So I was wondering the other day, why the theme song changed throughout the seasons. My personal favorite was the one from the first season, even though the Pilot one had a few differences that made it even better. I feel like the theme song after Season 3 started feeling kinda hollow, emphasizing on the non dominant parts of the songs. For example, the music is louder and more intense before the repetitive part where the title of the show appears which is incredibly weird. I also dislike the changes or rather additions of other instruments compared to the original score. The opening of the Gauntlet (season 1 episode 4) was incredibly well composed and is up to this day my favorite piece of the series. Let me know what you think about the theme song's evolution and which one is your favorite.

Line in the Sand is a 2004 rock song from WWE's soundtrack album, WWE ThemeAddict: The Music, Vol. 6. The song used to be the entrance theme of the professional wrestling alliance, Evolution. The song is performed by Motrhead.


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"Line in the Sand" was recorded in May 2003 for the newly formed alliance Evolution, consisting of Triple H, Ric Flair, Batista and Randy Orton. The song was recorded by Motrhead, the band, who has also sung two of Triple H's entrance themes, "The Game" and "King of Kings". The song became the entrance theme for the stable. It used to be the entrance when 2-4 members came to the ring together. During a one-on-one match, Triple H, Flair and Batista would each use their own entrances, while Orton would also use "Line in the Sand" as his entrance, until he was kicked out of the group in August 2004. The song was included in WWE's 2004 soundtrack album, ThemeAddict: The Music, Vol. 6. The group continued the use of the song, until its end in 2005.

The song was used by Evolution again, when Triple H, Flair and Batista reunited the stable for one-night only in December 2007. As a result, the song was included in WWE's 2007 compilation album, Raw Greatest Hits: The Music. It is also featured in the video games WWE 13 and WWE 2K15.

VoicesInformationArtist/Performed byMotrheadUsed byEvolutionDebuting in 2003, Line In The Sand was by Triple H's favorite band Motrhead. It is the 2nd theme song for Evolution and they used Line In The Sand til they disbanded.

EvolutionKamen Rider BuildSong TypeInsert SongPerformer(s)AXL21Year released2018Appearances33Song GuidePreviousNextBurning My SoulBuild upEvolution is an insert song from Kamen Rider Build. It was performed by AXL21.

Degrassi has been running in Canada since 1979, and in that time it has had a lot of different opening themes. I mean a lot. Have you seen those compilations on YouTube? They run upwards of fifteen minutes! You can put that thing on loop for hours and have some solid jams.

It perfectly nails the tone of the show. What it lacks in polished visuals it more than makes up for with a catchy song. A song that invites you into this world. A song that lets you know these random 80s-riffic kids are about to face some hard times, but friendship will get them through it all.

It sounds better, too. While I love the Degrassi Junior High theme, its age shows. This one is more timeless. The instrumentals have changed but these base lyrics have pretty much stayed with the show to this day. You can see why. The song is an anthem not only to the characters but the audience as well and it says it all with the first line.

As the show struggled to find a direction, so did its opening theme. I praised the last theme for inviting the viewer into Degrassi. Being a part of it. This opening puts you at arms length. What am I watching? A generic soap opera? Where did the lyrics go? What is this?

The song has now switched back to a female singer and it perfectly reflects how much the show has shifted to a female driven series. It was subtle over the years but the more recent seasons have put the girls in the spotlight and having a female lead singer is perfect for that.

In the new preview, young Anemone and Eureka appear along with Dominic plus a new and mysterious massive life-form. The theme song heard is performed by RUANN, a singer who is also a junior high school student.

The Undertaker paid tribute to Jim Johnston who composed the iconic theme that The Deadman walks out to. The Undertaker credited Johnston for his long run with the company and complimented him on his creativity.

The Undertaker also discussed which of his theme songs he felt brought out the most energy from the crowd. Of course, by popular demand, fans would think it would be his original theme song. However, The Undertaker specifically pointed out to two of his themes. One by Limp Bizkit and the other by Kid Rock.

The Undertaker will be bidding farewell to the WWE Universe at Survivor Series this Sunday. He is one of the legends who will definitely never be forgotten, and his iconic theme songs are a part of that legend as well.

Hungry Shark Evolution ThemeSong NameHungry Shark Evolution ThemeOriginHungry Shark EvolutionPerformer(s)No informationComposerNo informationLyricistNo informationType of SongInstrumental Theme"Hungry Shark Evolution Theme" is an instrumental theme from the video game, Hungry Shark Evolution. It serves as the main theme for the main menu of the game.

