Harriette Cole is a lifestylist and founder of DREAMLEAPERS, an initiative to help people access and activate their dreams. You can send questions to askharriette@harriettecole.com or c/o Andrews McMeel Syndication, 1130 Walnut St., Kansas City, MO 64106.
This interview is with sonnet writer extraordinaire, Henri Cole. If you want to keep in touch with things Poetry Unbound you can sign up for the weekly free Substack. I write a reflection on a poem and offer a question and people respond to that every week on a Sunday. So keep in touch, and looking forward to season 8, and all the best.
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Over the past several days, I have received numerous messages of care and support from friends, neighbors, and acquaintances, each of whom simply wanted to express their concern for how I might be feeling in the wake of the murder of George Floyd. For many, I am perhaps one of the only African-American men in their social or business circles. Others, especially those who know me well, are cognizant of my own personal experiences with racial violence. Their expressions of love and support are rooted in the fact that the circumstances surrounding the deaths of George Floyd and Ahmaud Arbery are strikingly similar to my own accounts of an attack on my father over fifty years ago, one I witnessed as a little boy. What my friends may not know, but surely suspect, is that each report of racial violence at the hands of a police officer or group of men brings to the surface the vivid memories of that terrible night.
On a hot summer Friday evening, my little sister asked my parents for strawberries. We lived in a predominantly Orthodox Jewish neighborhood in Pittsburgh, Pennsylvania, and so all of the stores were closed. But my sister wanted strawberries, and my father wanted to get them for her. So, he loaded me, my sister, and my baby brother into the back seat of our car, and drove to another neighborhood to get strawberries. As we returned home, my father noticed that we were being followed by another car. Suddenly, that other car swerved in front of us and stopped, forcing our car to halt at the curb. In an instant, three white men, all in their twenties, jumped out of their car and rushed to ours. They dragged my father out of the car, and began to beat him with tire irons, a crow bar, and a baseball bat. They did this in full view of his three little children. When neighbors came out, the three men jumped back into their car and sped off, leaving my father for dead on the hood of our car. I can still see his hand reaching for me against the windshield covered with his blood.
Paula Cole wrote "I Don't Want to Wait" at her spinet piano in her apartment in New York City during mid-1996.[2] Described by Cole as "a very personal song" she wrote the song when she realized that her grandfather was near the end of his life. The song is about him and his wife, and specifically the relationship between their life and Cole's who realized "I don't want to make some of these mistakes. I really hope I don't".[3] Cole has described the central question of the chorus as "Do you say yes to life? Do you embrace the things that give you joy? Or do you cower back in fear or by culture's machinations keeping you small?"[3]
I took a Japanese-language course, but that was a failure. Then I studied tea ceremony and found a metaphor for what I was trying to do in the new poems. Everything is carefully choreographed in a tea ceremony, in part to arouse the senses. As a result, you hear the water bubbling in the pot, taste the delicious sweet cakes, consider the cluster of trees out the window, and read the scroll painting in the tokonoma. There was an elegant simplicity, or rough grace, which I wanted to translate into poetry.
He said, "I don't want to be making a documentary 20 years from now talking about this as if it was the end. I want to still be present and still be making music. I want to be like Bruce Springsteen or something, making songs that are relevant."
Ruth is a correspondent who covers TV shows such as Younger, Jersey Shore and The Affair. She will write you a drinking game for any show you want and will remain loyal to Britney Spears no matter how many fashion shows she posts on Instagram.
I've owned a few 6105 examples over the years, and I've found that I'm always nervous about wearing down the pin that allows the crown to lock. I also didn't take any of them diving for fear of water ingress (the last one was made in 1977, after all). While I loved the watch, I just couldn't wear it as much as I wanted to. The SPB153 changed all that. Finally, I could wear a Seiko tied to the incredible legacy of the 6105 in any circumstance.
Yes and I want to dig deeper. But, first, are you naturally that comfortable and open?
It comes with who I am, you know. From my perspective, in order to make myself feel comfortable, I try to disarm people by being vulnerable and open and honest and sharing who I am. In doing so, I hope it gives people the opportunity to feel like they can share themselves.
