777 Charlie Tamil Audio Track Download

I could sob with joy and other emotions after my first hearing of this interview. Bird was a genius. The interviewer was trying to provoke Bird into trash talking? Possible? Bird was uniformly generous and kind with his remarks. He praised a lot of guys as musicians and humans. Davey Schildkraut. Another moment to sob. Ranks along side with the Paul Desmond interview. The audio quality sucks but is beside the point. Beautiful thank you Lewis!

For my first post, I offer an audio interview with Charlie Parker from 1954 that has NEVER been heard before. At almost 14 minutes, it\u2019s one of the longest recorded interviews with Bird. (This is Not to be circulated among non-subscribers nor posted on Youtube, etc.) In the future, audio, video, etc. will be for paid subscribers only, but I want to share this with ALL subscribers!

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Charlie Painter is a self-studied, self- producing, Madison-based guitarist, band leader and teacher since 2008.

With 15 years of weekly/monthly residencies under his belt, Painter's multi conceptual approach is informed by years of performance, transcribing records by ear, and a recent mentorship under NYC Jazz guitarist Jordan Klemons since 2020.

* 2022 Jazz At Five Performer

* 2023 MAMA winner (Best Jazz Album - guitar on all tracks)

To get successfully compare the tape and digital recordings, a somewhat complicated signal flow was required. Eight channels of audio came into the Sony MXP3000 console and into ProTools. From there, all eight channels went out to the tape machine then back to ProTools via eight new channels. So every channel had parallel versions; one from tape, one straight off the console.

Mixing was a matter of deciding which version of the signal should represent each source. Due to the noisy nature of the analog gear, many digital tracks were used, but analog warmth is found largely in the acoustic guitar recordings.

In 1988, Fantasy Records re-released a CD of the 11 original tracks plus one bonus cut, "Greensleeves." A 16-track remastered edition, featuring "Greensleeves" and alternate takes of four other songs, was released in 2006, followed by a second remaster in 2012.

In 2022, Craft Recordings embarked on a major reissue campaign in a variety of expanded, deluxe editions. These sets feature a new stereo mix completed by Paul Blakemore, the original 1965 stereo mix, and up to 50 previously unreleased outtakes from five separate recording sessions. The three editions are a single LP vinyl edition, comprising the original 1965 stereo release offered in gold foil sleeved with embossing details (released September 22, 2022); two-disc LP vinyl and CD expanded editions, containing the 2022 stereo mix and 13 outtakes from the original recording sessions (released December 2, 2022); anda five-disc super deluxe edition, which adds three CDs of complete Autumn 1965 recording sessions and a Blu-ray audio disc containing high-resolution audio and Dolby Atmos mixes (released December 2, 2022).[8]

Guaraldi brought in bassist Fred Marshall and drummer Jerry Granelli and re-recorded tracks such as "The Christmas Song" and "Greensleeves". The album credited Guaraldi solely, neglecting to mention the other musicians; Guaraldi was notorious for never keeping records of his session players.[22] Nearly three decades later, in an effort to correct the matter, Fantasy surmised that the recordings with Budwig and Bailey were employed in the television special while Marshall and Granelli recorded the album.[22] Despite this, other musicians have claimed to have recorded the special's music: bassists Eugene Firth and Al Obidinski and drummers Paul Distel and Benny Barth. Firth and Distil are noted as performers on a studio-session report Guaraldi filed for the American Federation of Musicians.[22]

Not all music featured in the current version of the holiday special was released on the soundtrack. After the inaugural broadcast of the special in December 1965, Lee Mendelson and Bill Melendez fitted several scenes with the songs "Charlie Brown Theme," "Happiness Theme" and "Frieda (with the Naturally Curly Hair)", all lifted from Jazz Impressions of A Boy Named Charlie Brown. In addition, "Air Music" (aka "Surfin' Snoopy") from the soundtrack of Charlie Brown's All Stars! was inserted in the scene where Snoopy is decorating his doghouse with Christmas ornaments. These four additional songs were not included in the soundtrack release as they were not part of the original show. Additionally, tracks "What Child Is This" and "The Christmas Song" are on this recording, but were not included in the special.[23]

It became the first jazz soundtrack album to reach the Top 10 outside of a specialty album chart (i.e. Christmas Albums, Top Pop Catalog Albums, Kids Albums) when, in January 2021, it reached No. 10 in the Billboard 200 chart.[28] Derrick Bang, Guaraldi historian and author of Vince Guaraldi at the Piano, noted the significance of such a "huge" accomplishment, with Guaraldi sharing top spots with Taylor Swift, Paul McCartney and Eminem.[29]

The soundtrack to A Charlie Brown Christmas has been considered "one of the most beloved holiday albums recorded."[33] Chris Barton of the Los Angeles Times asserts that the soundtrack introduced jazz to an entirely new generation, having been heard by more individuals than the work of the genre's most influential players, including Miles Davis and John Coltrane.[33] The score influenced dozens of young aspiring musicians, among them David Benoit[34] and George Winston.[1] Haney wrote that the record "introduce[d] contemporary jazz to youngsters with grace, charm, and creativity."[6] In 2019, it was ranked the fourth greatest Christmas album of all time by Rolling Stone.[35]

On the afternoon of July 15, 2015 I drove from Lubbock, Texas to the abandoned First Presbyterian Church of Taiban with an 8-track recorder and a handful of songs. Hear the ambience of the desert, highway, and railway on this self-produced solo acoustic record of flatland murder ballads and high plains hymns.

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