5 mm jack and volume control let you hear your output live.
• Best for comfort over long sessions → ARTIX Headphones. Cushioned ear cups and an adjustable headband are built for all-day wear.
• Best for quiet focus while commuting or studying → ARTIX Headphones. Sound isolation in a foldable, bag-friendly frame.
• Best for a fixed desk setup → P PUPGSIS Podcast Dynamic Microphone. A corded metal desktop mic that stays put and powers from a cord.
Notice that none of these bullets actually compete. One is a listening and communication tool; the other is a voice-capture tool. If you're assembling a podcast setup from zero, the honest answer is that you may eventually want both — headphones on your ears for monitoring, this mic in front of your mouth for capture.
If I had to buy one of these right now, I'd buy the P PUPGSIS Podcast Dynamic Microphone — but only because of the specific job in the keyword: podcast. A podcast lives or dies on how the host's voice sounds, and a supercardioid dynamic capsule with USB and XLR output, live monitoring and on-body mute addresses that job directly. The ARTIX headphones are the better general-purpose purchase and the one I'd recommend to most people for everyday listening, calls and school. In my opinion, if you're building a show, start with the mic. If you just need reliable wired headphones for everything else, start with the ARTIX.
how to set up headphones for podcast
Plug the ARTIX headphones into your computer, tablet or phone using the 3.5 mm jack — no drivers or pairing needed. Note that the inline volume control only adjusts volume on mobile devices, so set levels on your computer for desktop use. If you're using the P PUPGSIS mic, plug your headphones into its 3.5 mm monitoring jack instead and use the mic's volume dial.
why do you need headphones for a podcast
You need them to hear your own voice as it's being recorded, so you can catch a bad level, a plosive or a stumble in the moment rather than in editing. Monitoring also lets you hear whether noise reduction is working. The P PUPGSIS mic builds this in with a dedicated 3.5 mm monitoring jack and volume control; with the ARTIX headphones you're monitoring whatever your recording software outputs.
what is the best headphones for podcasting
There's no single answer, because "best" depends on whether you're monitoring a recording or just listening back. The ARTIX CL750 fits the listening and call side well: 40 mm dynamic driver, 32 ohm impedance, sound isolation and an inline mic. For pure monitoring during recording, many hosts prefer a closed over-ear design, which the ARTIX is — it's on-ear with oval ear cups and cushioned padding.
what are good headphones for podcasting
Good podcast headphones do three things: they seal well enough to block room noise, they stay comfortable for a full episode, and they're easy to drive. The ARTIX headphones check all three with sound isolation, a cushioned adjustable headband and 32 ohm impedance that works straight out of a laptop or phone jack. If you need a mic too, the P PUPGSIS covers capture and gives you a headphone jack for monitoring.
If price is the deciding factor for you, check the current price on Amazon for both — this comparison is based on the design and specs, not on cost.
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