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I am very green to how Kid3 works. I am still trying to grasp the interface. I have tried using if a few times over the years. Unfortunately, I have been unsuccessful. Reading the handbook and help discussions I did not find an example that fit my particular tagging dilemma. I have many tracks (more than a hundred but less than as thousand) that are missing %{album}. They do have %{artist} , %{title}, most have %{genre} and a small few have the correct %{track}. Is there a way to automatically populate the album tag for some of them if not most of the tracks? I think I was able to get as far as being presented with a possible album list but I didn't know how to drill in to see if the track was part of what was being displayed.

Here is a picture of the screen I am looking at after I -> opened a list of some tracks missing album -> selecting the first track -> then from tag2 -> then import from Discogs. I do not know what if anything I should do next.

Some of the functions of Kid3 can add information to the tags if that information is somewhere else, e.g. in the file path. The folder in the screen shot contains a collection of various tracks from different artists and albums and the folder's name is rather unspecific, so it is unlikely to get information from the file path. The "Import from Discogs" etc. and the "Automatic Import" functions can be used when the tracks are organized as albums, so they won't help either. But you could try "Import from MusicBrainz Fingerprint", it will calculate an acoustic fingerprint for every track and try to find tags based on this fingerprint. This can take quite some time and you will have to review and select the imported tags when more than one possible result is found.

A. I have art for most of the files in the folder (structure: [starting letter]/[artist]/[album]); do you know if it's possible to have kid3-qt write images to the mp3 tags if present, based on a query? Would this be something I have to do in kid3-cli? If Qt can do it, where would I write the query to have it work? I see that there's automatic import... can this be hacked to use local directories and search for album.jpg / cover.jpg / folder.jpg / front.jpg / %{albumname}.jpg, etc? (or failing that, the largest jpg in the folder?)

Tagging is the biggest headache for people who want to use multiple playback methods. When I started my music library I put very specific information in my tags. The day I brought my personal favorites collection into one of my playback methods (device/software) and discovered it had created a hundred single-song albums with the same album name and individualized cover art that corresponded to an album that had the tagged song title by the tagged artist. That was the first time I faced the reality of using precision tagging and with different systems. Great example of YMMV. Just be prepared to simplify your tags in one master library or have specific tags that require multiple libraries.

Editors have so far released two platinum studio albums, and seven in total, with several million combined sales. Their debut album The Back Room was released in 2005. It contained the hits "Munich" and "Blood" and the following year received a Mercury Prize nomination.

Their follow-up album An End Has a Start went to number 1 in the UK Album Chart in June 2007 and earned the band a Brit Awards nomination for best British Band. It also spawned another Top 10 hit single, "Smokers Outside the Hospital Doors". The band's third album, In This Light and on This Evening, was released in October 2009 and went straight to number 1 in the UK Album Chart. The band released their fourth studio album, The Weight of Your Love, in July 2013, followed by self-produced In Dream in October 2015. In 2018, the band released their sixth album Violence. Their seventh album, EBM, was released in September 2022.

The release of "Munich" followed in April of that year and gave the band their first Top 25 hit, a sold out UK tour and a place on MTV's Spanking New Music show in Manchester. At this point, due to the band's increasing popularity, Editors and Kitchenware signed an exclusive distribution deal with Sony BMG.[10] "Blood" was released two months later, reaching number 18 in the UK Singles Chart in its first week, selling 5,286 copies.[11] With these releases their fanbase continued to grow and on 25 July 2005 their debut album The Back Room was released to critical acclaim and commercial success.[12] In its first week, the album entered the charts at number 13, selling 17,627 copies.[4] After re-issuing "Bullets" and achieving another Top 30 hit, Editors gained a high-profile support slot, supporting Franz Ferdinand in arenas across the UK and Europe.[13]

Editors then re-issued "Munich" in January 2006, selling one and half thousand more copies than the last time it was released.[4] The song gave Editors their first Top 10 single and an appearance on Top of the Pops. With the single release, The Back Room also rose back up the album charts, peaking at number 2. It sold an additional 40,000 copies in the week of "Munich"'s release and went platinum in the process.[4] A joint North American tour with Stellastarr* coincided with the American release of The Back Room in March 2006. It was released by Fader label and sold 35,000 albums after 20 weeks.[14] The band went on to play influential American festivals in 2006 such as Coachella and Lollapalooza.[15] Editors proceeded to perform "Munich" on the American television show Late Night with Conan O'Brien.

