I'm certainly no expert, but I wasn't aware of arrow-like clips that weren't Parker. In any case, I did a Google search on your first image and looked at visually similar results. One looked like it had a similar clip (see =3, the "Reverse engineering #2" post), and the blog says that pen is a Parker. Hopefully others will more knowledge will weigh in, but maybe this is of some help.
Parker, being renowned as it is, has had several other companies mimic their designs. That said, Parker didn't have any lever-fill pens other than the Parco and Parkette, if I'm not mistaken. And I've never seen any Parker made in that material.
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Usually non-Parker pens with a clip like that are from outside the US. It does look rather like an attempt to appeal to both Sheaffer and Parker buyers in one much-less-expensive package. As long at the point hasn't been eaten by ink, there's nothing WRONG with the writing of many lesser-name pens, even utterly anonymous ones like this, but unless someone particularly likes the look of it I don't know how easily you'll find a buyer if it's not part of a lot with a couple of known-name pens.
I have a problem with the CLIP command. I have used it one other time without issue. I am having sentimental thoughts about my days using Microstation, in which clipping a reference file was so easy and worked much better!
What's happening is that when I select the boundary to clip the xref, it inverts the clip - so that everything OUTSIDE the clipping boundary is clipped, not INSIDE. I have no idea why! Can someone advise? Is there a clip setting that makes the command default to inverting the clip???
I just clicked on the xref on the screen in model space to select it - I did not select a portion of it, just clicked on it randomly. The xref is not already clipped. I have only used the clip command once before in Autocad - I have LT 2013. Nothing else changed on my computer. I'm not sure how to do a video of my screen!
Yes, the default is OUTSIDE boundary. In AutoCAD 2018, the setting is not saved after you use the command. The default is still outside. However, I can't confirm the same behavior for AutoCAD 2013. The setting is probably saved or the polyline direction probably affects it.
I thought the inverse was true, and I thought that was what happened the first time I used the command. But if the default is outside the boundary, then it's working correctly and I need to invert it. I will try and accept this as a solution if it works. Probably tomorrow morning, though, I am working on paving details. Thank you!
When clicking on a clip where audio and video are linked, the arrow tool now only selects the audio or video part of that clip depending on where I click, but it never selects both of them like it used to do up until now (and for the last 10 years, I would say).
In order to select audio and video I need to manually select them both, by drawing a rectangle around them or by ALT-clicking on both of them, which is really slowing down my editing process. Anyone knows how to revert back to the original way it behaved?
I am trying to edit a timeline in Premiere, but the cursor changes to a Left/Right arrow with a red line across it. I've never seen this cursor before in CS4 and it is preventing me from moving clips in the timeline.
Now I'm trying to find out what a red line that appeared at the bottom of one my clip means. I know it's some kinda warning but so far no answers. PremierePro has lots of weird bells and whistles "underground information".
In CS6, in the timeline once the video/audio tracks are properly highlighted, it's down arrow to go right, up arrow to go left. You don't say which version of PPro you have. Also, you may want to check the keyboard shortcuts to be certain. Make sure
And for bonus points, it doesn't work on the "out" point in your sequence. So if you only have one clip in your sequence, you'll be pounding the down arrow and swearing, wondering why it doesn't work (which is how I spent my morning).
in my case the issue is not solved: the track selected. When usind the standard Option+Lef or Option+Right the playhead doesnt go the next clip, but the the next "marker", I havn't set any markers, so it simply goes to the next clip in EVERY track, not just the one on which I'm working at the moment.
Keep the track you want to move in as the only active track. If it is V1 you want to move in, toggle it a the only one with blue over it. Then use the up and down keys. As far as I checked, that solves the problem. It is actually mentioned in one of the previous comments.
Arrow clips provide a fast and inexpensive way to assemble materials. When pushed through a pre-drilled or punched hole, the body of the arrow clip compresses and decompresses to lock securely in place.
