Kaur is constantly working with South-Asian performative language - like a durational curiosity, especially regarding the performative fluidity that is constantly evolving as a post-truth language. In the last seven years, Kaur has worked as an official member of India's pioneer international performance festival, which is known as kipaf (Kolkata international performance art festival). It is also one of South Asia's independent performance festivals, running on an artist-run micro-budget which is considered as a sustainable model for performance art in a country where the arts support is minimal.

Kaur has shared a special curatorial interest in the south-Asian anarchist method, especially in the context of a subaltern art movement. In terms of formal practice, Kaur most likely chooses their community practice as an experiential tool to make a performative dialogue in terms of the curatorial model. Kaur usually feels extremely motivated where 'art' is not a limited rigid medium rather it is considered as duration practice and prolonged understanding as a reflection of the social act. Ecological Binaries and performativity of acceptance - are the two key areas that Kaur would like to extend shortly as a subject for further research.

What lies in between confined and secure? - Team Collab | video in collaboration with Sadya M.(Bangladesh)