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Here’s a startling statistic for you. In Mississippi, at the height of the Reconstruction era (which lasted until 1877), African-American voter registration stood at 67 percent. A century later, after America had defeated the Nazis and was being held up as a beacon of freedom, African-American voter registration in Mississippi stood at just three percent.
How could that have happened? Many factors, but a key one was domestic racial terrorism. In “All In: The Fight for Democracy,” a powerfully timely and absorbing documentary about voter suppression and the ongoing battle against it, the author and professor Carol Anderson tells the story of Maceo Snipes, who fought the fascists during World War II and felt like he’d earned some democracy for himself. He wasn’t intimidated by threats against the lives of African-Americans in his native Georgia; he had just come back from a war. So in 1946, he voted — and was the only Black person in Taylor County, Georgia, who dared to do so. A few days later, a three-man firing squad arrived at his door and pumped his body full of bullets. “The message was clear,” says Anderson. “You vote, you die.”
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All In: The Fight for Democracy (2020)
Release : 2020-09-09
Runtime: 102 minutes
Genre: Documentary
Stars: Stacey Abrams, Debo Adegbile, Jayla Allen, Carol Anderson, Eric Foner, PhD
Director: Lisa Cortés, Lisa Cortés, Liz Garbus, Liz Garbus, Jack Youngelson
Sinopsis : Examines the often overlooked, yet insidious issue of voter suppression in the United States in anticipation of the 2020 presidential election. With the perspective and expertise of Stacey Abrams, the former Minority Leader of the Georgia House of Representatives, the film offers an insider’s look into laws and barriers to voting that most people don’t even know is a threat to their basic rights as citizens of the United States.
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Premise
There have been many good documentaries this year, but the nature of the moment we’re in is that the most important documentaries of 2020 may be those that confront the issue of voter suppression. “Slay the Dragon,” released several months ago, takes a monumental look at gerrymandering — which sounds like an old and rather dusty topic, except that this is Gerrymandering 3.0, with the Republicans using digital technology to redraw voting districts in what amounts to a hostile takeover of democracy. Now, with “All In,” co-directors Liz Garbus and Lisa Cortés have crafted a documentary of supreme relevance that has the effect, at once chilling and rousing, of a political cautionary tale.
The movie has been constructed around the 2018 race for governor in Georgia, where the Democrat, Stacey Abrams, who would have been the first African-American woman elected governor in the United States, lost by a thin margin to Brian Kemp, the Republican Secretary of State. But Kemp wasn’t just running for office. He was overseeing the election, and he had orchestrated any number of tactics to suppress the voting rights of minorities, including the purging of 1.4 million people from Georgia’s voting rolls. Had that not occurred, the chances are overwhelming that Stacey Abrams would have won. The election was essentially rigged by the state’s government, so Abrams refused to concede it — she argued that it had, in effect, been stolen.
“All In” uses what went on in Georgia as a prototype for what could happen in the upcoming presidential election. One of the film’s overwhelming themes is that voter suppression works. Abrams, who is one of the film’s producers as well as its most forceful voice, talks about how people in a state like Georgia are made to “jump through hoops” to vote. “When entire communities become convinced that the process is not for them,” she says, “we lose their participation in our nation’s future. And that’s dangerous to everyone.” The movie offers a full-scale portrait of Abrams, including footage of her speaking as a college student at the 1993 March on Washington (whatever the politician’s X Factor is, she had it even then), and there’s a hardscrabble eloquence to her words, which are exhortations toward democracy.
Film, also called movie, motion picture or moving picture, is a visual art-form used to simulate experiences that communicate ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound, and more rarely, other sensory stimulations. The word “cinema”, short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it.
∎∎∎ STREAMING MEDIA ∎∎∎
Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.
Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.
Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”.
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Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States.
Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.
Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.
Typically, the public law duration of a copyright expires 50 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[5] to establishing copyright, others recognize copyright in any completed work, without a formal registration.
It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.
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Credit (from Latin credit, “(he/she/it) believes”) is the trust which allows one party to provide money or resources to another party wherein the second party does not reimburse the first party immediately (thereby generating a debt), but promises either to repay or return those resources (or other materials of equal value) at a later date. In other words, credit is a method of making reciprocity formal, legally enforceable, and extensible to a large group of unrelated people.
The resources provided may be financial (e.g. granting a loan), or they may consist of goods or services (e.g. consumer credit). Credit encompasses any form of deferred payment. Credit is extended by a creditor, also known as a lender, to a debtor, also known as a borrower.