Something the Rytm and the OT could offer that would be interesting is using the LFO to switch samples - a selection of slightly different hits from the same drum could be used to great effect there. Again, the benefit of the OT is that if you stumbled on a great combination you could instantly resample it.

Later in life, Allen collaborated with Damon Albarn on several projects, including Gorillaz, the Good, the Bad & the Queen and Rocket Juice & the Moon.[4] Allen's career and life were documented in his 2013 autobiography Tony Allen: Master Drummer of Afrobeat, co-written with Michael E. Veal, who previously wrote a comprehensive biography of Fela Kuti.[5]


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Allen was hired by "Sir" Victor Olaiya to play claves with his highlife band, the Cool Cats. Allen was able to fill the drum set chair when the former Cool Cats drummer left the band. Allen later played with Agu Norris and the Heatwaves, the Nigerian Messengers, and the Melody Makers.

Allen returned with a much anticipated new project for his 13th release. Recorded live in Lagos, with a full-sized Afrobeat band, Lagos No Shaking (Lagos is OK) signified Allen's return to roots Afrobeat after forays into avant-garde electronica hybrids. Lagos No Shaking was released on 13 June 2006.

In 2006, Allen joined Damon Albarn, Paul Simonon, and Simon Tong as drummer for the Good, the Bad & the Queen.[12] Allen contacted Albarn after hearing the 2000 single "Music Is My Radar" by Albarn's band Blur, which references him.[12] They released their self-titled debut album in 2007, followed by Merrie Land in 2018.[13] Allen and Albarn also collaborated on the 2012 album Rocket Juice & the Moon.[4]

Allen played drums on two tracks on the 2007 album 5:55 by Charlotte Gainsbourg: "5:55" and "Night-Time Intermission", backed by French duo Air and Jarvis Cocker of Pulp.[14] He also made an appearance playing the drums in the video for "Once Upon a Time" by French duo Air in late 2007.

He released A Tribute to Art Blakey & the Jazz Messengers (2017), a four-song EP on Blue Note Records featuring a reworked Afrobeat version of Art Blakey's "Moanin'". In 2017, Allen collaborated with Malian singer Oumou Sangar for the track "Yere faga" from her album Mogoya.

Filmmaker Opiyo Okeyo released the documentary film Birth of Afrobeat (2019) about Allen's life in music.[17][18] The film screened at American Black Film Festival and won the 21st Century Fox Global Inclusion Award for Emerging Voices at the BlackStar Film Festival.[19][20] Damon Albarn and Tony Allen and band performanced on concert in the Netherlands, among then the Lowlands Festival (2019). Birth of Afrobeat was acquired by American Public Television and had its television premiere January 20, 2020 on PBS.[21][22]

This book is basically about decoding and notating the grooves of master drummer Tony Allen. In this book you will find many various notations of records that Allen played using the Afrobeat style which was invented by him.

This book is basically about decoding and notating the grooves of master drummer Tony Allen. In this book you will find many various notations of records that Allen played using the afrobeat style which was invented by him.

In my personal career I have discovered that I can accompany many genres of music with my drum-set by using afrobeat techniques which relate easily to any type of music. In other words, with this style of playing you can play with perfect feel and unity with your band mates!

1- TRY TO FIND MORE VARIATIONS: After you feel comfortable with the part you are practicing you can try to make some other variations.To do this I recommend to start with just one part of the drum-set (like snare), and than try to add your ideas piece by piece. If you try to combine two or three parts from the set, sound may become more different than the original groove. In other words, try to keep the main feel of the groove and embellish it with little changes. You can also try to find some other variations by removing some parts of the example that you are working on.

Anil Sahinoz is a self educated drummer. Started to play drums at the age of nineteen. He has played many different projects in different styles of music. Also working as drum instructor who very experienced about pedagogical education and his one of the biggest passion is willing to make Afrobeat (and all kind of ethnic rhythms) more popular among the drummers all around the world, rather than play the beats that you hear every day of your life!