The basic tune of Over the Horizon has not necessarily changed over the years, but rather has evolved as the Galaxy S has expanded from one model to the next. The version installed on the Galaxy S6 is the fourth edition of the song, following those of the Galaxy S II, Galaxy S III, and Galaxy S4 and Galaxy S5.

Over the Horizon is not only being used on mobile devices; additionally, it is being rearranged by a number of people around the world. If people search Over the Horizon on the web, they can find various audio tracks and videos of remixed versions of the song. From K-Pop artists to international artists including Quincy Jones and Icona Pop, among other popular musicians, many have created their own versions of the track.

The Piano Guys take us on a wonderful journey through all of the theme songs that Batman has had over the past 50 years in both TV and film. They call it "Batman Evolution," and they perform the music in an atmosphere and with some of the Batmobiles that represent each of the productions.

Buy this song on iTunes, Amazon, or our site: Come see us on Tour! Sign up for our TPG Insider! _______________________ Subscribe to our main channel: Subscribe to our BTS channel: Follow us on Facebook: Follow us on Twitter: Thanks to Washington County Tourism who helped make this video possible.

All WWE programming, talent names, images, likenesses, slogans, wrestling moves, trademarks, logos, Theme songs and copyrights are the exclusive property of WWE, Inc. and its subsidiaries. All other trademarks, logos and copyrights are the property of their respective owners.  2019 WWE, Inc. All Rights Reserved.

Star Ocean: Second Evolution Original SoundtrackReal life informationCatalog #SQEX-10114~6ComposerMotoi SakurabaTakeshi Nagai ("START")PublisherSquare EnixRelease date May 2, 2008Info2 CDs, 1 DVD - 91 tracksLength2:11:50Star Ocean: Second Evolution Original Soundtrack (  , Sut shan 2 Sekando Evoryshon Orijinaru Saundotorakku?) is the soundtrack from Star Ocean: Second Evolution. It was composed and arranged by Motoi Sakuraba and consists of a total of 88 tracks over 2 discs. It includes Second Evolution's theme song, "START", by J-pop group SCANDAL.

The point of a music score is to illustrate what's going on in a character's head and in their heart. This is why when we hear Bernard Herrmann's "Psycho" strings we immediately feel panic; when we listen to Ennio Morricone's harmonica strains from "Once Upon A Time In The West," we feel the tension of an approaching gunfight. And when we hear Bill Conti's stirring theme from "Rocky" we feel passion, we feel inspiration, and the confidence to beat the odds. To go the distance.

"In the tenth reel," Conti continued, "he gets to train for a big fight, and we want to manipulate the audience to think that he can win. So I had the fanfare at the beginning and then the theme which is very sad, because this guy's a loser. So I said 'let's make it peppy and fast and give him some inspiration.'"

For better or for worse, the training montages are a crucial part of the "Rocky" formula and something audiences have come to expect from the films. One of the most indelible images of "Rocky" is the sight of Stallone increasing his running speed as he runs along the docks, huge ships in the background that contain the kind of power he's channeling, all while DeEtta Little and Nelson Pigford's vocals ring in the ether ("Feeling strong now, won't be long now"). As Rocky runs up the famous steps of the Philadelphia Museum of Art, Conti's strings and trumpets climb and climb and push him up to the top, the camera circling around until it stands directly behind him as he throws his arms up to "Gonna fly now!", the first part of his journey now complete. The sequence and the song are designed to instill belief in the character and his quest, and it does that perfectly.

The training montage in "Rocky II" goes for a different tack, using "Going The Distance" and "The Final Bell" over scenes of the boxer training in the gym before returning to "Gonna Fly Now" for a repeat of the run through the city, this time followed by a flock of children, the chorus in the song now performed by children. "Rocky III" features scenes of Rocky and Apollo Creed training in the latter's LA gym as well as racing each other, scored by another new arrangement with more adult vocals, the montage climaxing with Rocky beating Creed on a California beach, replacing the run up the steps. "Rocky IV" features several montages, but the big training sequence is scored by two specific pieces: first a driving synth melody for the techno-wizardry of Ivan Drago's training and later the John Cafferty track "Hearts on Fire" for Rocky's final preparations, with the steps being replaced by a Siberian mountain. The score for the final conquest of the peak returns to DiCola's electronics with a short instrumental interpolation of "Gonna Fly Now," the composer understanding not even he can take away that moment from the series. be457b7860

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