Presented at Kingdom Arts and Sciences Festival, March 2nd, A.S. LVIII (2024).
Marta de Lyon does many types of art, but her area of expertise is opus anglicanum, a style of embroidery popular in the 13th and 14th Centuries that was so detailed and delicate that it imitated brushstrokes. This scroll is based on early 15th Century trompe l'oeil, a style of painting that imitates objects as if they are sitting on the page. I thought it was both very funny, and very apt to paint in a style that imitates life of a style of embroidery that imitates painting.
I broke one of the first rules of scribal with this piece and made thing a bit harder for myself by starting with the shell instead of the background (it's usually the best idea to work from the background forward). I was worried about how difficult the technique would be though, so I knocked out the shell before moving on to other parts of the scroll. It worked out in the end.
I tried shading the objects before painting the gold pattern on the background. This ended up not looking quite right so I experimented and eventually settled on a very watered down wash that I painted over the gold. The final effect made it look like the gold in teh shadows was getting less light (which it was through the wash) and that's exactly what I was going for!
In presenting a finished scroll, we rarely talk about the trial and error and experimentation that goes into a piece. Even when working with a style I've done before, I still have to test all the colors I've mixed, try out brush strokes, experiment with shading , and practice the calligraphy hand, before and during the scroll-making process. Sometimes, as I'm testing layout or size, I make little cut-outs and move them around the scroll until I get what I want.
This all results in a lot of test pieces that no one ever sees but me. But I still think they are beautiful. So my last photo in "progress" is my experimental scrap from this piece.
Words for this scroll were written by Master Tors Hartman.