5150 (pronounced "fifty-one-fifty") is the seventh studio album by American rock band Van Halen. It was released on March 24, 1986, by Warner Bros. Records and was the first of four albums to be recorded with lead singer Sammy Hagar, who replaced David Lee Roth. The album was named after Eddie Van Halen's home studio, 5150, in turn named after a California law enforcement term for a mentally disturbed person (a reference to Section 5150 of the California Welfare and Institutions Code). The album hit number 1 on the Billboard 200 chart, surpassing the band's previous album, 1984, which had peaked at number 2 behind Michael Jackson's Thriller album, on which Eddie made a guest appearance.
Van Halen had considerable difficulty finding a replacement for the popular David Lee Roth, until July 1985, when Eddie was referred to former Montrose singer Sammy Hagar by a mechanic working on Eddie's Lamborghini.[6][7] The pair hit it off, and the new singer and band immediately began work on new songs.[8] Van Halen went to work on the album in November 1985; it would be finished in February 1986, just one month before its release.
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The album 5150 was notable for a number of love songs and ballads, a contrast of the straightforward rock of the original albums. Many called the new incarnation "Van Hagar" (derisively or affectionately). The nickname was so ubiquitous that, as Hagar points out in his book, Warner Bros. asked them to consider renaming the band as such; the Van Halen brothers refused.
Bolstering criticism was the absence of Ted Templeman, who having produced every previous album for the band, left to helm Roth's solo Eat 'Em and Smile. Templeman would return to produce Van Halen's For Unlawful Carnal Knowledge several years later, for which Andy Johns had originally been tapped. Donn Landee took over producer duties for 5150 after serving as an engineer on previous albums. Foreigner guitarist Mick Jones was also brought in as a producer.
The production on this album was markedly different from their albums with Templeman. The guitar, previously high in the mix and frequently pushed to the left channel (to simulate a "live sound"), now sat equal in the mix and its overall sound had changed. This may have been Landee's doing, as he was not a fan of the "live mix".[9]
The artwork features an Art Deco depiction of Atlas kneeling while holding a mirror-polished metallic sphere on his shoulders. The model for the album was ESPN BodyShaping's Rick Valente. The Van Halen logo wraps around the sphere.[10] The title of the album appears as a placard on a chain around Atlas' neck. The back cover of the album depicts the Atlas character collapsed, with the sphere dropped and broken open, revealing the band inside.
Despite the controversy of replacing Roth, the album was their first to top the Billboard 200.[11] It was also Hagar's first #1, as stated by him on the Live Without a Net concert video. The album went to number one on April 26, 1986 and 2x Multi-Platinum on May 28, 1986.[12][13]
A live video created during the tour for this album was released as Live Without a Net, which has since been released on DVD. The tour was a significant change from previous tours. Where Van Halen previously had years of material to work with, even on tour supporting the first album, Hagar was uncomfortable performing a large number of songs from the original lineup. Therefore, most of the band's back catalog was dropped from the set lists. Instead, the shows consisted of almost the entire 5150 album, a few Hagar solo hits ("I Can't Drive 55" and "There's Only One Way to Rock"), and a cover of Led Zeppelin's "Rock and Roll"; the band also played a humorous verse of Robert Palmer's "Addicted to Love" as part of "Best of Both Worlds." Of the Roth-era tracks, "You Really Got Me", "Panama", and "Ain't Talkin' 'bout Love" were performed with regularity. Unlike Roth, Hagar was an established guitarist, allowing Eddie to play keyboards on some songs.