At the end of March, Editors released "All Sparks" as a single in the United Kingdom, achieving a position of 21 in the singles chart.[16] After a European tour which included three successive nights at Brixton Academy,[17] Editors re-issued a limited edition of "Blood". It entered the Top 40, pushing the album up the chart 45 places.[4] Shortly after this, The Back Room hit the million mark in sales worldwide[18] and was also nominated for the 2006 Mercury Prize.[19] After a string of high-profile festival shows across Europe, including slots on T in the Park, V 2006 and the Isle of Wight Festival, Editors began work on their second album.

Editors recorded their second album An End Has a Start with producer Jacknife Lee in Grouse Lodge, Ireland over a two-month period beginning in late November 2006.[20] It was released on 25 June 2007 and went straight to number 1 in the UK album charts, selling 59,405 copies in its first week.[21] The album was preceded by the Top 10 single "Smokers Outside the Hospital Doors" on the 18th. The song was Editors' highest-charting single, reaching number 7. It also earned its own Making the Video episode on MTV.[4][22]

Just after the album's release, Editors played at the Glastonbury Festival with a second from top slot on The Other Stage.[23] They also played many other festivals such as Oxegen, Lowlands and Pukkelpop over the following weeks, as well as playing their first ever tour dates in Australia and New Zealand. They then released the album's title track "An End Has a Start" in September to coincide with their North American tour. Editors went on to play the song live on American television shows such as Jimmy Kimmel Live! and The Tonight Show with Jay Leno.

Upon returning to the UK, the band contributed a cover of the Cure's "Lullaby" to the Radio 1 Established 1967 compilation, again working with producer Gavin Monaghan, which was released on 1 October 2007. Shortly after this, Editors played a 75-minute set for the BBC Electric Proms at KOKO in London with backing from a classical string quartet. In November, they released "The Racing Rats" as the third single off the album. Editors played it live on 'Friday Night with Jonathan Ross' and it helped the song reach number 26 in the UK Charts.[24] It also reached number 12 in the Dutch Top 40, the band's highest ever single charting outside of the UK at that point.[25]

Lead singer Smith revealed that the band will explore a new direction on their next album, pursuing a new, rawer sound.[30] Before January 2009, Editors had written around eighteen new songs for the new album[31] and they have been described as some of the most synthetic, raw and anthemic songs they have written to date.[32] In October the band went to the studio to record some demos.[31] The band spent the first week of April recording the album and on 8 April, they released a short video with information about the recording process.[33] It announced that Mark 'Flood' Ellis would be the producer for the album. Earlier on in the year, the sound of the album was said to have a very electric feel; the band often using the Terminator theme song as a reference.[34]

On 2 June 2009, it was announced that the new album title would be In This Light and on This Evening and that they would be the first band to play at the new O2 Academy Birmingham.[35] Through producer Flood's heavy usage of synthesisers, the album provided a synthpop and post-punk sound to Editors' production.

The album was released on 12 October and debuted at number one on the UK Albums Chart.[36] Alongside the album, the band released lead single "Papillon" and it led them to their first taste of number one success outside the UK, with the song hitting the top position in Belgium and being certified Gold in the process.[37] After releasing singles "You Don't Know Love", "Last Day" and "Eat Raw Meat = Blood Drool" to limited chart success, it was announced that their unreleased song "No Sound But the Wind" would appear on the New Moon soundtrack. A live version of the song was later released in continental Europe in September 2010 and again achieved the same success as "Papillon" in Belgium, going to number 1 and being certified Gold. 0852c4b9a8

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