I wanted to make sure I wore shoes that gave me as much height as possible but also comfort. My husband is about 14 inches taller than me so I need all the help I can get. Paris Texas coincidentally sent me their wedding look book at the perfect time so I picked those out.
ERP can be challenging work. You will have to sit with uncomfortable thoughts and feelings, and your OCD will want to revert to strategies that 'worked' in the past. But you're doing the hardest part right now by reaching out for help.
We want to do more than a typical school! Each year, we host a variety of volunteers, events, and a family week. We also have many resources that we can share with families or neighbors. Our families are important to us and we want them involved as often as possible. Want to come by? Use the buttons below to contact us!
In addition, we involved our community differently. When we want to make a change in a process or policy, we consult with our Cole Leadership Council to see how items might impact students, families, staff, and community.
Tom McCarthy: . . . I want to think about both Cole's and Ed's work as part of this long tradition of legible landscapes. . . . The seventeenth-century English poet [Andrew] Marvell, who was a Puritan like the American founders . . . saw the world as a text, and he saw history as kind of already scripted, and this script was written on the world. The script was written as the world. So the world is kind of legible to those who know how to read. He writes, "Thrice happy he who, not mistook, hath read in Nature's mystic book."
So this is a long preamble, but basically, all of this seems to me very, very Ed Ruscha. I want to start by asking you about your Parking Lots series, because here you are, like Thomas Cole . . . like Marvell, hovering, literally, in a helicopter above this landscape and this kind of beautiful geometry, just reading it like hieroglyphics. . . .
Tom McCarthy: I want to go to Ed's [Untitled (The End)] . . . because you mentioned this beginning-to-end kind of arc and . . . because the final one in the Cole series is Desolation, but you get new roots growing and . . . the cycle's beginning again. . . . Critics seem to disagree about [Expansion of the Old Tires Buildings]. . . . Is this optimistic or pessimistic? I mean, it's expanding, it's growing, the sky is blue . . . but it's empty. . . . There's nothing.
Ed Ruscha: Americanism, well, I guess yes. And then that makes me want to compare myself to Thomas Cole, who was a strict wilderness adventurer. . . . You know, it's funny that he settled in the Catskills, what we usually think of as a home for comedians. [laughter]
The great abolitionist Frederick Douglass once said, "Those who profess to favor freedom and yet depreciate agitation, are people who want crops without ploughing the ground; they want rain without thunder and lightning; they want the ocean without the roar of its many waters. The struggle may be a moral one, or it may be a physical one, or it may be both. But it must be a struggle. Power concedes nothing without a demand. It never did and it never will." Publisher and activist I. Willis Cole was of like mind. He rarely held his pen to save someone their feelings. In one issue he wrote, "At all times you do not speak, and often we suffer because of this. The things that I have written are those in which I believe. I make no apology for them. I shall not squirm nor shall I quibble, and I shall continue to 'think as I please.'"
If you are an Aries sun, a Leo sun, or a Sagittarius sun, you are outgoing, confident, fearless, and in tune with yourself and your personal goals and desires in life. You go after the things you want, and you are not afraid to take up space. You are someone who prefers to be more independent, and you are often in more leadership roles in life.
If you are an Aries rising, a Leo rising, or a Sagittarius rising, you come across to others as confident, bold, and stylish. You are known for the way you look or the way you present yourself, and you are usually adorned in bright colors or wearing something that others take a lot of notice of. You are someone who walks into a room, and all eyes are on you, and you love that. You want to be on the move and on the go, and you love to show up in the world exactly as you are today. You see the world with a lot of possibilities and like it's yours to have fun and enjoy yourself in.
If you are a Taurus rising, a Virgo rising, or a Capricorn rising, you come across to others as responsible, beautiful, natural, and dependable. You are a hard worker, and you may be known for your career or the work that you do. You are someone who walks into a room and people feel an immediate sense of comfort and like you are someone they can trust. You have strong values and goals, and you are someone who knows what they want. People love to be around your down-to-earth energy, and you make others feel safe and grounded. 0852c4b9a8
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