Arabic Belly Dance Music Instrumental Mp3 Free Download [UPD]

Raqs sharqi ('Eastern Dance' or 'Dance of the Orient') is a broad category of professional forms of the dance, including forms of belly dance popularly known today, such as Raqs Baladi, Sa'idi, Ghawazee, and Awalim. The informal, social form of the dance is known as Raqs Baladi ('Dance of the Country' or 'Folk Dance') in Egyptian Arabic and is considered an indigenous dance.

In common with most folk dances, there is no universal naming scheme for belly dance movements. Many dancers and dance schools have developed their own naming schemes, but none of these is universally recognized. The following attempt at categorization reflects the most common naming conventions:[13]

Arabic Belly Dance Music Instrumental Mp3 Free Download

Download File 🔥 https://shurll.com/2y3AZx 🔥

Belly dancing is believed to have had a long history in the Middle East.[2] Several Greek and Roman sources including Juvenal and Martial describe dancers from Asia Minor and Spain using undulating movements, playing castanets, and sinking to the floor with "quivering thighs", descriptions that are certainly suggestive of the movements that are today associated with belly dance.[14] Later, particularly in the 18th and 19th centuries, European travellers in the Middle East such as Edward Lane and Flaubert wrote extensively of the dancers they saw there, including the Awalim and Ghawazi of Egypt.

In his book, Andrew Hammond notes that practitioners of the art form agree that belly dance is lodged especially in Egyptian culture, he states: "the Greek historian Herodotus related the remarkable ability of Egyptians to create for themselves spontaneous fun, singing, clapping, and dancing in boats on the Nile during numerous religious festivals. It's from somewhere in this great, ancient tradition of gaiety that the belly dance emerged."[15]

The courtly pleasures of the Umayyad, Abbasid and Fatimid caliphs included belly dancing, soire and singing. Belly dancers and singers were sent from all parts of the vast empire to entertain, Belly dancers and singers were sent from all parts of the vast Arab Empire to entertain.[16]

As a social dance, belly dance (also called Raqs Baladi or Raqs Shaabi in this context) is performed at celebrations and social gatherings by ordinary people (male and female, young and old), in their ordinary clothes.[18] In more conservative or traditional societies, these events may be gender segregated, with separate parties where men and women dance separately.[19]

Historically, professional dance performers were the Awalim (primarily musicians and poets), Ghawazi. The Maazin sisters may have been the last authentic performers of Ghawazi dance in Egypt, with Khayreyya Maazin still teaching and performing as of 2020.[20][21]Belly dancing is part of Egyptian culture, with tremendous influence on Arabic culture as a whole.[22] Throughout the Middle East and the Arab diaspora, belly dancing is closely associated with Arabic music that is modern classical (known as "al-jadid").[23]

In the 1870s, Shafiqa al-Qibtiyya was the most famous bellydancer in all of Egypt's theatres and casinos, she was admired by the nation and widely celebrated.[24] The modern Egyptian belly dance style and the modern belly dance costumes of the 19th century were featured by the Awalim.[25] For example, many of the dancers in Badia's Casinos went on to appear in Egyptian films and had a great influence on the development of the Egyptian style and became famous, like Samia Gamal and Taheyya Kariokka, both of whom helped attract eyes to the Egyptian style worldwide.[26]

Professional belly dance in Cairo has not been exclusive to native Egyptians, although the country prohibited foreign-born dancers from obtaining licenses for solo work for much of 2004 out of concern that potentially inauthentic performances would dilute its culture. (Other genres of performing arts were not affected.) The ban was lifted in September 2004, but a culture of exclusivity and selectivity remained. The few non-native Egyptians permitted to perform in an authentic way invigorated the dance circuit and helped spread global awareness of the art form.[27] American-born Layla Taj is one example of a non-native Egyptian belly dancer who has performed extensively in Cairo and the Sinai resorts.[28]

Belly dance is referred to in Turkey as Oryantal Dans, or simply 'Oryantal' literally meaning orient. Many professional dancers and musicians in Turkey continue to be of Romani heritage, and the Roma people of Turkey have had a strong influence on the Turkish style.[31] In Turkey the style of belly dance is lively and playful, with a greater outward projection of energy than the more contained and artistic Egyptian style.[citation needed] In Turkey dancers are known for their energetic, athletic (even gymnastic) style, and their adept use of finger cymbals, also known as zils, which are commonly used in Egyptian style and movies. Connoisseurs of Turkish style often say a dancer who cannot play the zils is not an accomplished dancer.[citation needed] Floorwork, which has been banned in Egypt since the mid-20th century, is still a part of Turkish belly dance.[citation needed]

