Adele had said that she began writing it on her acoustic guitar in the wake of the break-up of her 18-month relationship with the 30-year-old man she thought she would marry. A few months after their split, he was engaged to someone else. "We were so intense I thought we would get married. But that was something he never wanted... So when I found out he does want that with someone else, it was just the horrible-est feeling ever. But after I wrote it, I felt more at peace. It set me free... I didn't think it would resonate... with the world! I'm never gonna write a song like that again. I think that's the song I'll be known for."[7] She also said that "I wrote that song on the end of my bed. I had a cold. I was waiting for my bath to run. I'd found out that he'd got engaged to someone else."[8]

Adele later collaborated with famed musician and producer Dan Wilson to write "Someone like You" which was one of the final songs composed for the album. Prior to meeting with Wilson, Adele said she wrote some of the lyrics using her acoustic guitar.[9] The two sat around the piano for two days and brainstormed various melodies and lyrics, and ultimately decided to keep the musical production sparse: "We just wrote it on the piano and then we recorded it when it was written. It wasn't sort of like recording it and listening to it thinking 'where can we go next?' It was really old school."[9] During an interview with Billboard, Wilson stated that while writing the song, they wanted to make it as personal as possible.[10] He added "We didn't try to make it open-ended so it could apply to 'anybody.' We tried to make it as personal as possible. She may not have had a melodic hook or a specific lyrical idea, but she always knew what she wanted to say. She definitely had a master plan."[10] The song was recorded at Harmony Studios in West Hollywood, California with Wilson playing piano. Philip Allen engineered in the studio.[4] The mixing was done by Tom Elmhirst and Dan Parry while the mastering was finished by Tom Coyne.[4]


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"[...] 'Someone like You,' the stirring, somber closer in which Adele goes to visit a former love (with high hopes of a reconciliation), only to discover he has not only moved on with his life, but is in a much better place. And though she's heartbroken, she puts on a brave face, stubbornly proclaiming she'll find someone just like him, even if she knows that she never will. And that conclusion makes you ache not only because it's so daunting, but because it's so real. We've all felt that way, tried to trick ourselves into thinking that any other outcome was possible. In Adele's music, much like life, there are no happy endings."

Tom Breihan of Pitchfork Media selected "Someone like You" as a song of the day, claiming it served as a reaffirmation of popular music: "Sometimes, pop music can still break your heart."[16] Writing for BBC Online, Ian Wade noted that the "final track Someone Like You, just voice and piano, is an actual thing of beauty, placing the listener in one of those moments where you feel you're in the presence of a future standard."[28] Bill Lamb of About.com wrote that "the piano melody is gorgeous and combined with Adele's heartfelt reading of her words, the effect is highly emotional. You can imagine it being both honked through by talent show contestants and transcended by veterans alike."[29] Lamb went to write that the song is one of the "top songs of 2011" and that "romantic pain has rarely been so utterly beautiful."[29] Jer Fairall of PopMatters called the song as "absolute magic" and praised Adele's performance by saying, "Though it is unquestionably her finest vocal showcase to date, it is less remarkable for its more powerful moments than for the small ones where her voice dips, with rueful melancholy on the line 'I heard that your dreams came true' or cracks on the 'I beg' in the chorus, like she's startled at the revelation of her own vulnerability."[24] He further called her vocal performance of the song "stunning" and "finally worthy of her talents".[24]

Writing for the website No Ripcord, Gary McGinley said that the song "has an aching beauty and the hallmarks of a modern standard."[30] He further added that it "sounds poised to soundtrack atmospheric TV trailers over the coming months."[30] A writer of URB magazine called "Someone like You" "a heart-wrencher made all the more real by reeling phrasing and bare-voiced pleading, 'I wish nothing but the best for you, too.'"[31] John Murphy of MusicOMH categorized "Someone like You" and "Turning Tables" as "the two best songs on the album."[17] He concluded that the song was "desperately sad and utterly, utterly gorgeous."[17] Bary Walters of Spin wrote that on "the piano-led finale, she vows, 'I'll find someone like you,' as if that's progress. It's a statement that's utterly WTF and yet true to the cyclical nature of psychological damage."[32] Sputnikmusic's Joseph Viney called the song "an ode to stalking with a perverse attitude that lies underneath the fragile composition, looks set to become the soundtrack to a million messy break-ups."[33] Allison Stewart of The Washington Post put the song on her list "Recommended tracks".[34]

