A monochrome monitor is a type of computer monitor in which computer text and images are displayed in varying tones of only one color, as opposed to a color monitor that can display text and images in multiple colors. They were very common in the early days of computing, from the 1960s through the 1980s, before color monitors became widely commercially available. They are still widely used in applications such as computerized cash register systems, owing to the age of many registers. Green screen was the common name for a monochrome monitor using a green "P1" phosphor screen;[1] the term is often misused to refer to any block mode display terminal, regardless of color, e.g., IBM 3279, 3290.

The most common technology for monochrome monitors was the CRT, although, e.g., plasma displays, were also used.Unlike color monitors, which display text and graphics in multiple colors through the use of alternating-intensity red, green, and blue phosphors, monochrome monitors have only one color of phosphor (mono means "one", and chrome means "color"). All text and graphics are displayed in that color. Some monitors have the ability to vary the brightness of individual pixels, thereby creating the illusion of depth and color, exactly like a black-and-white television.


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Monochrome monitors are commonly available in three colors: if the P1 phosphor is used, the screen is green monochrome. If the P3 phosphor is used, the screen is amber monochrome. If the P4 phosphor is used, the screen is white monochrome (known as "page white"); this is the same phosphor as used in early television sets.[2]An amber screen was claimed to give improved ergonomics, specifically by reducing eye strain; this claim appears to have little scientific basis.[3]

The 5151 was designed to work with the PC's Monochrome Display Adapter (MDA) text-only graphics card, but the third-party Hercules Graphics Card became a popular companion to the 5151 screen because of the Hercules' comparatively high-resolution bitmapped 720348 pixel monochrome graphics capability, much used for business presentation graphics generated from spreadsheets like Lotus 1-2-3. This was much higher resolution than the alternative IBM Color Graphics Adapter 320200 pixel, or 640200 pixel graphic standard. It could also run most programs written for the CGA card's standard graphics modes. Monochrome monitors continued to be used, even after the introduction of higher resolution color IBM Enhanced Graphics Adapter and Video Graphics Array standards in the late 1980s, for dual-monitor applications.

Pixel for pixel, monochrome CRT monitors produce sharper text and images than color CRT monitors. This is because a monochrome monitor is made up of a continuous coating of phosphor and the sharpness can be controlled by focusing the electron beam; whereas on a color monitor, screen space is divided into triads of three phosphor dots (one red, one blue, one green) separated by a mask. The effective resolution of a color monitor is limited by the density of these triads. Furthermore, pixels in the source image will not align precisely to these triads, so moire effects will occur as the image resolution approaches the limit imposed by the size of the phosphor triads. Monochrome monitors were used in almost all dumb terminals and were widely used in text-based applications such as computerized cash registers and point of sale systems because of their superior sharpness and enhanced readability.

Some green screen displays were furnished with a particularly full/intense phosphor coating, making the characters very clear and sharply defined (thus easy to read) but generating an afterglow-effect (sometimes called a "ghost image") when the text scrolled down the screen or when a screenful of information was quickly replaced with another as in word processing page up/down operations. Other green screens avoided the heavy afterglow-effects, but at the cost of much more pixelated character images. The 5151, amongst others, had brightness and contrast controls to allow the user to set their own compromise.

The colour scheme, grid layout of characters, and ghosting effects of the now-obsolete monochrome CRT screens have become an eye-catching visual shorthand for computer-generated text, frequently in "futuristic" settings. The opening titles of the first Ghost in the Shell film and the digital rain effect of the Matrix trilogy science fiction films prominently feature computer displays with ghosting green text.

Nampa Parks and Recreation is pleased to offer free movies in the park throughout the summer! Come out to the park and enjoy the silver screen on a large inflatable movie screen. Grab a blanket, a lawn chair, family and friends, and head to Optimist Park in Nampa for a summer of fun.

Students can create videos where the background can be removed. Using a video editor with a chroma key (green screen) tool, students replace their backgrounds with photos or video to transform a recording.

It allows your class to travel anywhere virtually, explore and add an element of play to being on-camera. All you need is a green screen app, background, a web camera, and some imagination to make movie magic work with all grade levels.