When I have two linear dimensions that are attached to successive elements, I can "chain" them as depicted in the first figure below (left), by aligning them and using a dot where two consecutive arrow heads should be (below the middle line). I can also do the same when chaining an angular and a linear dimension (see again first figure, on the right) by the same method; this, however, leaves a short part of the linear dimension that goes beyond the witness line (see second figure below).
Hi @kdirth, thanks for the suggestion. Indeed, this works, but only when the linear dimension has the arrows on the inside of the witness lines; if the arrows are on the outside (see my previous figures) erasing the linear dimension witness line also erases half of the leader line, which is unwanted.
None that I know of. I thought that at one time you could change the length of the arrow with a drag handle, but 4.0 does not have that (may have been another program). This could be a good suggestion to add to Creo ideas.
Your problem appears to be in how Creo handles the arrow leader with the text above or below the leader. the leader is cut at the midpoint when a witness line is removed. I normally detail with the dimension text inline with the leader.
The clip gets pasted wherever the Playhead is. So where ever you place that white line that runs up and down the time line and depending on which video or audio track you have selected, that is where the clip will be pasted to. Keep in mind that if you place the clip somewhere where there are other clips to the right side of it, after pasting the clip those clips to the right will be pushed away.
Here is your original arrow showing the coordinates of the points of the polygon in percentage terms. That is, % of the total width or height of the polygon depending on whether it's the x or y axis. Remember 0,0 is the position of the top left point.
This was replaced in 1939 by the blue lozenge, which somewhat separated Parker from other star-adopting makers. Regardless of the mark (which did not appear on the accompanying pencils, nor on some of the smaller sub-models), the jewel holding it in place was now black rather than matched to the body colour of the pen.
In the mid-1950s, there were a couple of changes to the Arrow clips. At the top end, there was a slightly more streamlined clip applied to the 61, with slightly steeper rake on the fletching. This version would also appear in the rather later 65, and as you look along this gallery you will discover it appearing on later models.
The late fifties also saw the introduction of a clip which would not find a popular resting place until 1960. The clip best known as the long-time standard on the Parker 45 started out on the short-lived 41. It is a actually much the same at the previous Super 21 clip, as the impressions are identical; in this one, there has been material removed to give a fully arrow-shaped silhouette (the treatment of the foot is somewhat different as well, but less visible). About the time the 45 appeared, this clip was also applied to the Super 21, and the quick way to discover which a person is carrying is the shape of the jewel; on the 45, it was a concave, while on the Super 21 it was conical.
In the 1980s we find a rather radical new look to the clip, which manifested in a couple of different ways. In both, one might think of the set design of German Expressionist films, with their strange and brutal angularity. At the left, there is the Arrow, the clip of which is a relatively complex affair; the visible part is a facade, made separately from the springy gripper and absolutely covered in sharp corners. The contemporaneous FP1 also used this clip.
Easy maintenance of your grip. If the inner gripping surface becomes slippery from arrow pulling lubricants, etc., restore by washing with a strong solution of liquid detergent and water and rinse well.
" Good shape, comfortable, works well and easy to use with its strong magnet clip, I only have to wave it somewhere near the matching magnet clipped to my quiver and it locks on without having to fumble around for a hook or getting it lost in a pocket. Not the cheapest, but worth it." From Tyke In the White
Speaking of which, has anyone figured out how to make the sequencer put the added image/ movie clip into a reasonable place/ frame number? Seems to be totally random, not at beginning, end, 0 or whatever, sometimes at -30!
The easiest way to use the speed control is to set the global speed to something other than 1. (You can find global speed under Scene (F10), sequencer buttons.) 2 means it will play twice as fast, etc.
The mounting posts are aligned at an angle so my challenge was 3D printing the bar and clips on a flat plane. Easiest solution is to make snap in pivots for the clip and bar. This way the clips can be positioned in any direction.
Print out two "bars" and 8 clips. The clips will need 3D printer support structure for the pin. Very little structure is needed and I was able to remove the support at the pin by hand.
My first try had the pins even with the print surface trying to eliminate the need for support but didn't like how it came out. I used #6 - 1 " flat countersunk screw. You'll need this since the clips will need to rotate over the mounting screws. 152ee80cbc
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