Afrobeats Drum Kit Collections pack is the almighty heavy hitting drum kit you would ever need for making your beats complete. It has a lot of drum arrangements and sequences that just makes it easy for you to have the hit song you have always been wanting. It also features New School afro sounds. The drum loops in the Afrobeats Drum Kit Collections have peculiar sounds used by producers like Masterkraft, Kel P, Sarz, Jae5, P Prime. Get to the next level of your afrobeats sounds by downloading this pack. This sample pack is royalty-free and compatible with all DAWs, samplers, and devices that support the.WAV &.MIDI file formats.

Afroplugin is our first historically created Plugin, a FREE Drum VST designed for making Great Afro Oriented beats : Dancehall, R&B, Reggaeton, Lo-fi, Afrobeats and more :

Really like the UI and the simplicity of it. Made a beat as soon I used it for the first time because of how it was to use. Also the sounds it comes with are on point for anyone who doesnt have a lot of samples.

Good staple sounds but not nearly as flexible as inputting sounds in other available drum machine vsts. Would need to be alot more sounds and alot more flexibility to change parameters per pad to be useful in the day to day toolbox.

Great plugin, simple, easy to use, sper fun. I had to make a few afrobeat riddims x backing vocalists and it came really handy ,no needs for browsing to find a cool kit, its all there, ready to groove. Thank you

Well what can I say!. I always get tingles when I get my hands on a new drum machine. This is exceptional for a free version. Going to assign my Alesis pads to this drum plugin and it should hopefully sound awesome from what Ive heard from just tinkering around with the presets. What a fabulous gift Afroplug. Muchas Gracias!

I would give you 5. Because of free plugin. The hard work I can Imagen it takes to make it. And the sound quality is great. I just want to be able to add my own drum samples or have more drum choices for each category. Thank you for this plugin.

These plugins by Afro plug are a big step forward. Not just for Afromusic but Africa itself. To have a plugin with the word Afro in it is awesome. I hope i can make some songs with the plugin and mention that i used it. It contains some really good drums and i appreciate all the extra effects it comes with like Saturation.

Introducing the Afrobeat Drum & Percussion Loops Sample Pack, a collection of Drum Loops carefully curated to enhance your Afrobeat Productions. Whether you're a Beginner or a Seasoned Professional, this Sample Pack is an excellent tool to boost your Creativity and it's being offered for Free.

Download Free Afrobeat Drum Samples for your producer library! Our "Jabari" Free Afrobeats Drum Kit features 41 high definition Drum Shots, including Sound Effects. This Drum Kit avoids filler material, giving you nothing but high quality Samples, Claps, Cymbals, Rims, Kicks, Percussion and Snares! Use these Samples straight out the box for your next Afrobeat, Amapiano or Dancehall Beats. This Pack is FREE to download and also 100% Royalty-Free, meaning it can be used in your personal and commercial compositions with no hidden costs!

Create crazy new Hits in your favorite DAW including Pro Tools, Reason, Cubase, Studio One, Logic and Image Line's FL Studio. Check the preview demo to see for yourself! Want to use some of these dope Drum Samples in your Beats? Drag & drop them into your favorite DAW and instantly catch a vibe with new rhythmic patterns! Download our "Jabari" Free Afrobeats Drum Kit on Beats24-7.com now to receive:

Like a freight train, the Africa 70 rhythm section provided a meticulously put together set of poly-rhythms that drive the beat. While he rarely draws directly from traditional Yoruba oriki rhythms, his music maintains the multi-vocal quality of traditional ensembles. The aggregate result of these is a wonderful rhythmic texture, but within this is a network of micro-musical conversations that makes it so irresistible and danceable.

If this explanation sounded confusing, the major idea here is that the different voices in the drumset and rhythm guitar form a composite rhythm that emphasizes the last and first subdivision of each beat through dynamic contrast and the way in which the bass phrase connects naturally draws the groove towards those beats.

Unlike nearly every other afrobeat in which the claves and congas reinforce the third and fourth sub-divisions, the implied cadence in this song lands on the downbeat. This creates a loping quality that makes you want to strongly emphasize the downbeats when dancing or even soloing. Perhaps this is why this song stands out among his repertoire. While the parts might sound very similar to other songs, the way in which they fit together creates a very different texture and feel to the song. It feels urgent but relaxed; bitter but playful. The ways in which this rhythmic texture complements the lyrics makes it a truly powerful song. ff782bc1db

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