Aaja Tujhko Pukare Mere Geet Duet Mp3 Song Download PORTABLE

Raj Kapoor, however, had chosen Salil Choudhary in preference toShanker Jaikishan for his film 'Jaagte Raho' (1956). Salil's composition 'Zindgi khwab hai' picturised on Moti Lal figured 15th in 'Annual Binaca Geet Mala 1956'. Later Salil composed for the film 'Madhumati (1958)' Soohana safar aur yeh mausam haseen (which ranked 5th in the Annual Binaca, 1958) and the duet 'Dil tarap tarap kar keh raha hai pyar kar'. Salil's other popular compositions for Mukesh are 'Mere khwabon mein khyalon mein, chhupe ek din geet mere' (Duet from Honeymoon, 1960), 'Maine tere liye hi saat rang ke sapne chune' and 'Kahin door jab din dhal jaye (Both from 'Anand,' 1970) and 'Kayi bar yoon bhi dekha hai (Rajni Gandha, 1974) which earned Mukesh a National Award in 1975.

Although S. D. Burman first used Mukesh's voice in 'Bahe na kabhi nain se neer, uthi ho chahe dil mein peed' (Vidya, 1948), his first popular composition was 'Kismat mein bichhudna tha, huyi kyoon unse mulakaat re' (Duet with Geeta Roy from film 'Shabnam' 1949). Burman's other popular compositions are 'Chal ree sajni ab kya soche' (Bombai Ka Babu, 1960), 'Aai dile aawara chal (Dr. Vidya, 1962), 'O jaane wale ho sakke to laut ke aana (Bandini, 1963) and duet 'Yeh kisne geet chheda' (Meri Surat Teri Ankhen, 1963). Music director Madan Mohan's first composition for Mukesh was the hit song 'Preet laga ke maine yeh phal paaya (Ankhen, 1950). Next followed 'Hum chal rahe thhe, tum chal rahe thhe' and the duet 'Hum chal rahe hain (Both from 'Duniya Na Maane, 1959). His other memorable compositions are 'Bhooli huyi yaado mujhe itna na sataawo' and the duet 'Ik manzil rahi do, phir pyar na kaise ho' (both from 'Sanjog, 1961).

Aaja Tujhko Pukare Mere Geet Duet Mp3 Song Download

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Kalyanji Anandji used Mukesh's voice in 57 films which is highest by any Music Director. Their first composition for Mukesh was a duet 'Dil lootne wale jadugar, ab maine tujhe pehchana hai' (Madari, 1959). In their next film 'Chhalia (1960), they composed three memorable solos 'Dum dum diga diga'(which figured 13th in the Annual Binaca Geetmala), 'Chhalia mera naam' and 'Mere toote huye dil se koyi to aaj yeh poochhe'. Then came their unforgettable composition 'Mujhko is raat ki tanhayi mein aawaz na do' (Dil Bhi Tera Hum Bhi Tere, 1960) followed by 'Pyase panchhi neel gagan mein geet milan ke gayen' (Pyase Panchhi, 1961). In 1963 they gave two hit compositions, 'Thoomak thoomak mat chalo' (Kahin Pyar Na Ho Jaye) and 'Chand aahen bharega' (Phool Bane Angare). In 1964, they gave 4 popular numbers, 'Humne tujhko pyar kiya hai jitna'; 'Jo pyar toone mujko diya tha, wo pyar tera main lauta raha hoon' (both from Dulha Dulhan), 'Chal mere dil lehra ke chal' (Ishara), and Hum chhod chale hain mehfil ko, yaad aaye kabhi to mat rona (Ji Chahta Hai). Kalyanji Anandji's popular compositions of 1968 are 'Dheere re chalo mori baanki hiraniya' and the duet 'Na koyi raha hai na koyi rahega' (both from 'Johar Mehmood in Goa), followed by masterpieces like 'Main to ik khwab hoon' and 'Chand si mehbooba ho meri kab' (both from Himalaya Ki God Mein). In the same year, they also composed 'Jis dil mein basa tha pyar tera, uss dil ko kabhi ka tod diya' (Saheli) and 'Tumhen zindgi ke ujaale mubarak' and 'Gori nain tumhare kya kehne' (both from 'Purnima). Next followed 'Chandan sa badan, chanchal chitwan' and the duet 'phool tumhein bheja hai khat mein' (both from 'Saraswati Chandra', 1968), 'Tash ke bawan patte' (Tamanna, 1969), 'Chandi ki deewar na todi'(Vishwas,1969), Meri tamanaon ki takdeer tum sanwaar do' (Holi Aai Re, 1970), 'Kisi rah men kisi mod par' (Mere Humsafar, 1970), 'Koyi jab tumhara hridey tod de', (Purab Aur Pashchim,1970) Jo tumko ho pasand vahi baat kahenge' (Safar, 1970), 'Mujhe nahin poochhni tumse beeti baten' (Anjaan Raahen, 1974), the duet 'Kya khoob lagti ho, badi sundar dikhti ho (Dharmatma, 1975) and 'Humka aisa vaisa na samajho hum bade kaam ki cheez. (Adalat, 1976). ff782bc1db