You can imagine signals being processed by Hybrid Reverb as flowing from the left side of the device towards the right side, passing first through the input section, then into the reverb engines. The relationship between the two reverb engines is affected by the routing section, after which the signal passes through the EQ section, and then finally to the output.
Chopped and screwed (also called screwed and chopped or slowed and throwed) is a music genre and technique of remixing music that involves slowing down the tempo and deejaying. It was developed in the Houston hip hop scene in the early 1990s by DJ Screw. The screwed technique involves slowing the tempo of a song down to 60 and 70 quarter-note beats per minute and applying techniques such as skipping beats, record scratching, stop-time and affecting portions of the original composition to create a "chopped-up" version of the song.[2]
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Slowed and reverb remixes were also uploaded to Spotify using the service's podcast feature.[15] For Okayplayer, Elijah C. Watson dubbed slowed and reverb remixes "the soundtrack for Generation Z", comparing the style to lo-fi hip hop.[12]
Remixes using the technique also became popular on the video-sharing service TikTok.[16] However, they became controversial on social media in mid-2020 after a viral video posted to TikTok failed to attribute the creation of slowed and reverb to chopped and screwed, causing users to brand slowed and reverb a "gentrified" version of chopped and screwed.[17] For the Houston Chronicle, Shelby Stewart wrote, "Give DJ Screw his flowers. Slowed + reverb is a poor imitation of what chopped and screwed music is."[18]
Just as food can be improved with a little hot sauce, so too can songs be enhanced with a bit of reverb. From surf rock and techno to trap music, ambient, and even religious choirs, the shimmering echoes of reverb tails are all over modern music.
The drone that can be heard throughout the song, but most notably in the beatless moments of the track, has a sort of hollowed-out type of reverb. It sounds as if Reznor ran static through a convolution reverb. But reverb can be heard on the piano notes and synth stabs, as well in the startling sustain of the fuzzed out guitar and the drones heard in the outro.
This track, to be honest, is one of the most tasteful deployments of reverb in modern electronic music. When the synths come in at about the 2:28 mark, the song reaches a sublime state, thanks in no small part to the reverb on them. ff782bc1db
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