Anyone know of a resource to find midi patterns? I mean just the patterns, not wav files or anything, so I can import them and use with whatever drum setup I'd like. The main reason I'm asking is it would be great to be able to see a "classic" pattern for various genres to learn from and use a jumping off point.

I've tried to capture to midi from Kontakt by enabling "Script Generated CCs and notes" on "Send MIDI to outside world", but the recorded midi doesn't seem to make much sense. If someone know a way to convert the patterns to midi please let me know! :)


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No MIDI out from Electric Sunburst = unusable in more detailed compositions. I just updated to the newest Komplete Ultimate to get, among other libraries, this library. I love the sound of it, and it sits nicely in the mix. BUT! As long as it can only play off-the-shelf static patterns with no real possibility to COMPOSE with it (for instance make it follow small riffs and variations on other tracks), I simply can't use it. It's not flexible enough - not a real tool if you ask me. Why NI has no plan to update it to make it really shine... I don't know. Give it MIDI out drag and drop, and it'd be a MUCH more versatile and professional tool. Or maybe I'm not overlooking how to program/play on a more detailed level?

EZDrummer is a great tool, but if you are looking for grooves, that really fit your songs, the included patterns will usually not make it. My solution is to use a little drum tab editor called TabTrax, which allows to write your own grooves very easily. You can export your patterns from TabTrax to MIDI and copy these MIDI files to the EZDrummer folders to make them directly accessable via EZDrummer.

I connect the output of TabTrax to EZDrummer with a virtual midi cable. When I write drumlines the setup is: TabTrax, virtual MIDI-cable (LoopBe), EZDrummer in Toontrack solo.

Sometimes I refine the grooves in the Cubase drum editor as TabTrax does not allow that much volume levels and does not allow to include small changes of notes (1/256 for instance) to add some real human feeling. On the other hand it would at least take 10 times longer to create my basic drum lines in the Cubase drum editor. I have tried it in cubase and with lots of other drum editors. Nothing compares with TabTrax.

i mainly use Logic for demoing guitar parts and, as someone who writes mainly thrash/punk/heavy rock stuff, there are a handful of different drum patterns that fit roughly with most of my riffs. my songwriting process would be greatly sped up if i could just drag out a stock pattern and save me ages of clicking in the same old thrash beat

Cymatics hired a Grammy nominated pianist to come in the studio and record hours of hip hop melody loops for this one. Making this a very special MIDI loop pack.


We had him jam out for hours to different tempos and styles of beats and captured all of the MIDI to give you a wide variety of midi files and midi chords to play with.


51 free MIDI loops are included in the Python MIDI Collection.

Not to mention, in the same fashion people would look for sheet music to study other composers, you can now look for midi files and analyze them to learn your favorite midi chords, progressions and how to build rhythms with midi drum loops!

Hi misohazo and THANK YOU! That fixed my problem. I appreciate you taking the time to point this out to me, I would never have found that and I am very happy to have the HH patterns in my song sound the same as they did in GA.

This workflow allows you to transform midi pattern to match the chord.

Pattern can be played from the DAW timeline or assigned to launchpad in Ableton Session View.

I also use this method in Reaper with Helgoboss Playtime (Session View for Reaper).

More advanced. MIDI patterns in DAW can be used to control articulation VST instrument or NI Kontakt instrument. To do this, you must additionally second send from pattern track for articulation notes to the instrument track. I use for filter articulation notes NoteMapper in Reaper.

Drum Machines have preset patterns I can play, as does Electric Sunburst (guitar plug in). In addition, many instruments contain sequences and arpeggiators that are very neat. Lastly, some orchestral instruments have interesting articulations - like jabs and rips for brass, runs for woodwinds, etc.

Why do you want to record midi from the instruments? The instruments you load on an instrument track produce audio, not midi. So the method to get Cubase to record what you hear in your headphones is in fact to record the single note that triggers the effect. If you do that and play it back, the result will be exactly what you heard the first time.

So, in short, this VST comes with a built-in sequencer section where you can create or modify beats (or whatever sample you chose to assign to its pads), then you can drag and drop the pattern on to a track where, normally, it should only create and trigger the patterns' notes.

