"Beautiful Love" is a popular song composed by Wayne King, Victor Young and Egbert Van Alstyne with lyrics by Haven Gillespie. It was introduced by the Wayne King Orchestra in 1931. The song has been called the "second favourite number" of King, after the Orchestra's theme song "The Waltz You Saved for Me".[1]

It appears as a love theme both in the 1932 film The Mummy (when it is played during the ball sequence where Helen is telepathically called to the museum), and in the film Hotel Continental, also 1932. The song is included in the film Sing a Jingle (1944)[4] and it was also included in the 1989 film Crimes and Misdemeanors by Woody Allen.[5]


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Comparing the BG3 main theme to the main themes of the other games (which were much more ominous and epic battlemarch-like), one can't help but notice how distinctly different the tone and mood of this piece is - Down by the River is a very very romantic song.

Why do you think the direction of this game opted for a romantic love song to be the main theme of this game, and what do you suspect this choice will ultimately mean for the final direction of this game?

Little Texas sing about a fiery kind of love in their 1994 single. The track off Big Time became their only song to reach No. 1 on a Billboard chart, crowning the Hot Country Songs survey for two weeks in April. Listen here.

Johnny Cash sings about physical love in this song from the soundtrack to the 1970 film I Walk The Line starring Gregory Peck and Tuesday Weld, which hit No. 1 on Hot Country Songs in January 1971. Listen here.

In short: Moulin Rouge! The Musical's gift is its song, and this one's for you. Learn more about all the musical numbers in the show and how they use pop songs to tell the fated love story between a writer and a showgirl.

"The Moulin Rouge is a state of mind," nightclub emcee Harold Zidler tells the audience. That state is defined by luxury, spectacle, escape, and love, all of which are on full display in this spectacular opening number. It's impossible not to be in the Moulin Rouge mindset after seeing burlesque and can-can dancers perform in colorful costumes, under vibrant lights, to pulse-pounding music. Most of the major characters, like Zidler, Christian, and the Duke, are introduced in this song.

Short snippets of multiple pop songs are peppered throughout "Welcome to the Moulin Rouge!", ranging from "Burning Down the House" and "Ride wit Me." But the most prominent theme is, of course, the film's banner hit, "Lady Marmalade."

Suddenly, Christian bursts into "The Sound of Music" (with its dreamy original lyrics, here conceived by Christian himself) and instantly befriends the pair. He then gives Lautrec and Santiago a taste of some other songs he wrote, including "Every Breath You Take" and "Never Gonna Give You Up."

"Nature Boy," a pensive ballad written by eden ahbez, appeared in the Moulin Rouge! film. In the musical, Lautrec sings the song to inspire Christian to pursue true love with Satine. The song's final lines sum up a major theme of the musical: "The greatest thing you'll ever learn is just to love and be loved in return."

In addition to "The Pitch Song," "Come What May" is the only other original song written for Moulin Rouge! The song first appeared in the film, when Christian and Satine profess their love for each other: "I love you until the end of time, come what may."

The song ends with a pained reprise of "Diamonds Are a Girl's Best Friend." Satine doesn't want the Duke's love or money, but with no money and waning health, she sees no other option for survival. "There may come a time when they're no longer calling, and so I must climb just to keep me from falling," she cries.

"El Tango de Roxanne" is more than a cover of the Police song. Their "Roxanne" is mashed up with "Tanguera" by Mariano Mores, underscoring a story about a man who falls for a prostitute and gets his heart broken. The Moulin Rouge performers sing, and actually tango, to "El Tango de Roxanne" as a cautionary tale to Christian against pursuing Satine. He lets out all his rage, anguish, and lovesickness about being without her.

At the last moment, Satine reveals she never stopped loving Christian, singing "Your Song" to convince him to live on. The song turns into a duet as they affirm their love once and for all before the audience.

The songs you choose for your wedding day create beautiful moments that you know will stay in your memory forever. Your song choices are also a great way to express who you are as a couple: classical traditionalists, vintage music aficionados, or pure romantics.

In 1969, the Ohio legislature adopted "Beautiful Ohio" as Ohio's state song. Mary Earl, whose real name was Robert A. "Bobo" King, composed the music. Ballard MacDonald wrote the original lyrics to the 1918 song. In 1989, with the permission of the Ohio legislature, Wilbert B. McBride altered the lyrics.

