920 London Mp3 Song Download

Hey, new to watching OWL, when Spitfire played, before being introduced they had a full-production song that played, was pretty damn cool. Wondering if there's a place to watch it on its own? On YT maybe?

The song is undoubtedly heart-stirring and resonates with people in a number of ways, from the parents who hear it for the first time when their children sing it in choir to the German schoolchildren who study its lyrics as poetry to learn about those less fortunate than themselves. It provokes strong emotion. For me personally, it conjures up fond childhood memories of my dad playing it on the guitar. Others have more poignant and visceral associations.

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Coward wrote "London Pride" in the spring of 1941, during the Blitz. According to his own account, he was sitting on a seat on a platform in Paddington station, watching Londoners going about their business quite unfazed by the broken glass scattered around from the station's roof damaged by the previous night's bombing: in a moment of patriotic pride, he said that suddenly he recalled an old English folk song which had been apparently appropriated by the Germans for their national anthem, and it occurred to him that he could reclaim the melody in a new song.[1] The song started in his head there and then and was finished in a few days. In fact the tune of the German national anthem was composed by Joseph Haydn in 1797 in a different context.

The flower mentioned is Saxifraga urbium, a perennial garden flowering plant historically known as London pride,[3] which was said to have rapidly colonised the bombed sites of the Blitz. The song was intended to raise Londoners' spirits during that time, and was also circulated after the July 2005 bombings.

The music is used in the film This Happy Breed, including the closing titles. The song has since been covered by artists such as Gracie Fields, Cleo Laine, and Donald Peers.[citation needed]

Julie Andrews sang the song on her 1957 debut album, The Lass with the Delicate Air.[4] Damon Albarn and Michael Nyman recorded the song in 1998 for the Twentieth-Century Blues: The Songs of Noel Coward tribute album.[5] To mark the 100th anniversary of Nol Coward's birth, Jeremy Irons sang a selection of his songs at the 1999 Last Night of the Proms held at the Royal Albert Hall in London, ending with "London Pride".[6] In May 2015, Alexander Armstrong performed the song at VE Day 70: A Party to Remember at Horse Guards Parade in London.[7]

"Towers of London" is a song written by Andy Partridge of the English rock band XTC, released as the second single from their 1980 album Black Sea. It peaked at number 31 on the UK Singles Chart. The BBC-2 documentary XTC at the Manor featured the group recording the song in the studio.[2] Partridge later reflected that he may have been "subconsciously" trying to rewrite the Beatles' "Rain", desiring "clangorous guitars crashing together, and sort of droning." The night after John Lennon was killed, XTC played a gig at Liverpool, where they performed both "Towers of London" and "Rain" in tribute to the Beatle.[3]

"London Calling" is a song by the British punk rock band the Clash. It was released as a single from the band's 1979 double album of the same name. This apocalyptic, politically charged rant features the band's post-punk sound, electric guitar and vocals.[4][5][1]

The song was written by Joe Strummer and Mick Jones. The title alludes to the BBC World Service's station identification: "This is London calling ...", which was used during World War II, often in broadcasts to occupied countries.[4][6][7]

According to a retrospective assessment by Allmusic critic Donald A. Guarisco, the song "cleverly crossbreeds anthemic hard rock with reggae by juxtaposing slashing, staccato guitar riffs with an undulating rhythm section beat as Strummer lays down a snarling vocal..."[8] Guarisco finds that this gives the song "a hypnotic sense of drive."[8]

"London Calling" was released as the only single from the album in the UK and reached No. 11 in the charts in January 1980,[5] becoming at once the band's highest-charting single until "Should I Stay or Should I Go" hit No. 1 ten years later. The song did not make the U.S. charts, as "Train in Vain" was released as a single and broke the band in the United States, reaching No. 23 on the pop charts.

"London Calling" was the first Clash song to chart elsewhere in the world, reaching the top 40 in Australia. The success of the single and album was greatly helped by the music video shot by Don Letts showing the band playing the song on a boat (Festival Pier), next to Albert Bridge on the south side of the Thames, Battersea Park in a cold and rainy night at the beginning of December 1979.[12][13]

The Clash turned down a request from British Telecom to use the song for an advertising campaign in the early 1990s.[21] In 2002, the band incurred criticism when they sold the rights to Jaguar for a car advertisement. In an interview posted on his website, Strummer explained the reasons for the deal. "Yeah. I agreed to that. We get hundreds of requests for that and turn 'em all down. But I just thought Jaguar ... yeah. If you're in a group and you make it together, then everybody deserves something. Especially twenty-odd years after the fact."[22]

