Get Rich or Die Tryin' holds a 16% critics' approval rating at Rotten Tomatoes based upon 117 reviews. The site's critical consensus reads, "While it may be based upon 50 Cent's own life experiences, Get Rich or Die Tryin' is too similar to many other rags-to-riches stories to resonate."[7] Radio Times criticized the film, saying that "as a vehicle for hip-hop superstar Curtis '50 Cent' Jackson, this [film] runs out of gas a fair few kilometres short", giving it a "could be worse" rating of 2/5 stars.[2] CinePassion stated that "[Jim] Sheridan's surface vividness is applied around a vacuum."[8]
Jonathan Ross gave a positive review, calling Get Rich or Die Tryin' "gripping" and suggesting that it had "excellent performances".[11] Roger Ebert also praised the film, giving the film a 3 out of 4 rating and saying that it was "a film with a rich and convincing texture, a drama with power and anger".[12]
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\u201CDre was, like, \u2018How you going to be gangster this and that and then put this sappy love song on?\u2019\u201D said 50 recently, on Big Boy\u2019s Neighborhood. \u201CBut I told him, \u2018I\u2019m two people. I\u2019ve always had to be two people since I was a kid, to get by. To me that\u2019s not diversity, it\u2019s necessity.\u2019\u201D
Still, 50 just isn't quite there yet. Had he offered more tracks that showcased his talents quite as tangibly as "How to Rob (An Industry Nigga)" alongside the massive radio hits bumping from every inner-city Escalade, Get Rich or Die Tryin' very well might have been the landmark achievement it's being touted as. But as his character presently lacks the dynamism and depth required for that elusive gangsta magnetism that's a prerequisite for notoriety, 50 goes down as simply a decent MC with a wrenching back story, whose potential landed him a gig with the world's dopest beatmakers and the hype machine that shot the Great White Way into the pop culture stratosphere.
It was January 2003. In the world of music, Michael Jackson had only recently dangled his nine-month-old son over the balcony of a Berlin hotel room, Fergie had just joined The Black Eyed Peas, and Ja Rule and Nelly were the kingpins of the rap scene.
"It was a very organic thing," said Waldman. "I think the imagery shows him as the warrior that he was, like he was really prepared to get rich or die trying, and you shouldn't mess with him because he won't stop trying."
"I think that's why the album took the world by storm because the energy of it all was just perfect," Waldman added. "He kind of came out with this bible that said, 'I'm on the block now. I'm not in hiding anymore, I'm not selling mixtapes out of my trunk anymore. This is 50, and I'm going to get rich or die trying.'
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50 Cent is not yet notorious in the ring of content marketing leaders; however, his tactics should inspire our approach to becoming leading content marketers. Pursue these goals like your life and career depend on it, and you are sure to be fruitful like our good friend, Fifty. Those of us who are hungry will, at least, go out trying.
The rapper born Curtis Jackson, in recent years known more for his acting and entrepreneurial work, sounded polished in a 100-minute show where he was flanked by a pair of hype men for much of the night.
One of the main subjects that centers Get Rich or Die Tryin' album is how 50 Cent got shot, not once but nine times, survived from it, and now he's here for a 'real reason.' Everybody seemed to love the album and the good story, but that's not the case for Dr. Nader Paksima, who saved 50's life from those gunshots. According to BBC, the doc sued for unpaid medical bills worth more than 32.500 dollars.
Following the footstep of Eminem, who released 8 Mile in 2002, 50 also released his semi-biographical movie, Get Rich or Die Tryin, in 2005. Get Rich or Die Tryin' centered the story of Marcus, a quiet mama boy, who's shot nine times and lost his mother. Then, he took rap as his escape route.
50 Cent: My description of fun right now would be to sit on someone's couch and watch TV. Regular cable TV. When I'm in a hotel, on-demand is the same. You watch the same movies. I've seen everything in the hotels because I travel so often that it's not an option. When you're overseas, I watch the TV in another language, trying to figure out what they're saying.
The ultimate hustle is to move freely between the street and corporate worlds, to find your flow and never stay locked in the same position. This is a manifesto for how to operate in the twenty-first century, where everything has been turned on its head.... be457b7860
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