Amazing grace, how sweet the sound. J. Newton. [Grace.] No. 41, Book i. of the Olney Hymns, 1779, in 6 stanzas of 4 lines, entitled "Faith's Review and Expectation," and based upon i. Chron. xviii. 16, 17. In Great Britain it is unknown to modern collections, but in America its use is extensive. It is far from being a good example of Newton's work.
The New Testament served as the basis for many of the lyrics of "Amazing Grace". The first verse, for example, can be traced to the story of the Prodigal Son. In the Gospel of Luke the father says, "For this son of mine was dead and is alive again; he was lost, and is found". The story of Jesus healing a blind man who tells the Pharisees that he can now see is told in the Gospel of John. Newton used the words "I was blind but now I see" and declared "Oh to grace how great a debtor!" in his letters and diary entries as early as 1752.[37] The effect of the lyrical arrangement, according to Bruce Hindmarsh, allows an instant release of energy in the exclamation "Amazing grace!", to be followed by a qualifying reply in "how sweet the sound". In An Annotated Anthology of Hymns, Newton's use of an exclamation at the beginning of his verse is called "crude but effective" in an overall composition that "suggest(s) a forceful, if simple, statement of faith".[36] Grace is recalled three times in the following verse, culminating in Newton's most personal story of his conversion, underscoring the use of his personal testimony with his parishioners.[27]
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"Amazing Grace", with the words written by Newton and joined with "New Britain", the melody most currently associated with it, appeared for the first time in Walker's shape note tunebook Southern Harmony in 1847.[48] It was, according to author Steve Turner, a "marriage made in heaven ... The music behind 'amazing' had a sense of awe to it. The music behind 'grace' sounded graceful. There was a rise at the point of confession, as though the author was stepping out into the open and making a bold declaration, but a corresponding fall when admitting his blindness."[49] Walker's collection was enormously popular, selling about 600,000 copies all over the US when the total population was just over 20 million. Another shape note tunebook named The Sacred Harp (1844) by Georgia residents Benjamin Franklin White and Elisha J. King became widely influential and continues to be used.[50]
Somehow, "Amazing Grace" [embraced] core American values without ever sounding triumphant or jingoistic. It was a song that could be sung by young and old, Republican and Democrat, Southern Baptist and Roman Catholic, African American and Native American, high-ranking military officer and anticapitalist campaigner.
The transformative power of the song was investigated by journalist Bill Moyers in a documentary released in 1990. Moyers was inspired to focus on the song's power after watching a performance at Lincoln Center, where the audience consisted of Christians and non-Christians, and he noticed that it had an equal impact on everybody in attendance, unifying them.[22] James Basker also acknowledged this force when he explained why he chose "Amazing Grace" to represent a collection of anti-slavery poetry: "there is a transformative power that is applicable ... : the transformation of sin and sorrow into grace, of suffering into beauty, of alienation into empathy and connection, of the unspeakable into imaginative literature."[97]
Written almost two and a half centuries ago in 1772, the words for the beloved song were borne from the heart, mind and experiences of the Englishman John Newton. Knowing the story of John Newton's life as a slave trader and the journey he went through before writing the hymn will help to understand the depth of his words and his gratefulness for God's truly amazing grace.
BUTLER: People often kind of make a big deal out of the fact that the composer of the hymn was a former slave trader, but for African Americans, it's a pro-underdog song. You know, those who have been downtrodden and oppressed, you find salvation in this idea that no matter what you're going through, no matter who calls you a wretch, you have this amazing grace to rely on.
I always thought of "Amazing Grace" as a compound word, i.e. Amazing Grace is the term that Newton meant to mean God's grace. Under this interpretation, the first verse is saying "God's grace is pretty great. It managed to save a wretch like me." This sounds generalized, like anyone could be saying it, which I guess is why the song is so popular. The song goes on to just mention "Grace" so maybe "Amazing" is a descriptor but I don't think it makes much of a difference.
I was thinking about it and realized the first verse may be a meta reference. If that's the case, the song itself is the sweet sound being referred to. In other words, the song namedrops itself and talks about how great it is in the first verse. It's like if Hey Jude started with the lyrics "Hey Jude is a great song." Under this interpretation, the first verse is more personal. Newton is saying "I really like this song I've written because it reminds me of my journey to salvation." It's like literal hymns brought him closer to God. Maybe that's what happened and so this hymn is sort of tribute to the prior hymns he'd heard? Or maybe his hymn writing is what brought him to God and this particular hymn is a nod to his prior work?