This free pack comes with 293 midi files containing all the Major and Minor scales and Triad chords ready to be immediately dropped into your DAW. You'll also get bonus of both piano and guitar scales and chord charts.

This pack comes with 5 different drum patterns in 8 different genres including Classic Hip Hop, BoomBap, Synthwave, LoFi, Pop, Rock, EDM and Trap for a total of 40 MIDI files. These drum patterns were kept simple consisting of mostly only a kick, snare and hats so beginners won't get too overwhelmed.

Yes, external MIDI sequencers like Xequence or Modstep (as I personally prefer scene-based sequencing) comes to the rescue. You can create MIDI track for each instrument and send notes to Rozeta or PC message to StepPolyArp to switch patterns. In Xequence, you can even create a drum map of notes that will be named according to numbers of patterns in Rozeta (not sure if StepPolyArp can switch patterns also based on notes, not only PC?). Modstep also can have custom "drum" maps so you can have named notes to easily distinguish which pattern you're triggering.

As I am writing this, I've got an idea to use one StepPolyArp instance as a "main controller" which will control switching patterns of all other MIDI generators in the session. It seems doable, as StepPolyArp allows you to assign specific MIDI channel to each note so you can simultaneously trigger patterns from many generators. Also, every pattern of StepPolyArp can have it's own note mapping, so the only limitation is the number of patterns that can be switched simultaneously.

One disadvantage I see here is that it may be a little chaotic and unintuitive - you only see note names in the left column in StepPolyArp and no channel number. So you'd need to always open the note editation popup to find out, which instrument and which pattern you're actually controlling. So still not "perfect", but theoretically should work

You may ask why I don't simply record MIDI into Modstep clips (or any other MIDI app that can record) and trigger them? One reason is that I have tried it and usually get very weird results, mostly related to timing - some notes were shifted "outside" the pattern, some were missing,... But most importantly, I would like to keep the ideas where I created them. That means, within the the generators like Rozeta or StepPolyArp... It's then much easier for editing and of course, some tools (like Rozeta bassline) are simply better suited for some use cases (monophonic with accents and glides) and some for others (StepPolyArp - arpeggiators, XOX - drum patterns,...). And last but not least: routing and then recording into separate clips is an additional work that has no creative purpose (yes, mapping the "main controller" StepPolyArp would be probably the same).

Hi,

have you considered something like 'StreamByter'? It's a bit abstract, but it's an AU and extremely powerful.

You could have your controller (be it a keyboard- or pad-thingy, or maybe xseqence-pads?...any will do)

connected directly to StreamByter and it can send out whatever midi-message you like.

Short example: my Akai LPK25 sends out notes on channel 2, StepPolyArp wants CC21 values 0-15 for pattern change. This is the StreamByter rule:

@electronicsfordogs said:

Hi,

have you considered something like 'StreamByter'? It's a bit abstract, but it's an AU and extremely powerful.

You could have your controller (be it a keyboard- or pad-thingy, or maybe xseqence-pads?...any will do)

connected directly to StreamByter and it can send out whatever midi-message you like.

Short example: my Akai LPK25 sends out notes on channel 2, StepPolyArp wants CC21 values 0-15 for pattern change. This is the StreamByter rule:

not shure what you mean by Midi timing, but SPA and the Rozettas change pattern at the end of the running pattern, so no timing issues here. I just push the button/pad/key anytime during a part of a song and at the end of that pattern I'll get to the bridge/verse/whatsoever, with perfect timing.

Only drawback is -as others mentioned- you'll need to find a way to organize yourself, as with a few tracks and a few patterns things can get quite confusing.

Or am I missing something?

cheers

btw.: in SPA there's a setting to change patterns via midi immediately (me like way more!!)

Secondly, apps like Midi Designer Pro 2 can be used to easily build control surfaces to send any midi messages you need. You could easily set up a set of triggers for clips, and label, and color them any way you want. Each trigger can send multiple messages, or even streambyter scripts. 2351a5e196

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