Junkyard
by Jack Thorne
by Jack Thorne
Exec
Director - Erin Martin
Assistant Director - Pratyaksha Sandilya
Producer - Kyra Parvin
Special Thanks
Thomas McCarthy
Will Sedgley
Bethan Moran
Prod
Set Designer - Renée Bel-Momodu
Lighting Designer - Tobi Broome
Sound Designer - Keira Thompson Taitt
Costume Designer - Anna Hazell & Morgan Gill
Stage & Props Manager - Amy Vyskocil-Flint
Intimacy Coordinator - Amilia Murphy
Photographer - Ella Tomlin
Videographer - Almira Moldovan
It's 1979, rubbish is on the streets of Bristol, and it's tricky being Fiz. She's got no money, her sister's pregnant and her mum thinks she's a waste of space...
A group of kid from a Bristol school, seen as misfits and disregarded simply for coming from troubled backgrounds, are invited by a man named Rick to join him in building an adventure playground on a plot the headmaster earmarked for the new maths block. Rick remembers what it's like to be a teenager. So he thinks it won't take much to get a bunch of kids to help him build a playground out of junk. He's wrong. It takes everything he's got. But when it's finished, it's going to be something. It's going to be everything...
Junkyard appeared on the spring line-up as the week 7 weekend show, with performances from March 28-30th, 2025.
I worked with a budget of £60 to source the many props for the production. It was important, as it was set in the late 1970s, to have time-accurate props, however it was clarified to me that they didn't need to be dead accurate, what was more important was that they weren't modern. Lots of these props were pre-existing in the DramaSoc storage. One of the highlights of prop sourcing was finding LED finger flashlights and deciding which colours each cast member got, it was a personal little detail that just added to the fun of the play. I was also responsible for sourcing building materials alongside the set designer as the actors were to build a playground through the play. As actors were using real tools, I also led a safety talk on how to use each of them and ensuring they only used the tools for their intended purposes to avoid injury.
There was a lot of movement onstage, with actors constantly coming and going. Therefore, I refined my method from previous stage management projects. Alongside an annotated script, I polished my template of my entrances/exits documents, transferred my notes into the document and then printed them out and postered them backstage for actors to utilise, if they didn't come to me. The venue we work in (Drama Society's The Drama Barn) doesn't have a typical backstage area behind the performance stage, instead having it's backstage area stage right, and stage left being the entrance to the building. Therefore if actors need to enter from a different side, they have to run around outside the building. This was a very fun and playful show to work on and I'm glad I got to be a part of it!