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In an October 1940 interview with the Family Circle magazine, William Moulton Marston discussed the unfulfilled potential of the comic book medium.[19] This article caught the attention of comics publisher Max Gaines, who hired Marston as an educational consultant for National Periodicals and All-American Publications, two of the companies that would merge to form DC Comics.[20] At that time, Marston wanted to create his own new superhero; Marston's wife and fellow psychologist Elizabeth suggested to him that it should be a woman:[21]

William Moulton Marston, a psychologist already famous for inventing the polygraph, struck upon an idea for a new kind of superhero, one who would triumph not with fists or firepower, but with love. "Fine," said Elizabeth. "But make her a woman."

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Marston introduced the idea to Gaines. Given the go-ahead, Marston developed Wonder Woman, whom he believed to be a model of that era's unconventional, liberated woman. Marston also drew inspiration from the bracelets worn by Olive Byrne, who lived with the couple in a polyamorous relationship.[22] Wonder Woman debuted in All Star Comics #8 (cover date Dec/Jan 1941/1942, released in October 1941),[23] scripted by Marston. Marston was the creator of a systolic-blood-pressure-measuring apparatus, which was crucial to the development of the polygraph (lie detector). Marston's experience with polygraphs convinced him that women were more honest than men in certain situations and could work more efficiently.[24]

Marston designed Wonder Woman to be an allegory for the ideal love leader; the kind of woman who he believed should run society. "Frankly, Wonder Woman is psychological propaganda for the new type of woman who, I believe, should rule the world", Marston wrote.[25]

Not even girls want to be girls so long as our feminine archetype lacks force, strength, and power. Not wanting to be girls, they don't want to be tender, submissive, peace-loving as good women are. Women's strong qualities have become despised because of their weakness. The obvious remedy is to create a feminine character with all the strength of Superman plus all the allure of a good and beautiful woman.

At last, in a world torn by the hatred and wars of men, appears a woman to whom the problems and feats of men are mere child's play. A woman whose identity is known to none, but whose sensational feats are outstanding in a fast-moving world.

Actress Gal Gadot described Wonder Woman as "an idealist. Experienced, super-confident. Open and sincere even in the midst of a gruesome, bloody conflict. Having many strengths and powers, but at the end of the day she's a woman with a lot of emotional intelligence".[76][77]

The Greek messenger god, Hermes, entrusts Wonder Woman with the protection of Zola, a young woman, who is pregnant with Zeus's child, from Hera, seething with jealousy and determined to kill the child.[136][137] The story focuses on Wonder Woman's quest to rescue Zola from Hades, who had abducted her and taken her to Hell at the end of the sixth issue of the series.[138][139] The male children of the Amazons are introduced and Diana learns about the birth of her "brothers."

Diana continued in her role as an elder stateswoman in the superhero community until the Crisis on Infinite Earths came to Earth-Two and erased its existence. She fought well and was protected from erasure at the end of the crisis by ascending to Mount Olympus with her husband. Both were forgotten by the history of the new Primary Earth, except for their daughter[170] (who was reformatted into the new universe as the daughter of Helena Kosmatos: Fury of World War II).

When the new, post-crisis Wonder Woman broke up a riot in Boston, she was interrupted by a woman she thought was her mother (Queen Hippolyta); Hippolyta was the golden-age Wonder Woman via time travel in her continuity. The intruder identified herself as Earth-Two Wonder Woman Diana Prince, who left Mount Olympus in order to guide Diana. She advised her post-Crisis counterpart to be "the one thing you haven't been for a very long time...human".[159] She urged Diana to intervene in a fight between Superman and his counterpart, Kal-L. Having left Mount Olympus, with her gods' blessings gone, Diana Prince faded away.