The song was also used for a 2012 British Airways advertisement, picturing a jet aeroplane taxiing through the streets of London passing numerous landmarks and parking outside the Olympic Stadium.[23]

Following the 2022 Russian invasion of Ukraine, the Clash gave permission to a Ukrainian punk band named Beton to rewrite the song as an anti-invasion anthem and charity fund-raiser titled "Kyiv Calling".[25]

"Streets of London" is a song by Ralph McTell, who first recorded it for his 1969 album Spiral Staircase. It was not released in the United Kingdom as a single until 1974. McTell himself noted that there were 212 known recorded versions of the song.[1] The song was re-released, on 4 December 2017, featuring McTell with Annie Lennox as a charity single for CRISIS, the Homelessness Charity. Roger Whittaker also recorded a well received version in 1971.

McTell's song contrasts the common problems of everyday people with those of the homeless, lonely, elderly, ignored and forgotten members of society. In an interview on Radio 5 with Danny Baker on 16 July 2016, McTell said that the market he referred to in the song was Surrey Street Market in Croydon.[citation needed]

McTell left the song off his debut album, Eight Frames a Second, since he regarded it as too depressing, and did not record it until persuaded by his producer, Gus Dudgeon, for his second album in 1969. A re-recorded version charted in the Netherlands in April 1972, notching up to No. 9 the next month.[5] McTell re-recorded it for the UK single release in 1974. McTell played the song in a fingerpicking style with an AABA song structure.[6]

The song was McTell's greatest commercial success, reaching No. 2 in the UK Singles Chart, at one point selling 90,000 copies a day[8] and winning him the 1974 Ivor Novello Award for Best Song Musically and Lyrically and a Silver disc for record sales.[9] This was kept out of the top position, by a combination of "Lonely This Christmas" by Mud, and "Down Down" by Status Quo, for two weeks.

In 1971, Roger Whittaker released his version making the song gain great popularity internationally. It appeared in his album New World in the Morning. The single "Streets of London" was the B-side to his own song "Why" with the radio stations promoting his version of McTell's song. It was also B-side to his huge hit "The Last Farewell" also in 1971.

Finnish musician Hector made a Finnish translation of the song, Kuinka voit vitt ("How can you claim") of the song in 1972. It tells the stories of a homeless war veteran, a prostitute and a neglected child.

Punk band Anti-Nowhere League recorded a version of the song on their debut album in 1982. Ned Raggett of AllMusic referred to it as "the undisputed highlight" of the album in a retrospective review.[11]

In 2017, McTell re-recorded the song with Annie Lennox (who sings the song's second verse, and some support vocals close to the end) and clients of UK national charity Crisis (who sing the chorus vocal behind McTell.) The performance was issued as a charity single, with proceeds to help homeless people. This was to mark the 50th anniversary of both the song and of the Crisis charity.[12] Though the track peaked at #92 on the UK charts, the CD single of this release was Number 1 in the Christmas 2017 Official Physical Singles Chart (for CD sales).[13]

Any school wishing to book a workshop should contact the London Song Festival on info@londonsongfestival.org .

Nigel is also Musical Director of Opera and More. This is a year-long part-time course aimed at talented singers of Undergraduate and Post-Graduate level. A maximum of 12 participants, selected by audition, work on style and interpretation, audition preparation, presentation and communication techniques, stagecraft and acting skills, programming and preparing a recital, diction, text work and improvisation with an exciting team of conductors, directors and pianists. The course will cover every area of vocal repertoire including opera, art-song, concert repertoire and oratorio. Full details on operaandmore.org

While her music career earned her public notice, London also continued to appear in films, with lead roles in Crime Against Joe (1956), as well as appeared as herself in The Girl Can't Help It (1956), in which London performs three songs, including "Cry Me a River".[28] The film was a box-office success, and became one of the top-30 highest-grossing films of 1956.[29] London subsequently appeared in a television advertisement for Marlboro cigarettes, singing the "Marlboro Song".[30] She appeared in several Westerns: In 1957, she appeared in Drango playing a Southern belle harboring fugitives,[31] followed by a starring role opposite Gary Cooper in Man of the West, in which her character, the film's only woman, is abused and humiliated by an outlaw gang.[32] The same year, she appeared as a pending bride in the Western Saddle the Wind;[33] London's performance received critical acclaim in The New York Times.[34] She appeared in The Wonderful Country in 1959, in which she plays a downtrodden wife of an army major.[35] 2351a5e196