Pro Tip! Bring a video project to life by adding moving backgrounds. The ScreenPal Stock Library features thousands of videos. Combine those videos with the video overlay tool to replace a green background with a lively, realistic backdrop.

Students unpack their family tree in this visually compelling presentation. On camera, the student narrates their family story, shows off heirlooms, or even interviews family members. Use the green screen to display family photos, home movies, and even graphics. Use shape and text overlays to create and label a family tree.

Filming for all eight films took place here in the UK. Some scenes were shot on location, particularly in the earlier films which were less reliant on special effects and green screens. However, much of the filming took place at the absolutely enormous Warner Brothers Studio in Leavesden, just outside of London. They even recreated some of the real locations that had been filmed on location during the first film, such as Privet Drive and platform 9 at Kings Cross Station.

We joined the queue for our 2:30pm entrance time. At the designated time the group is funneled into the first of two rooms where no photography is allowed. The tour guide provides some information about the studio in the first room and then we were shown a short film about the making of Harry Potter in the second room. At the end of the film, the screen retracts into the ceiling to reveal the doors to the Great Hall!

And of course, the staff table. Notice the elaborate contraption in the background for keeping track of house points. Rarely seen on-screen but nonetheless beautifully built and completely functional. The level of detail is truly incredible.

The Ministry of Magic portion of the studio tour was actually a bit disappointing. As a fan, I know that they actually built an enormous version of this set. It was essentially the entire entry floor of the Ministry building. It would have been an incredible addition to the tour to be able to walk through that scene. However, that probably would have used up an entire airplane hangar. What they did include were portions of the set and some of the costumes. The custom-made floor to ceiling green faded tile is still impressive.

I sort of have this same kind of problem. Say for instance I'm watching youtube or Netflix then sometimes, and it always happens while streaming, my screen will freeze then turn green. I also have a problem where my phone will restart all by itself. I have a galaxy s3 version 4.4.2. I'd rather not have to get a new smartphone, since this is my first one ever and I don't have the money for a new one anyway, so I'd like it to last as long as possible.

Casey does your phone do this on a regular basis? Does the screen turn green under normal use like when making phone calls or texting ,playing, games or is it only when streaming . When the phone shuts down is the phone warm to the touch?

Please help me out. My phone got into water. its a samsung galaxy a5 I stuck it in a bag of dry rice for 24hours it came on and looked the same but after a while the colors of the letters and pictures starts turning green and then starts fading out like a washed picture

Though the LCD isn't broken on your device, it looks like it is defective, if you have experience taking the S3 apart, and access to an additional S3, you could simply switch motherboards to test it. Honestly, it would be best for you if it is the screen, because the only other possibility is that your main logic board is having issues, which isn't good at all, in that case you would have to get a new phone all together.

Hi my phone does thing except it is a samsung s5 i tried turning up the rightness and it worked for me but it still goes green for like 5 seconds when i turm on the home screen with my middle button and it takes about 10 seconds to actually turn on the home screen in the first place even with my brightness up.its worse when i put my brightness at the lowest option though... hope i helped... im no expert just putting that out there im only 14

Ok so I have a Samsung s8 the screen just went green I haven't banged it dropped bumped or knocked it jus went green you can still try and touch the screen like putting in the code and as much as i cant really see the numbers or letters i can see that its still working on the finger touch my friend saw a code on screen that said something about system after taking this to the shop they just want to replace the screen wot to do ??

Ive pondered other games like this with the same idea because the thrill og GGD may only be experienced once in a lifetime. True Blue Gate was my best one. Can you guess the rule now that you know green glass doors solution?

This is the blue screen, developed by Lawrence Butler and it looks and works similar to the green screen we use today. With the arrival of color films, Butler realized he could put a subject in front of a specific color, then remove that exact color to isolate a subject from its background. The isolated subjects would then be placed on top of a pre-shot background known as a plate to create a single seamless image. This is the start of what we now commonly know as chroma key. This method was first used in 1940 for the film "Thief of Baghdad" but it also came with many issues. The color blue was selected mainly because it was a color farthest from the skin tone. But this meant that any costumes or props with a blue hue would simply blend in and disappear with the background. And if the lighting wasn't perfect, it would end in these blue halos that you see around the actors. ff782bc1db

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