Her tiara's signature star symbol is now an eight pointed starburst. According to designer Lindy Hemming and director Patty Jenkins, every design decision made for Themyscira came down to the same question: "How would I want to live that's badass?"[210] "To me, they shouldn't be dressed in armor like men. It should be different. It should be authentic and real ... and appealing to women." When asked about the decision to give the Amazons heeled sandals, Jenkins explained that they also have flats for fighting, adding "It's total wish-fulfillment ... I, as a woman, want Wonder Woman to be sexy, hot as hell, fight badass, and look great at the same time ... the same way men want Superman to have ridiculously huge pecs and an impractically big body. That makes them feel like the hero they want to be. And my hero, in my head, has really long legs."[211]

Marc DiPaolo introduces us to Wonder Woman's creator and history and he demonstrates how she is a "WWII veteran, a feminist icon, and a sex symbol" all throughout her "career". Wonder Woman stars in multiple films and is most commonly known for her red, white and blue one piece, and her tall, sexy assertiveness. What many people do not know is that she is a big part of history in the comic and superhero world because of how her character influences real life people of all ages, sexes, ethnicities, and races. "Marston created the comic book character Wonder Woman to be both strong and sexy, as a means of encouraging woman to emulate her unapologetic assertiveness."[241] Charlotte Howell notes in her essay titled "'Tricky' Connotations: Wonder Woman as DC's Brand Disruptor" that Wonder Woman is "inherently disruptive to masculine superhero franchise branding because, according to her creator William Moulton Marston, she was intended to be 'psychological propaganda for the new type of woman who, [he] believe[d], should rule the world.'"[242]

Nick Pumphrey stated that Wonder Woman stands as a non-violent beacon of hope and inspiration for women and men.[256][257] Grant Morrison stated "I sat down and I thought, 'I don't want to do this warrior woman thing.' I can understand why they're doing it, I get all that, but that's not what [Wonder Woman creator] William Marston wanted, that's not what he wanted at all! His original concept for Wonder Woman was an answer to comics that he thought were filled with images of blood-curdling masculinity, and you see the latest shots of Gal Gadot in the costume, and it's all sword and shield and her snarling at the camera. Marston's Diana was a doctor, a healer, a scientist."[258][259][260][261][262] The 2018 journal article "Casting a Wider Lasso: An Analysis of the Cultural Dismissal of Wonder Woman Through Her 1975-1979 Television Series" argued that the Lynda Carter show strongly adapted Wonder Woman's ideals but "was suppressed, undone, and discredited" by American culture as part of a larger legacy suppressing the character.[263]

But under the new 1987 re-boot of the title, under the editorship of Karen Berger, and with the writing and art of George Perez at the helm of the book, the same-sex appreciation by Wonder Woman and the Amazons was more than hinted-at and this was established quickly in the new run of the title. Upon her first sight of supporting character Vanessa Kapatelis (in issue #3), she is shown smiling upwards at Kapatelis, thinking to herself "I've never seen another woman quite like her...she's so young...so vulnerable...so beautiful..."[266] Three years later, in the first issue (#38) of a new decade, there is a story-line presenting a cultural exchange between appointed leaders from 'Man's World', who are the first mortals to visit Themyscira in this continuity, and the Amazons of Themyscira, in Themyscira, itself. The guest Unitarian minister, Reverend Cantwell, asks the Amazon Mnemosyne "..."Don't you miss the sharing God intended for the sexes?" to which Mnemosyne replied "Some do. They have sworn themselves to Artemis, the virgin hunter, and Athena, the chaste warrior. Others choose the way of Narcissus. But most of us find satisfaction in each other -- three thousand years can be a long time, reverend.".[267] Probably more than at any other time in the then nearly fifty-year history of the character, the Amazons were explicitly and unequivocally defined, in general, as lesbian. Additionally, Kevin Mayer, brother of the major supporting character Myndi Mayer, was openly gay and this was treated sympathetically.[268] By this time, DC Comics was a Warner Brothers-owned company, and had been for over 20 years.

Wonder Woman is suggested as being queer[269] or bisexual, as she and another Amazon, Io, had reciprocal feelings for each other.[270] Grant Morrison's 2016 comic Wonder Woman: Earth One, which exists parallel to the current DC comics Rebirth canon, Diana is depicted being kissed on her right cheek by a blonde woman who has put her left arm around Diana.[271]

Wonder Woman actress Gal Gadot reacted positively to Diana's rebooted orientation, and agreed her sexuality was impacted by growing up in the women-only Themyscira. Gadot stated that Wonder Woman feels she need not be "labelled sexually", and is "just herself"."She's a woman who loves people for who they are. She can be bisexual. She loves people for their hearts."[273][274] Coming from a society that was only populated by women, "'lesbian' in [the world's] eyes may have been 'straight' for them."[275] "Her culture is completely free from the shackles of heteronormativity in the first place so she wouldn't even have any 'concept' of gender roles in sex."[276] be457b7860