In his version, MacDonald describes a rather fanciful view of Ohio, describing it as a "paradise," where two people fell in love. McBride also described Ohio in a stellar light, using terms like "majestic," "beautiful," and "lovely." In addition, He provided a more accurate portrayal of the state by referring to the state's industries, cities, and farmland, deleting MacDonald's lovers from the song.

Thank you for your feedback, Laura! The blog post was written by The Good and the Beautiful and was published on July 2, 2021. The lyrics and original poem are credited to Katharine Lee Bates (as the writer) and Samuel Ward for the melody in the blog post and on the free download. We hope the story of the song found in the blog and the free download is helpful for your family!


Watch this video on YouTubeClick to load videoTo Sir With Love (To Sir With Love, 1967)Sidney Poitier was the main star of a worthy school-based film in which a teacher wins over some inner-city toughs in East London. Lulu, who starred in the film, had a surprise No.1 US hit with the title song. It was co-written by Don Black, a songwriter who had worked on lots of James Bond themes and was a frequent collaborator with John Barry, the soundtrack legend. They both later worked on the music for Out Of Africa.

"I love to communicate via Easter eggs. I think the best messages are cryptic ones," she told Entertainment Weekly in 2019. She cited clothing, jewelry, and music-video sets as favored hiding spots, adding that she has been "encoding messages into the lyrics" since her debut album in 2006.

Curiously, however, the song does not focus on Emma's male love interest (the "boy with eyes like a man" isn't even mentioned until the third verse). Rather, it centers the intimacy shared by two women.

The song deals with clandestine lust, a theme that will reappear many times in Swift's music. She describes her crush as an "addiction" and herself as a "secret mission." But the thrill of sneaking around is corrupted by the fear of being found out ("They keep watchful eyes on us / So it's best that we move fast and keep quiet").

In a queer context, "Dancing With Our Hands Tied" captures the fear of coming out and being met with homophobia. This is illustrated in the song's second verse: "I loved you in spite of / Deep fears that the world would divide us."

However, it could also be interpreted as a coming-out song. The lyrics are about becoming one's true self after a lifetime of denial: "I've been sleeping so long in a 20-year dark night / And now I see daylight."

The "golden" love that Swift has found is also juxtaposed with previous relationships that she describes as "black and white," recalling the contrast between colorless people and rainbow people found in songs like "Out of the Woods" and "Me!" (and resurfacing later in "Illicit Affairs" and "Question...?").

"Lavender Haze," the opening track on "Midnights," is a song about embracing love in its purest form. For Swift, this seems to require a rebellion against societal norms and heteronormative expectations: "I'm damned if I do, give a damn what people say / No deal / The 1950s shit they want from me / I just wanna stay in that lavender haze."

The song's music video leans heavily on the purple hue, showing Swift surrounded by lavender-colored liquid, smoke, stars, and flowers. Her love interest is portrayed by model Laith Ashley, who has been open about his experience as a transgender man.

The subject, who is soon revealed to be Swift's lover ("I'm so in love that I might stop breathing / Drew a map on your bedroom ceiling"), is someone who "hooked up" with a guy. This suggests the song's subject is a woman, or perhaps a queer man or non-binary person.

Whether you listen to these kid-friendly love songs together while you cuddle or you break out into an impromptu dance party, your child will feel secure in your love for them. And that stronger connection will pay off in the form of greater cooperation, fewer power struggles, and the kind of loving parent-child relationship that will last into the teenage years and beyond.

The best lyrics read like the finest poetry, and many would argue that the likes of Neil Young and Bob Dylan are indeed poets as well as songwriters. To prove just how tricky and rare it is to craft exquisite lyrics like theirs, it pays to look at the other end of the scale:

The lesbian music video matches the feel-good energy of the entire song well. Sofya takes a woman away from a guy. After that, we see them in different locations as a couple that is ultimately in love.

Songs about daughters are a beautiful and touching way to show how much we love our girls. These songs vary from funny and happy to thoughtful and sad. They also span decades of music so that you can find something for every mood! We hope that this list provides the perfect soundtrack for your daughter or someone special in your life.

Are you looking for a track to dedicate to someone special? Maybe a first dance tune for your wedding? Or perhaps you are in your feelings about your crush and just want to embrace the mood? Here are the 27 best Taylor Swift love songs to play for your lover: ff782bc1db

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