By doing this, you will not only develop a deep understanding of this particular song. You will also be strengthening your ability to understand and recognize each note of the major scale. And this is what will enable you to play not just Amazing Grace but in fact any song you can think of, just by remembering how it sounds.
Amen thank you Lord Jesus Christ for your amazing grace that saved wretches like us, thank you for making us your own covered in your lavish love, unending grace, everlasting mercy and innumerable peace by your Holy Spirit thank you so much Lord for everything in Jesus name Amen
Jessie-Emma's 'Amazing Grace' is a beautiful and soulful gospel song that inspires and speaks to the listener's heart, reminding us that we are surrounded by the love and grace of God. The powerful vocals, coupled with the heartfelt lyrics, create a moving and emotional experience for anyone who listens.
The song's chorus, 'Amazing grace, how sweet the sound, you saved a wretch like me,' reminds us of the transformative power of God's grace. It speaks of the redemption and freedom that come with surrendering to His love. The song's verses highlight the embrace, shelter, and shower of God's love that we receive as we journey with Him. The bridge celebrates the freedom we receive from God's grace, and the outro reiterates the message of the chorus, that we are saved by His grace.
This beautiful rendition of the well-known hymn encourages the listener to connect with God's love and grace in every stage of their spiritual journey. It is a reminder that no matter how lost we may feel, we can always turn to God and receive His amazing grace. I highly recommend this song to anyone who needs inspiration, encouragement, or a reminder of God's unfailing love. So take a moment to listen to Jessie-Emma's 'Amazing Grace,' and allow the powerful message and Jessie-Emma's voice to touch your heart.
That day at the helm, March 21, 1748, was a day Newton remembered ever after: "On that day the Lord sent from on high and delivered me out of deep waters." Many years later, as an old man, Newton wrote in his diary of March 21, 1805: "Not well able to write; but I endeavor to observe the return of this day with humiliation, prayer, and praise." Only God's amazing grace could and would take a rude, profane, slave-trading sailor and transform him into a child of God. Newton never ceased to stand in awe of God's work in his life. ~Used with permission from John Newton Discovered Amazing Grace @Christianity.com
Obviously the first five notes, D-G-B-G-B are "a-ma-zing grace". Then A-G-E-D are "how sweet the sound". Then D-G-B-G-B-A-D are "that saved a wretch like me". But I'm not sure how to arrange the rest of the lyrics.
Olney Hymns in Three Books was published in London in 1779, containing only the words to hymns that were linked to specific sermon themes and Biblical references. The publication of hymns in this fashion--that is, without specific melodies and accompaniments--was commonplace in Newton's day. Each congregation adapted the words to well-known songs or hymn melodies whose musical rhythms matched the poetic meter of the text. [ 1 ] It is easy to see, for example, how "Amazing grace! (how sweet the sound)" can be sung to the same tune as the words of another popular hymn, "There is a land of pure delight."
You've likely heard the famous hymn "Amazing Grace." People the world over love the song. It's been sung at countless memorial services, civil rights events, and churches. Recently, people in 50 different coronavirus-affected nations sang it together in an inspiring video: "Amazing grace! How sweet the sound that saved a wretch like me! I once was lost, but now am found, was blind but now I see."
The established churches, which liked instruments and sweet sounds,rejected this raw form of musical communion. Slowly, "fasola" singing retreated into the rural South, where books of the hymns kept it alive:"Southern Harmony," "Social Harp," "Kentucky Harmony."
'Weeping Eyes': Even more important than the tunes werethe words, which are called "the poetry" or the "lesson." No. 172, "Harmony," reads: "To him who shaped your finer mould,/Who tipped your glittering wings with gold." The popular No. 114, Isaac Watts's "Saint'sDelight," goes: "When I can read my title clear to mansions in the skies,/I'll bid farewell to every fear and wipe my weeping eyes." No. 105,"Jewett," is only one of many Sacred Harp songs whose popularity has spreadbeyond the "fasola" songbooks; its famous opening goes: "Amazing Grace,how sweet the sound!/That saved a wretch like me!" 17dc91bb1f
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