Reviews for 5150 were initially mixed, but in later years the album became considered one of Van Halen's most complete recordings. The Village Voice's Robert Christgau rated the album a C+, which signifies "a not disreputable performance, most likely a failed experiment or a pleasant piece of hackwork." He wondered how "the guitar mavens who thought Eddie equalled Van Halen are going to like his fireworks displays and balls-to-the-wall hooks now that video star David Lee Roth has given way to one of the biggest schmucks in the known biz." He also stated that "no musician with something to say could stomach responding to Sammy Hagar's call".[15]
Furthermore, Tim Holmes for Rolling Stone rated the album three out of five stars. He noted that "part of Eddie Van Halen's cheeky genius [...] lies in his ability to think in terms of both complex orchestration and rock banalities". He also said that "Eddie can still split the atom with his axe, and he knows it. It's a Van Halen world with or without David Lee Roth, and 5150 shoots off all the bombastic fireworks of a band at the peak of its powers." He concluded that "ultimately, it is Eddie Van Halen's uncanny and intuitive ability to orchestrate these contradictions that gives the Van Halen machinery its velocity and amplitude."
A retrospective review from AllMusic's Stephen Thomas Erlewine was fairly positive. Erlewine criticized the album for the more heavy-handed feeling that resulted from Hagar's performance: "[W]here Diamond Dave would have strutted through the song with his tongue firmly in cheek, Hagar plays it right down the middle, never winking, never joking. Even when he takes a stab at humor on the closing "Inside" - joshing around about why the guys chose him as a replacement - it never feels funny, probably because, unlike Dave, he's not a born comedian." He concluded that "it worked, because they had the songs and the desire to party, so those good intentions and slow tunes don't slow the album down; they give it variety and help make the album a pretty impressive opening act for Van Halen Mach II."[14]
5150 comes from Article 1, Section 5150 of the California Welfare and Institutions Code, first signed into law in 1967. Section 5150 states that someone who, as a result mental illness, presents a danger to themselves or others, or who is gravely disabled by their mental illness, can be detained for 72 hours for evaluation in a psychiatric facility by peace officers, registered nurses, doctors, or other appropriate health professionals. Most states have similar legislation, but the number 5150 is specific to the state of California.
5150 has taken on more informal meanings by extension from its original sense. It can refer to the process of being detained for 72 hours, a person who has been detained, or even just a person who someone else thinks ought to be detained due to strange, erratic, or wild behavior. Likewise, police officers sometimes use 5150 as a slang code for an emotionally disturbed subject.
This is not meant to be a formal definition of 5150 like most terms we define on Dictionary.com, but is rather an informal word summary that hopefully touches upon the key aspects of the meaning and usage of 5150 that will help our users expand their word mastery.
As society has evolved over the past 50 years, so too has the understanding and treatment of people with mental conditions and disabilities. The current standards are still a far cry from the level of support and treatment these people need, especially with how much more we understand about these diagnoses and conditions. But we have also made some incredible progress from our truly sickening history of how we treated and detained people with mental disabilities or conditions even 30 years ago.
And part of that progress is experienced and trusted psychotherapy groups like our team at Life Skills Awareness, who are educated in how to effectively support an individual with a mental condition or disability. The 5150 and 5585 codes, while instituted during a truly dark time and reasoning for people with mental disabilities, can be an effective and necessary process to implement if used by the right people. Our team has authorized writers for both 5150 and 5585 holds, and we want to provide a little bit more information on what these numbers and holds actually mean, and how our team at Life Skills Awareness can apply them to help you or your loved one.
At Life Skills Awareness, as part evaluation facility, we have authorized 5150 and 5585 writers who can support these types of holds. The process usually involves your loved one going to the hospital, where the hospital determines medically clears them and then considers if they require an assessment. If this is determined to be needed, one of our authorized team members will come to the hospital and administer a "Crisis Assessment Evaluation for Further Assessment and Intervention", to determine if your loved one fits the requirements for a 5150 or 5585 hold. If they do, our team will fill out a similar form that places the hold on your loved one for a period of up to 72 hours.
The important thing to note about these holds is that they are for crisis and emergency situations. When you or a loved one is experiencing a true mental health crisis, whether they have a diagnosed mental condition or not, the severe effects of any mental condition crisis on logic, reasoning, and decision making has to be respected. They are still your loved one, but in such a state, they could do things that you know your loved one would never do because they are not fully in control of their own conscious self. This could lead to potentially dangerous and unintentional situations, where they could hurt someone they care about, or hurt themselves, whether directly or through the loss of critical amenities like food, water, and shelter. 152ee80cbc
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