Adele performed "Someone like You" for the first time in October 2010 at The Current studios in Saint Paul, Minnesota.[102] During a November 2010 performance on the BBC music show Later... with Jools Holland, there was a notable stunned silence from the audience as the performance finished, before bursting into applause. Adele has since described this performance as a career defining moment.[103] Later, she performed the song at the 2011 BRIT Awards held at The O2 Arena in London on 15 February 2011.[104] She appeared on stage backed just by her pianist while "special effects were limited to a shower of glitter and Adele's own tears, as she almost broke down delivering her lovelorn plea to an ex-boyfriend" as stated by Neil McCormick of The Daily Telegraph.[105] Speaking on the ITV2 after show, Adele explained why she had cried at the end of the performance saying, "I was really emotional by the end because I'm quite overwhelmed by everything anyway, and then I had a vision of my ex, of him watching me at home and he's going to be laughing at me because he knows I'm crying because of him, with him thinking, 'Yep, she's still wrapped around my finger'. Then everyone stood up, so I was overwhelmed."[106] A writer of Daily Mirror said that "Adele stole the show [...] with her universally-praised performance of Someone Like You."[104] Neil McCormick of The Daily Telegraph chose the song as a highlight on the show saying that Adele knocked "everyone for six with no bells and whistles, just a piano, her gorgeous voice and a monster song, Someone Like You."[107] Later, the song was performed during a VH1 special called "Unplugged".[108] Adele also performed the song at Jimmy Kimmel Live! on 24 February 2011.[109] The same day she performed "Someone like You" on The Ellen DeGeneres Show.[110]

Country musician David Nail recorded a cover of "Someone like You", which was posted on his YouTube account on 15 May 2012. The song is featured on Nail's three-track digital EP, 1979 which was released on 17 July 2012.[140] Nail's version debuted at number 57 on the Billboard Hot Country Songs chart in September 2012, reaching as high as number 52.[141] Metalcore band Ice Nine Kills released a cover version in 2012. Andy Black and Juliet Simms released a cover version in 2017 for the Album Punk Goes Pop Vol.7 Dan Wilson recorded "Someone Like You" with the Kronos Quartet on his 2017 Re-Covered album of songs he wrote for or with other performers.

There are lots of sources on musicology who have addressed these questions in more depth than I can here. For instance, I remember Czikszentmihlayi writes of three levels of musical appreciation in his classic book, Flow. From memory, these are hedonic appreciation(sensory pleasure in the moment), analogical appreciation(this is like something else, makes me think of people, times and places etc- this level is often used to explain the success of 'someone like you'). And then there is technical appreciation, which you only really grasp when you are a trained musician who knows how much skill is involved in producing the combination of harmonies, melodies and so forth that gives rise to the musical experience.

At my daughter's Year Six leavers' assembly, the whole class performed a dance to "someone like you". it was clinically designed to make every parent in the room cry. It worked.


According to Adele, a key part of her music education was watching Later with Jools Holland every week with her mum.

You know the feeling. It's one like this: "Your hair's standing up on end, shivers going down your spine, a lump coming into your throat, even tears running down your eyes," says John Sloboda, a professor of music psychology at London's Guildhall School of Music and Drama. Sloboda has studied physical reactions to music and found that one musical ornament in particular triggers a strong emotional reaction.

"The music taps into this very primitive system that we have which identifies emotion on the basis of a violation of expectancy," he says. "It's like a little upset which then gets resolved or made better in the chord that follows."

And once you get past the insane power of that voice, there's still more meat there. Because as theatrically heartbroken as Adele sounds on this song, the lyrics still offer the sense that we're dealing with mature adult emotions here; it's not a woe-is-me tantrum. Throughout, she also wishes her ex well, calling him "old friend" and never demanding to know what the new girl has that she didn't. She doesn't have to ask; the question hangs there in the air anyway. She's got her face forward, or anyway she puts on a good show of it: "Never mind, I'll find someone like you"-- like she can will a better reality into being just by wailing it. Sometimes, pop music can still break your heart. 0852c4b9a8

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