Belly dance today is a dance used by various artists among which are Rihanna, Beyonc, Fergie, however the greatest representative of this dance is the Colombian singer Shakira,[32] who led this dance to position it as her trademark, with her songs Whenever Wherever and Ojos As, however thanks to the song Hips Don't Lie, her hip dance skills became known worldwide. Also, thanks to Whenever Wherever in 2001, the belly dance fever began popularizing it in a large part of Latin America and later taking it to the United States.

Over time in her presentations Shakira added this dance mixing it with Latin dances, like Salsa[33] and Afro-Colombian, and she also she expressed that she began to dance these movements since she was little thanks to her Lebanese grandmother. Nowadays the belly dance is a characteristic dance of this singer which presented a variant with a rope entangling it in her body and dancing to the rhythm of Whenever Wherever. Shakira is the only artist in the music industry who has used belly dance on several occasions in her artistic career.[34] She inspired Beyonc to explore this type of dance in her Beautiful Liar collaboration where she also acted as choreographer. At the Super Bowl LIV Halftime Show event she returned to the belly dance with rope during the transition from Ojos as thus to Whenever Wherever.[35] Today this dance is considered a symbol in Shakira's career and undoubtedly a distinctive dance of her as she's also mixing it with Latin style. She is the second artist to have a distinctive dance in the music industry alongside Michael Jackson and the moonwalk.[citation needed]

In 1987, a distinctively American style of group improvisational dance, American Tribal Style Belly Dance, (ATS), was created, representing a major departure from the dance's cultural origins. A unique and wholly modern style, it makes use of steps from existing cultural dance styles, including those from India, the Middle East, and Africa.[41] Many forms of "Tribal Fusion" belly dance have also developed, appropriating elements from many other dance and music styles including flamenco, ballet, burlesque, hula hoop and even hip hop. "Gothic Belly Dance" is a style which incorporates elements from Goth subculture.Continuing from this tradition is the emergence of touring theatrical belly dance productions such as Belly Dance Evolution produced by Jillina Carlano, Invaders of the Heart produced by Myra Krien amongst others.[42]

The first wave of interest in belly dancing in Australia was during the late 1970s to 1980s with the influx of migrants and refugees escaping troubles in the Middle East, including Lebanese Jamal Zraika. These immigrants created a social scene including numerous Lebanese and Turkish restaurants, providing employment for belly dancers. Rozeta Ahalyea is widely regarded as the "mother" of Australian belly dance,[43] training early dance pioneers such as Amera Eid and Terezka Drnzik. Belly dance has now spread across the country, with belly dance communities in every capital city and many regional centres.

Estelle Asmodelle was probably the first transgender belly dancer in Australia. She travelled extensively throughout Asia and Japan working as a Belly Dancer during the 1980s through to the late 1990s. She also starred in the Australian-produced and distributed film [44] The Enchanted Dance[45] which sold internationally as well.

Belly dance has been in evidence in the UK since the early 1960s. During the 1970s and 1980s, there was a thriving Arabic club scene in London, with live Arabic music and belly dancing a regular feature,[46] but the last of these closed in the early 1990s.[47] Several prominent members of the British belly dance community began their dance careers working in these clubs.

Today, there are fewer traditional venues for Arabic dance in the UK; however, there is a large amateur belly dance community. Several international belly dance festivals are now held in Britain such as The International Bellydance Congress, The London Belly Dance Festival and Majma Dance Festival.[48][49][50] In addition, there are a growing number of competitions, which have increased in popularity in recent years.

The costume most commonly associated with belly dance is the 'bedlah' (Arabic: ; literally "suit") style, which typically includes a fitted top or bra, a fitted hip belt, and a full-length skirt or harem pants. The bra and belt may be richly decorated with beads, sequins, crystals, coins, beaded fringe and embroidery. The belt may be a separate piece, or sewn into a skirt.

Egyptian belly dancer and film actress Samia Gamal is credited with bringing belly dancing from Egypt to Hollywood and from there to the schools of Europe.[57] In 1954, she famously starred as a belly dancer in the American Eastmancolor adventure film, Valley of the Kings, and the French film Ali Baba and the Forty Thieves. 2351a5e196